Glitches, Memes and Playbackshows: Performance in the Post-internet Era
Drag is gaining popularity and visibility at a rapid pace. With the body as a canvas and the...
Read MorePosted by Simon Baetens | 14th Dec 2022 | Belgium, Essay, LGBTQ Theatre
Drag is gaining popularity and visibility at a rapid pace. With the body as a canvas and the...
Read MorePosted by Delphine Hesters | 15th Oct 2022 | Belgium, Education, News, Theatre and Dance
Five dancers. Three years. One school. Every three years 1000 young dancers from all over the...
Read MorePosted by Jade Thomas | 12th Sep 2022 | Belgium, Essay, Playwriting, Theatre and Decolonization, United States of America
African American drama, theater and performance has a rich and complex history. Only recently,...
Read MorePosted by Borisav Matić | 31st Aug 2022 | Applied Theatre, Belgium, News, Norway, Transcultural Collaborations
Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and...
Read MorePosted by Rudi Laermans | 9th Jun 2022 | Belgium, Dramaturgy, Education, Essay
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read MorePosted by Rudi Laermans | 8th Jun 2022 | Belgium, Dramaturgy, Education, Essay
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
Read MorePosted by Scena.ro | 26th May 2022 | Adaptation, Belgium, News
In 1999, Viviane De Muynck and Jan Lauwers set to work with the last chapter of James...
Read MorePosted by Delphine Hesters | 25th Dec 2021 | Belgium, News, Transcultural Collaborations
Every three years 1000 young dancers from all over the world audition for PARTS, the renowned school for contemporary dance in Brussels, directed by choreographer Anne Teresa De Keersmaeker. Every three years, only 40 are chosen...
Read MorePosted by French Press Agency (AFP) | 29th Sep 2021 | Adaptation, Belgium, Review, Theatre and Opera
Based on an American novel detailing the country’s troubled 20th century, the new Belgian...
Read MorePosted by Melissa Farah Salvi | 19th Jun 2021 | Belgium, Essay, Theatre and Dance
With Get Down, Belgium now has its first management agency dedicated to street dancers. That is...
Read MorePosted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Rimah Jabr | 1st May 2020 | Belgium, Interview, Theatre and Art, Transmedia
The coronavirus empties streets and theatres. Because we prefer virtual theatre to none at all, we...
Read MorePosted by Milo Rau | 30th Apr 2020 | Belgium, Essay, Theatre and Film, Translation, Transmedia
Milo Rau was to receive an honorary doctorate from the UGent in March. Corona decided differently,...
Read MorePosted by Ilse Ghekiere | 19th Jan 2020 | Belgium, Essay, Theatre and Gender
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Read MorePosted by Rathsaran Sireekan | 4th Dec 2019 | Belgium, Participatory Theatre, Review
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
Read MorePosted by Goran Tomka | 1st Nov 2019 | Belgium, Essay, Management
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Read MorePosted by Zhanna Chernenko | 21st Oct 2019 | Belgium, Dramaturgy, Essay, Theatre and Dance
Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...
Read MorePosted by Agata Araszkiewicz | 11th Oct 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Read MorePosted by Rathsaran Sireekan | 23rd Sep 2019 | Belgium, Festivals, Review, South Korea, Theatre and Politics
The political self of beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
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