“KPOP” On Broadway: A Multisensory Feast of HEUNG
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
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South Korea
“Once Upon A (Korean) Time:” Review
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
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Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
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Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 1
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
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“Legend of The Waitress & The Robber” – A Korean American Cross Cultural Collaboration Makes it to New York City
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
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“The Legend of the Waitress & the Robber”: World Premiere of NYC-Seoul Collaboration Inspired by Schiller and Hong Gildong
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
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The Need to Recycle Forms the Core of this Korean Non-Verbal Play
Junk Clown, a Korean play for children, brings the concept of recycling to the table through mime....
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Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
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A Woman and an Immigrant, but Most of All, a Scientist: Musical “Marie Curie” Review
Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...
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Searching for the Origin of the Korean Wave: The Nanhee’s MIMAJI!
The Korean theatre company The Nanhee premiered its new production Mimaji!, written and directed...
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Battle Of The Sexes In The Midst Of A Refugee Crisis In Korea: “Big Love” By Ets (Eye To Soul)
The Korean theatre company ETS, which is an acronym for Eye To Soul, staged Charles Mee’s Big Love...
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Love, Labor, Loop: (Object’s) Life according to Geumhyung Jeong
The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...
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Eunkyung Jeong Elucidates Enlightenment in Her Autobiographical Installation
The Political Self of Beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
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“Self Life Drawing” – Eunkyung Jeong
The political self of beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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Navigating Korea and America: Meet Hansol Jung, Playwright of “Wild Goose Dreams” and “Cardboard Piano”
Hansol Jung is a playwright and director from South Korea. Her plays include Wild Goose Dreams (La...
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Thinking Out Loud
Essayisting Figures On Stage The influence of the essay as a means of expression has long reached...
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Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”
Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...
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“Deep Present” – Jisun Kim Stages Four Artificial Intelligences
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
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