Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
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Singapore
Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
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The Power of a Collective: Playwright Groups at Centre 42
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
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Choy Ka Fai: Dr. Dance Trips The Light Fantastic
Media artist Choy Ka Fai experimentally explores movement, art, and technology with some science...
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Walking Alongside “Bitten: Return To Our Roots”
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
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Liu Xiaoyi: Bending Space And Time In The Theatre
As part of the Asian Theatremakers series Liu Xiaoyi and I are arranging for a time and date to...
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Artistic Collaborations In Southeast Asia–Current Gaps And What’s Next For Producers
Intercultural Interlocutors: Tay Tong and Faith Tan, Part III *This is part 3 of a 3 part...
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Film Stars + Live Theatre = Awesome
Seven things we love about NT Live at Esplanade. “Furiously exciting” and “politically urgent” are...
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PLAYtime! Is Serious Business
Young Artist Award recipient Ian Loy has carved himself a niche in the Singapore arts scene...
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Pushing Early Regional Exchanges And Responding To Artists’ Needs
Intercultural Interlocutors: Tay Tong and Faith Tan, Part II *This is part 2 of a 3 part article. ...
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A Producer’s Life–Catalysing Exchanges And Supporting Art-Making In Southeast Asia
Intercultural Interlocutors: Tay Tong and Faith Tan, Part I *This is part 1 of a 3 part article. ...
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“Fourteen” By Split Theatre: Getting Schooled
At front-of-house before the doors open, a crew member encourages the audience to walk around the...
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The Glorious Anger Of “Leda And The Rage”
Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...
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The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
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The Second Breakfast Company’s “The Moon is Less Bright”: A New Phase
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
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Mayfly Docus: “Die Tomorrow” And “14 Apples” At SIFA’s “Singular Screens”
At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast...
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“Potong” By Teater Ekamatra: Of Kin And Skin
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
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“Kumar50”: The Star of the Singapore Drag Scene
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
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Life Isn’t a Beach in “Einstein in the Carpark”
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
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“Forked” Privilege Gets Served
Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...
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