Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
Read MorePosted by Alexa Alice Joubin | 12th Jun 2021 | Adaptation, Essay, Hong Kong, Japan, Singapore, South Korea
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
Read MorePosted by Rossella Ferrari | 22nd Nov 2020 | China, Hong Kong, News, Singapore, Taiwan, Transcultural Collaborations
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
Read MorePosted by Daniel Teo | 21st Aug 2019 | India, Interview, Playwriting, Singapore
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
Read MorePosted by Eleonore von Bothmer | 24th Mar 2019 | News, Singapore, Theatre and Science, Transmedia
Media artist Choy Ka Fai experimentally explores movement, art, and technology with some science...
Read MorePosted by Teo Xiao Ting | 5th Feb 2019 | Documentary Theatre, Immersive Theatre, Review, Singapore
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
Read MorePosted by Corrie Tan | 31st Jan 2019 | Essay, Singapore
As part of the Asian Theatremakers series Liu Xiaoyi and I are arranging for a time and date to...
Read MorePosted by Corrie Tan | 13th Dec 2018 | Interview, Producing, Singapore, Transcultural Collaborations
Intercultural Interlocutors: Tay Tong and Faith Tan, Part III *This is part 3 of a 3 part...
Read MorePosted by Esplanade | 13th Dec 2018 | News, Singapore, Theatre and Film
Seven things we love about NT Live at Esplanade. “Furiously exciting” and “politically urgent” are...
Read MorePosted by Esplanade | 12th Dec 2018 | Interview, Singapore, Theatre for Young Audiences
Young Artist Award recipient Ian Loy has carved himself a niche in the Singapore arts scene...
Read MorePosted by Corrie Tan | 12th Dec 2018 | Interview, Producing, Singapore, Transcultural Collaborations
Intercultural Interlocutors: Tay Tong and Faith Tan, Part II *This is part 2 of a 3 part article. ...
Read MorePosted by Corrie Tan | 11th Dec 2018 | Interview, Producing, Singapore, Transcultural Collaborations
Intercultural Interlocutors: Tay Tong and Faith Tan, Part I *This is part 1 of a 3 part article. ...
Read MorePosted by Roweena Yip | 30th Aug 2018 | Essay, Immersive Theatre, Singapore
The Singapore Repertory Theatre (SRT) Shakespeare In The Park returns to Fort Canning Green, after...
Read MorePosted by Chan Sze-Wei | 28th Aug 2018 | Essay, Singapore, Theatre and Dance
L-E-V Dance company’s OCD Love is tightly choreographed and intense in its physicality, as might...
Read MorePosted by Jocelyn Chng | 28th Aug 2018 | Essay, Festivals, Singapore, Theatre and Opera
A Festival Commission for the Singapore International Festival of Arts (SIFA) 2018, Toy Factory’s...
Read MorePosted by Daniel Teo | 25th Aug 2018 | Adaptation, Review, Singapore
In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...
Read MorePosted by Isaac Lim | 3rd Jul 2018 | Review, Singapore, Theatre for Young Audiences
At front-of-house before the doors open, a crew member encourages the audience to walk around the...
Read MorePosted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender
Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...
Read MorePosted by Rathsaran Sireekan | 18th Jun 2018 | Belgium, Brazil, Festivals, Review, Singapore, Theatre and Decolonization
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
Read MorePosted by Eugene Koch | 12th Jun 2018 | Review, Singapore
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
Read MorePosted by Arts Equator | 1st Jun 2018 | Festivals, News, Singapore, Thailand
At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast...
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