Radical Theatre Of The Difabled
“Theatre is the art of looking at ourselves” – Augusto Boal, founder of the...
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Indonesia
Masked Dancing: Javanese Tales on Stage
As an event it was spectacular; as dance, it swirled past the barriers of culture and language. As...
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Encountering Indonesia At AsiaTOPA (Part 2)
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
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Encountering Indonesia At AsiaTOPA 2017 (Part 1)
This is the first in a two-part series by Barbara Hatley. Read Part 2 here. Indonesian...
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Iswadi Pratama, An Auteur of Indonesian Theatre
Indonesia’s foremost theatre director, the internationally acclaimed Iswadi Pratama, staged an...
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The Future of Dance Is Underwater: A Review of Eko Supriyanto’s Indonesian Contemporary Dance
Mindful that the adrenaline coursing through your veins must not disturb the rhythm of your...
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Suzuki Company of Toga (SCOT) Summer Season Puts Indonesian Theatre On The Map
This year marked Indonesia’s debut at SCOT Summer Season in Japan, as director Iswadi Pratama...
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Teater Satu: Redefining Indonesian Theatre
The arrival of Teater Satu has reoriented the focus of Indonesian theatre which was before...
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Traditional Arts Master Brings A Mixture Of Theatrical Elements In “Sacred Sita”
Gamelan Sekar Laras (GSL) is an Adelaide-based community gamelan group that has been playing...
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