Political Adaptations: Raleigh Literary Society’s “Waiting for Godot” and “Hayadavana”
In his institutional history of literature in American colleges and universities, Gerald Graff...
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India
The NCPA’s Centrestage Festival in Mumbai: 15 Plays in Four Languages Over Ten Days
The seventh edition of Centrestage, the NCPA’s festival of premiering work, will showcase 15 plays...
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Bangalore Little Theatre Presents Madhu Rye’s “Tell Me The Name of a Flower”
Bangalore Little Theatre is back with a psychological thriller – “Tell Me The Name of a...
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Shades of Love
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
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“Kimartham Draupathy” A Play About Everywoman
Kimartham Draupathy, Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even...
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Contemporary and Classic Possibilities
Ninasam Tirugata staged two plays — Kalandugeya Kathe and Atta Dari Itta Puli. One reads the...
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“Mantrankam” A 41-day Sanskrit Play Reopened in Kerala
After two decades, the fascinating ceremony of a 41-day Sanskrit play performed as a ritual...
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On a Quest in a Virtual World: “Avataar” by Nireeksha Women’s Theatre
Avataar, staged by Nireeksha Women’s Theatre, delves into a virtual world of shifting identities,...
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On Black Holes ’n’ Human Nature: Nilanjan P. Choudhury’s “The Square Root of A Sonnet”
Who discovered black holes? It was an Indian-American, Noble prize winning astrophysicist. His...
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Abhishek Majumdar’s Workshop at The 23rd Cairo International Festival for Contemporary and Experimental Theatre
As a special treat for the attendees of The 23rd Cairo International Festival for Contemporary...
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“Vandichodai” – The Concluding Play of The Hindu Theatre Fest
Vandichodai by Koothuppattarai is all about deep philosophy and questioning societal norms. The...
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“Loretta,” A Play About Indianness and Identity
Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...
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Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi
With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....
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Thomas Manuel Wins The Hindu Playwright Award 2016 for His Play “Hamlet and Angad”
Thomas Manuel was one of three shortlisted playwrights, the other two being Meera Sitharaman for...
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Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
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“The Merchant of Venice” at Tapan Theatre in Kolkata
The Merchant of Venice is a play by Shakespeare, one with which even a school-going child is...
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India: Rangapat Theatre’s “Dharmashoke”: A New and Fresh Look into His/Herstory
In the latter half of April 2016, Rabindra Sadan, Kolkata, was all abuzz with the excitement of...
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Partha Pratim Mitra’s “Pot Pot Potuya”: The Culture Within a Cultural Framework
The dramatic performance of Pot Pot Potuya (at Dinabandhu Mancha, Siliguri, December 2015) shows...
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“Aaydaan” – Urmila Pawar’s Drama about Dalit Women in India
In Marathi literature, one finds a strong tradition of Dalit literature, including autobiographies...
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India On Stage: What When Where
Theater performances in India are a costly affair; however, they are in high demand across the...
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