“Toolbox Manoeuvre”: The Beat of Hong Kong On Stage
Louis Siu is performing the oldest known musical practice in the world, in a coffee shop in North...
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Hong Kong
Nonverbal “King Lear” Review – Conflict in Visuals, Sounds, and Imaginations
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
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When The Fire Dragon Dances Under The Full Moon: Mid-Autumn Festival in Hong Kong
The rhythmic sound of drumming echoes through the streets. Tai Hang is normally quiet on...
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Tang Kwong-San’s Quest to Understand Hong Kong
When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...
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Yuri Ng Has Big Plans for Contemporary Dance in Hong Kong
It’s hard to think of a more awkward time for Yuri Ng to have become the City Contemporary Dance...
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Two Productions of “The Plague” Push the Boundary of Theatre
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
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Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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Sound and Emotion: Anson Mak’s New Documentary
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
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Towards a New Language of Theatre
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
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How COVID-19 Is Reshaping The Performing Arts
In Hong Kong, as elsewhere around the world, Covid-19 brought live shows to an abrupt halt....
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A Marriage of Art and Cultures: Leung Ming-kai and Kate Reilly
Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly...
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Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
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Disrupting The Flow: Artist Mark Chung Reflects On An Ailing Hong Kong
When you step into Wheezing, Mark Chung’s new show at de Sarthe Gallery, the first thing you...
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Meet The Masters Behind Hong Kong’s Most Extraordinary Bamboo Theatre
For generations, bamboo theatres have been a thread that ties together Hong Kong’s present and...
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A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
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A Russian in Hong Kong – Kristina Pakhomova and “Lady Death”
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
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“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera
Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...
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Anthony Wong in Theatre and Indie Films
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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