Two Productions of “The Plague” Push the Boundary of Theatre
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
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Hong Kong
Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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Sound and Emotion: Anson Mak’s New Documentary
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
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Towards a New Language of Theatre
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
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How COVID-19 Is Reshaping The Performing Arts
In Hong Kong, as elsewhere around the world, Covid-19 brought live shows to an abrupt halt....
Read MoreA Marriage of Art and Cultures: Leung Ming-kai and Kate Reilly
Written by: Elizabeth Kerr Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly present as an old married couple, even if they’ve only been bound in matrimony for seven years. They...
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Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
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Disrupting The Flow: Artist Mark Chung Reflects On An Ailing Hong Kong
When you step into Wheezing, Mark Chung’s new show at de Sarthe Gallery, the first thing you...
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Meet The Masters Behind Hong Kong’s Most Extraordinary Bamboo Theatre
For generations, bamboo theatres have been a thread that ties together Hong Kong’s present and...
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A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
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A Russian in Hong Kong – Kristina Pakhomova and “Lady Death”
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
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“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera
Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...
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Anthony Wong in Theatre and Indie Films
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Jane Goodall’s Immersive Paper Forest Promotes Conservation
A rainforest has risen on the ground level of the Hong Kong Science Museum. Leaves rustle...
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Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
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Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
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“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage
Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...
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