A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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Hong Kong
The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
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A Russian in Hong Kong – Kristina Pakhomova and “Lady Death”
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
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“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera
Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...
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Anthony Wong in Theatre and Indie Films
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Jane Goodall’s Immersive Paper Forest Promotes Conservation
A rainforest has risen on the ground level of the Hong Kong Science Museum. Leaves rustle...
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Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
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Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
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“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage
Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...
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Tam Kung: Hong Kong’s Seafaring Child God
Tam Kung is an enigmatic figure with little really known about his origins. The sea deity is...
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Why Hong Kong Is Surprisingly Fertile Ground For Western Opera
Being one of China’s Three Tenors meant that Easter was no holiday for Warren Mok. The opera giant...
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Hong Kong Ballet Brings Back “Le Corsaire”–An Encounter With Its Rising Young Star, Garry Corpuz
This article is brought to you by The Hong Kong Ballet. 25-year-old Garry Corpuz is one of Hong...
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East Meets West In An English Retelling Of “The Legend Of The White Snake”
Why We Recommend it The opera Madame White Snake tells the story of a demon’s incessant pursuit of...
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The Immigrant Dragons – Part III: Creating A Dragon That Will Last 100 Years
Under a busy flyover where the Island Eastern Corridor becomes Chai Wan Road sits an unassuming...
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The Immigrant Dragons–Part II: On The Hunt For The Right Master
For 126 years, the small Australian city of Bendigo has embraced Chinese dragons. This year, their...
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A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre
This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...
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Robert Lepage’s “887” at the Hong Kong Arts Festival
Theatre as a memory vessel is nothing new to contemporary theatre. There is a reason why types of...
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“Gangsters Of Hong Kong:” A New Stage Play Fleshes Out Triad Drama
Hong Kong’s reputation as a safe city is well-deserved. It ranks frequently among the top 10...
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