How “The Penis Monologues” Challenges China’s Toxic Masculinity
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
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Chinese Theatre and LGBTQ
Curating LookOUT, The First Chinese Arts Festival On Gender: An Interview With Fabrizio Massini
The LookOUT Arts Festival, presented by Ibsen International, takes place in Beijing from July...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- “The Dybbuk” Or a Play Possessing Audiences for a Century
- Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.
- A Big Small Story
- Privileges of the Imagination
- Notes from the Generation After 4 Showcase
- Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
- Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
- The Story Behind “LILIAN”: Interview with Kasia Głowicka
- “Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
- “I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
- Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
- Season of Doom in Belarus
- An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
- For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
- CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
- CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
- Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
- The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
- Between.Pomiędzy Festival: Literary Criticism Now
- Between.Pomiędzy: A Festival That Believes in Europe
