Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”
As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...
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Chinese Theatre and Disability
Play Written By And For Cancer Patients Tours Shanghai, Beijing
Director of Don’t Be Afraid, Cancer Companions hopes drama project will give survivors confidence...
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LATEST FROM POLAND
- “Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
- “Gulliver’s Travels”: a Lesson in Satire for Children.
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- Poland at The Edinburgh Fringe 2023: Lubuski Teatr’s “Gusła” And The Song Of The Goat’s “Andronicus Synecdoche”
- ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
- Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
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- The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
- “The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland
- When Languages Fall Apart: InlanDimensions International Arts Festival
- The Dismantling of Mourning
- Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
- World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English
- Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs
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- Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw
- Beckett 2020
- Theatre as a Social Institution
- Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.
- Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.
