Chinese Theatre Abroad Archives

Prison Shakespeare at Milan’s Young Offenders Institute

by Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age | 0

Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...

AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu

by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America | 0

Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...

“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023

by Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review | 0

Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...

“Interview with Ukrainian Actor Orest Pastukh”

by Verity Healey | Nov 28, 2023 | Interview, Kosovo, Ukraine | 0

Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...

Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE

by Soo Ryon Yoon | Nov 26, 2023 | Review, South Korea, Theatre and Dance | 0

In this day and age, the word data evokes preconceived images of algorithms, artificial...

“The Interview,” Park Theatre

by Aleks Sierz | Nov 25, 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide | 0

Journalism is a despised profession. And when you consider the story behind the interview that...

“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media

by Trevor Boffone | Nov 24, 2023 | Transmedia, United States of America | 0

“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....

Reflections On Teaching Israel/Palestine in The Theatre Studies Classroom

by Sruti Bala and Rashna D. Nicholson | Nov 22, 2023 | Education, India, Theatre and Politics | 0

What is the task of a humanities education? The following incident, which recently took place in...

They Were People: Brittany K. Allen’s “Redwood” at EST

by Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America | 0

I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...

“Antigones” Kosovo Theatre Showcase

by Verity Healey | Nov 19, 2023 | Kosovo, Review, Theatre and Politics | 0

A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...

In Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”

by Rhiannon Ling | Nov 14, 2023 | Adaptation, New York, Review, United States of America, Worldwide | 0

The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....

“The Shadow Garden” Kosovo Theatre Showcase

by Verity Healey | Nov 13, 2023 | Kosovo, Review, Theatre and Politics | 0

The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...

“The Interview” Review: A Blend of Fact and Speculation

by Victoria Chen | Nov 10, 2023 | Review, United Kingdom | 0

One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...

Wicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.

by Lisa Monde | Nov 9, 2023 | Interview, Musical Theatre, United Kingdom, United States of America | 0

The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...

“Negotiating Peace”, Kosovo Theatre Showcase 2023

by Verity Healey | Nov 8, 2023 | Kosovo, Review, Theatre and Politics | 0

There are wars, and then there are post wars, the kind of which take place around the negotiating...

“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023

by Verity Healey | Nov 6, 2023 | Dramaturgy, Kosovo, Review | 0

Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...

“Gadjo (The Young Europeans)” Kosovo Theatre Showcase 2023

by Verity Healey | Nov 2, 2023 | Kosovo, Review, Theatre and Politics | 0

Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...

SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY

by Rhiannon Ling | Nov 1, 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America | 0

To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...

Chinese Theatre Abroad

Prison Shakespeare at Milan’s Young Offenders Institute

AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu

“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023

“Interview with Ukrainian Actor Orest Pastukh”

Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE

“The Interview,” Park Theatre

Reflections On Teaching Israel/Palestine in The Theatre Studies Classroom

They Were People: Brittany K. Allen’s “Redwood” at EST

“Antigones” Kosovo Theatre Showcase

In Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”

“The Shadow Garden” Kosovo Theatre Showcase

“The Interview” Review: A Blend of Fact and Speculation

Wicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.

“Negotiating Peace”, Kosovo Theatre Showcase 2023

“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023

“Gadjo (The Young Europeans)” Kosovo Theatre Showcase 2023

SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY

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