PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
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Chinese Theatre Abroad
“Zinc (Zn)”: The Element That is Necessary for Life Becomes an Element of Death
A Wounded Soldier pushes pawns across a chess board while a Mother tells Svetlana the story of her...
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Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking Into the Festival Circuit
Arguably, it is not common practice to name a theatre after a living playwright, and neither is to...
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Where Have You Gone, Davey?
The Polish narrative of 1968 tends to end with the conclusion that Jews lived in Poland after...
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Terence Rattigan’s “While the Sun Shines” at the Orange Tree Theatre: Rare Revival of Wartime Mega-Hit
Since playwright Terence Rattigan’s rehabilitation in the early 1990s, after the comprehensive...
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PQ 2019: A Taboo Collection From Budapest
This week, the New York Times posted an ad for a new fashion correspondent. The job ad reads, in...
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Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
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On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
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Githa Sowerby’s “Rutherford And Son” at The National Theatre
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
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About “Lemons Lemons Lemons Lemons Lemons”
Last night, I went, for the first time, to the Barons Court Theatre, which is staging a compact...
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Revisiting Broadway’s Forgotten Genius, John Latouche
Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established...
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“Dead Dog in a Suitcase” at The Lyric Hammersmith
John Gay wrote The Beggar’s Opera in 1728 to reflect a London ridden with corrupt and dangerous...
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The Toronto Theatre Laboratory
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
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Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong
One of the world’s most established Shakespearean theatre groups from London puts on The Comedy of...
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Simon Stephen’s Harper Regan “Harper Regan” at The Tabard Theatre
Last performed at the National Theatre, Simon Stephen’s Harper Regan is great at making an...
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PQ 2019: Chaos and Kindness
The headquarters of the PQ is the Exhibition Grounds, but that’s not its boundaries. Between the...
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“Mending Fences:” A Difficult Norman Foster Play Produces Unexpected Emotional Depths
Mending Fences is a most beautifully constructed play that appears to concern a dysfunctional...
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“Outrageous Fortune” at Greenwich Theatre
It’s 2019 and we’re in purgatory. Some (many?) might say hell, considering the late capitalist...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- Where Have You Gone, Davey?
- Polish Theatre Transfers To Dresden
- A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
- A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
- A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
- A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
- A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
- Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
- Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
- Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz
- “Białoszewski/Ginsberg VR” At Performing Garage
- Body As Medium. Between Theory And Technology Of Theatre
- How Norwegians Do It (Play Ibsen, That Is)
- Virtual Reality In Polish Theatre
- Subverting The Idea Of Nationalism
- Polish Theatre at the Edinburgh Fringe 2018
![“Silence. Cisza w Troi” [Silence. The Silence in Troy], dir. by Paweł Szkotak, Teatr Biuro Podróży, Photo by Grzegorz Gajos.](https://thetheatretimes.com/wp-content/uploads/2018/07/SILENCE-Opole-8.05.2017-fot.-Grzegorz-Gajos-6-300x200.jpg)
- Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
![“Zagubiony chłopiec” [“The Lost Boy”] by Artur Pałyga, dir. by Paweł Passini, Teatr Lalki i Aktora w Opolu, Photograph by Grzegorz Gajos](https://thetheatretimes.com/wp-content/uploads/2018/07/Zagubiony-Chlopiec-300x200.jpg)
- “Ameryka”- Critical Mass And Block Party 2018
- The Wooster Group’s “A Pink Chair” – Can You Ever Return?
- Metaphor At Play: New Theatre from Belgium, Poland and United States
