“Borderland, maldita cabeza,” Mental Health Debate Enters into the Limits of a New Opera
A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
Read Moreby Antonio Hernández Nieto | Jun 27, 2022 | Design, Review, Spain, Theatre and Gender, Theatre and Opera | 0
A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
Read Moreby Sheila Chisholm | Jun 24, 2022 | Review, South Africa, Theatre and Politics | 0
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set design: Barry Altwig. Lighting: Barry Strick. Sound: Trevor Lind. Music Direction/Choreography: Tersia Harley. Presented by...
Read Moreby Craig Dalton | Jun 23, 2022 | Australia, Musical Theatre, News | 0
With nine Broadway musicals currently playing on Australian stages – and a further three set to...
Read Moreby Aleks Sierz | Jun 22, 2022 | London, Playwriting, Review, Theatre and Gender, United Kingdom | 0
Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
Read Moreby Ivanka Apostolova Baskar | Jun 21, 2022 | Dramaturgy, France, Interview, Theatre and Politics, United Kingdom | 0
There is always a cultural gap between scholars and artists, each group being suspicious of the...
Read Moreby Neeraja Murthy | Jun 19, 2022 | Acting, Devised Theatre, Essay, India | 0
Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
Read Moreby Aleks Sierz | Jun 18, 2022 | Dramaturgy, London, Playwriting, Review, Theatre and Decolonization, United Kingdom | 0
In the past, most plays by black-British writers have been about the legacy of the Windrush...
Read Moreby Vassili Schedrin | Jun 17, 2022 | Dramaturgy, New York, Playwriting, Review, United States of America | 0
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read Moreby Aprameya Manthena | Jun 16, 2022 | Applied Theatre, Essay, India, Theatre and Decolonization | 0
Attired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one...
Read Moreby Jonathan Kalb | Jun 15, 2022 | Musical Theatre, Review, Theatre and Decolonization, United States of America | 0
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read Moreby Konrad Zielinski | Jun 14, 2022 | Playwriting, Review, United Kingdom | 0
Konrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...
Read Moreby Fareeda Pyracha Ahmed | Jun 13, 2022 | Acting, Directing, Interview, New York, United States of America | 0
Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...
Read Moreby Emily Cordes | Jun 12, 2022 | Adaptation, Review, Transmedia, United States of America | 0
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read Moreby Jonathan Kalb | Jun 11, 2022 | Review, Theatre and Decolonization, Theatre and Gender, United States of America | 0
Dominique Morisseau is aware that most of her fans see her as a predominantly naturalistic...
Read Moreby Erica Tobolski | Jun 10, 2022 | Acting, Essay, Transmedia, United States of America | 0
Though Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
Read Moreby Rudi Laermans | Jun 9, 2022 | Belgium, Dramaturgy, Education, Essay | 0
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read Moreby Rudi Laermans | Jun 8, 2022 | Belgium, Dramaturgy, Education, Essay | 0
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
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