Interview With Davide Bombana, The Newly Appointed Director Of The Corps De Ballet Of Teatro Massimo In Palermo
Dancer and choreographer of international reputation, David Bombana is required to bridge...
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Chinese Theatre Abroad
William Kentridge On The Pandemic And Post-Pandemic Theatre
William Kentridge – a South African interdisciplinary artist and the founder of The Centre for the...
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How The Anthropologists Theatre Engage With Historical Figures To Promote Pro-Social Action Today
Relevant, engaging, creative, and action-inciting work is always being produced at The...
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“Jagratha”: A Kathakali Play On COVID-19
Jagratha, a five-minute play in the Kathakali format, written and choreographed by Margi...
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Invisible Diaries: Sympathetic Magic
Grades went in. No death threats. A student wrote: “I learned something, and I laughed. That’s all...
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English Playwright Alan Bennett’s “The Habit Of Art” Online
The play imagines an encounter between composer, Benjamin Britten, and poet, WH Auden. Picturing a...
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Namasagali College: How the School Became Uganda’s Arts Hub
STEM, that Science, Technology, Engineering, and Mathematics curricula obsession at the expense of...
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Sea Wall: A Profound Performance By Andrew Scott
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange...
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“Balcony Scene in Quarantine”: TEATRX Presents Latinx Shakespeare in a Social Distancing World
When Benito Vasquez, Marissa Castillo, and Jorge Diaz founded TEATRX in 2018, they never could...
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Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
Grzegorz Jarzyna – the head and artistic director of TR Warszawa (Poland)– responds to Boris...
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Family Album: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
Inside Look at Family Album Artistic and Financial Director, Stas Zhyrkov and Director, Matteo...
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Battle Of The Sexes In The Midst Of A Refugee Crisis In Korea: “Big Love” By Ets (Eye To Soul)
The Korean theatre company ETS, which is an acronym for Eye To Soul, staged Charles Mee’s Big Love...
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Adapting Traditional Chinese Theater For The Modern Day: An Interview With Xuexi Li And Tianjiao Liu
This interview with Xuexi Li and Tianjiao Li was conducted by Xunnan Li. Both interviewees are...
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Red Polka Productions’ English Play ‘Chitraa’ Based On Rabindranath Tagore’s Work Goes Viral
Red Polka Productions’ English play Chitraa, based on Rabindranath Tagore’s Chitrangada,...
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“Continuity”, Finborough Theatre
Yesterday, I took a break from my sunny local park and turned a room in my house into the...
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Jasen Mphepo Little Theatre Goes Virtual In Face Of Pandemic
On Thursday, June 4th, Jasen Mphepo Little Theatre in Zimbabwe showcased the first of many shows...
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Invisible Diaries: “Diese Berühmte Englische Wand” – Thoughts On Exile And Belonging
Writing is currently a challenge for many reasons – an important one being that we don’t know...
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Theatre Puppets Through The Ages
“The puppet says everything that needs to be said so that we are not affected. When we truly...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
- The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
- Between.Pomiędzy Festival: Literary Criticism Now
- Between.Pomiędzy: A Festival That Believes in Europe
- Evidence and/or Performance?
- Translating Theatre/Trans-lating Theatre
- Kosmopolis – The Between-Pomiędzy Festival of Literature and Theatre
- Kosmopolis Rebound: Sopot, 2020
- Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
- VR, Theatre and the Importance of Immersion
- “The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
- La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”
- “Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
- Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution
- Between Freedom and Manipulation: The Situation of Actors in “Factory 2
- Teatr Brama’s “Ghost Dance”
- The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław
- Dressing Room with a Bathrobe and a Gas Mask. “Trump and the Field of Maize” at the Polski Theatre, Bydgoszcz
- Jan Klata’s “King Lear” at the Theatre Olympics: In the Name of the Father
- “Unknown, I Live With You”: Oppression and Song
