Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
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Chinese Theatre Abroad
Taz Skylar and Ross Berkeley Simpson’s “Warheads” at the Park Theatre: War-scarred Youth
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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Edinburgh International Festival 2019: “Roots” at Church Hill Theatre
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
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Inheriting This Earth: “Mojada” at the Public Theater
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
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Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
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“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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“An Enemy of the People” at Will Geer’s Theatricum Botanicum
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
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Force Decisions: A Citizen’s Guide to How Police Determine Appropriate Use of Force by Rory Miller – A Book Review from a Fightaturgy Perspective
I have written elsewhere on recommended reading for early-career fight directors, and I would like...
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Four Brazilian Artists Choose New York as Headquarters of Their Resistance
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
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Mapping Mumbai’s Alternative Performance Spaces
This week’s Girish Karnad tribute at Veda Factory — Hayavadana, reimagined by eight young...
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“Looking for Violeta” at Quantum Theatre, Pittsburgh, PA, USA
Does the name Violeta Parra ring a bell? If it does, it’s likely because of Joan Baez’s cover of...
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“We Are Among Us” at City Theatre, Pittsburgh, PA, USA
Stephen Belber’s new play We Are Among Us pries open the lid on what one of its characters...
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Arts Festival Reflects Nation’s Soul: National Arts Festival in Makhanda in South Africa
Ismail Mahomed, CEO of the Market Theatre Foundation, visited the National Arts Festival in...
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Sangeet Natak: Live and Kicking
Nehru Center’s Mahotsav is one of many efforts that continues to keep traditional...
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Popular Theater in Buenos Aires
The cliché phrase that Buenos Aires was the Paris of South America exemplifies the exaggerated...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- “Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression
- In Memoriam: Bogusław Schaeffer, Poland’s Renaissance Man
- Borders, Barriers and Limitations: “Lwów We Won’t Give Up”
- Where Have You Gone, Davey?
- Polish Theatre Transfers To Dresden
- A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
- A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
- A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
- A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
- A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
- Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
- Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
- Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz
- “Białoszewski/Ginsberg VR” At Performing Garage
- Body As Medium. Between Theory And Technology Of Theatre
- How Norwegians Do It (Play Ibsen, That Is)
- Virtual Reality In Polish Theatre
- Subverting The Idea Of Nationalism
- Polish Theatre at the Edinburgh Fringe 2018
![“Silence. Cisza w Troi” [Silence. The Silence in Troy], dir. by Paweł Szkotak, Teatr Biuro Podróży, Photo by Grzegorz Gajos.](https://thetheatretimes.com/wp-content/uploads/2018/07/SILENCE-Opole-8.05.2017-fot.-Grzegorz-Gajos-6-300x200.jpg)
- Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
![“Zagubiony chłopiec” [“The Lost Boy”] by Artur Pałyga, dir. by Paweł Passini, Teatr Lalki i Aktora w Opolu, Photograph by Grzegorz Gajos](https://thetheatretimes.com/wp-content/uploads/2018/07/Zagubiony-Chlopiec-300x200.jpg)