The Amazing Energy of the Bulgarian Dance Platform 2020
As the second wave of the pandemic was just gaining speed in the country, in between the worrying...
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Chinese Theatre Abroad
“The Book of Magdalene” at Main Street Theater: Interview with Playwright Caridad Svich
When Rebecca Greene Udden graduated from Rice University, she decided to make Houston her...
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Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
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Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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In Turkey, Stage Curtains Open Digitally Amid Pandemic
Theaters are now opening virtually after remaining closed for months due to the coronavirus...
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On sound ecology: “Rainforest V (variation 3)” at Arter
Within the acoustics of Arter’s Karbon, a hall for sound installations and concerts is a...
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The Attakkalari Centre for Movement Arts Reimagines Dance for the Online Medium
Through a series of virtual performances and conversations, Attakkalari Centre for Movement Arts...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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Intriguing and Peculiar Immersive Theater with Grounded Aerial’s “The Insectinside”
An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...
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How to Write a Pandemic Play
Ten prompts for writing about the year 2020: 1) “It started with a slight cough, a rather dry...
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Choosing the Stories You Tell: An Interview with Kelley Girod
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
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A Woman and an Immigrant, but Most of All, a Scientist: Musical “Marie Curie” Review
Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...
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“Mnquma & Ithemba”: African Contemporary Dance-Based Storytelling
The TX Theatre’s double bill Mnquma & Ithemba is rich modern African contemporary dance-based...
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“S-27” at The Finborough Theatre
Last week I watched Sarah Grochala’s award-winning short play, S-27, now streaming from the...
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Minecraft Plays in Covid Times with Director/Artist Susie Lawrence
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
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Out of the Darkness: A “Visit” with Lighting Designer Japhy Weideman
“That’s what we as lighting designers do – we observe, interpret, and find ways to recreate...
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Surge Madrid 2020: The Nonstop Alternative Theatre Festival
Surge Madrid is a performing arts festival that usually takes place in May. However, this year it...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- “The Dybbuk” Or a Play Possessing Audiences for a Century
- Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.
- A Big Small Story
- Privileges of the Imagination
- Notes from the Generation After 4 Showcase
- Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
- Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
- The Story Behind “LILIAN”: Interview with Kasia Głowicka
- “Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
- “I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
- Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
- Season of Doom in Belarus
- An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
- For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
- CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
- CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
- Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
- The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
- Between.Pomiędzy Festival: Literary Criticism Now
- Between.Pomiędzy: A Festival That Believes in Europe
