A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
Read More
Chinese Theatre Abroad
“The Empire Builders:” A Bold Experiment in Alternative Theatre
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
Read More
Nyokabi Macharia: Marching to the Beat of Her Own Drum
Nyokabi Macharia is a Kenyan, performer and all-around lover of life. You know those people who in...
Read More
“Pass Over” – A Sobering and Unflinching Take on African-American Life in America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
Read More
By Putting Tensions on Stage, Colleges Aim to Change Campus Culture
The new professor had a choice. He arrived early to a meeting to discover a senior faculty member...
Read More
New Zealand Covid Response Dramatized in Moving Verbatim Play: “Transmission” by Stuart McKenzie
Transmission written by Stuart McKenzie. Directed by Miranda Harcourt and Stuart McKenzie. 20...
Read More
Interview with Ramzi Choukair on Making the Detainees’ Stories Visible on the Stage
Ramzi Choukair is a Syrian-French actor and theater director. After obtaining his degree at the...
Read More
Unchartered Territory: Dancers in Isolation, the Eryc Taylor Dance Company
In five years, in ten years, in twenty, we will remember what it felt like to live through the...
Read More
Adishakti Theatre Arts’ Latest Musical Turns the Lens on Sexual Assault and Power Politics at the Workplace
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play...
Read More
Theatre “Production Jam” Risks Creating a Lost Generation of Young Artists, European Directors Warn
Leading theatre directors in Europe are warning that the pandemic shutdowns are not only...
Read More
The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s Medea at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
Read More
Dancing the Emotions of the Professional Kitchen
The kitchen has long been a significant trope in our civilization. This began in ancient fires and...
Read More
The Golden Mask Festival
The Russian Case: History, politics and eternal values Spring, with all of its uncertain promise,...
Read More
“Six Men for Every Four Women”: Gender Inequalities in Theatre Programming Revealed in New Cross-Europe Study
Men continue to outnumber women and hold the most prestigious positions in theatre programmes, a...
Read More
What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw
Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
Read More
Sound and Emotion: Anson Mak’s New Documentary
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
Read More
About “Mum. Can You Hear Me?”
Over the past year we’ve become used to a variety of home theatre: recordings of live...
Read More
Madsoc Theatre Reopens with “Once An Actress”
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
Read More
- 1
- ...
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79
- 80
- 81
- 82
- 83
- 84
- 85
- 86
- 87
- 88
- 89
- 90
- 91
- 92
- 93
- 94
- 95
- 96
- 97
- 98
- 99
- 100
- 101
- 102
- 103
- 104
- 105
- 106
- 107
- 108
- 109
- 110
- 111
- 112
- 113
- 114
- 115
- 116
- 117
- 118
- 119
- 120
- 121
- 122
- 123
- 124
- 125
- 126
- 127
- 128
- 129
- 130
- 131
- 132
- 133
- 134
- 135
- 136
- 137
- 138
- 139
- 140
- 141
- 142
- 143
- 144
- 145
- 146
- 147
- 148
- 149
- 150
- 151
- 152
- 153
- 154
- 155
- 156
- 157
- 158
- 159
- 160
- 161
- 162
- 163
- 164
- 165
- 166
- 167
- 168
- 169
- 170
- 171
- 172
- 173
- 174
- 175
- 176
- 177
- 178
- 179
- 180
- 181
- 182
- 183
- 184
- 185
- 186
- 187
- 188
- 189
- 190
- 191
- 192
- 193
- 194
- 195
- 196
- 197
- 198
- 199
- 200
- 201
- 202
- 203
- 204
- 205
- 206
- 207
- 208
- 209
- 210
- 211
- 212
- 213
- 214
- 215
- 216
- 217
- 218
- 219
- 220
- 221
- 222
- 223
- 224
- 225
- 226
- 227
- 228
- 229
- 230
- 231
- 232
- 233
- 234
- 235
- 236
- 237
- 238
- 239
- 240
- 241
- 242
- 243
- ...
- 244
Like Us On Facebook
REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw
- The Social Theater of Ambulatory Care in Poland. Part 3.
- The Social Theater of Ambulatory Care in Poland. Part 2.
- The Social Theater of Ambulatory Care in Poland. Part 1
- 5 Reasons Why Verse Is the Language for Theatre in 2020s
- Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
- Who Let the “Lady of Pestilence” In?
- Inside Virtual Rooms
- “The Dybbuk” Or a Play Possessing Audiences for a Century
- Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.
- A Big Small Story
- Privileges of the Imagination
- Notes from the Generation After 4 Showcase
- Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
- Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
- The Story Behind “LILIAN”: Interview with Kasia Głowicka
- “Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
- “I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
- Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
- Season of Doom in Belarus
