“Borderland, maldita cabeza,” Mental Health Debate Enters into the Limits of a New Opera
A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
Read More
Chinese Theatre Abroad
We’ll Meet Again: Review
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set design: Barry Altwig. Lighting: Barry Strick. Sound: Trevor Lind. Music Direction/Choreography: Tersia Harley. Presented by...
Read More
With Nine Broadway Musicals Currently on Australian Stages, Musical Theatre is Thriving Again
With nine Broadway musicals currently playing on Australian stages – and a further three set to...
Read More
“Lotus Beauty,” Hampstead Theatre
Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
Read More
From a Position of Perspectives: An Interview with Patrice Pavis
There is always a cultural gap between scholars and artists, each group being suspicious of the...
Read More
Chennai Theatre Veteran PC Ramakrishna Turns Author with “Find Your Voice”
Theatre veteran PC Ramakrishna turns author with Find Your Voice, a guide on how to navigate a...
Read More
With the Hope to Make Telugu Theater a Sustainable Career Option
Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
Read More
“House of Ife,” Bush Theatre
In the past, most plays by black-British writers have been about the legacy of the Windrush...
Read More
The Meaning of Theater: Slava Stepnov’s “Flawed Choir” at the Steps Theatre
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read More
When City Streets Record Fading Performance Traditions
Attired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one...
Read More
Black Second-Act Problems: “Black No More” by The New Group
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read More
“The Haunting of Susan A” at The King’s Head Theatre
Konrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...
Read More
Director Maria Mileaf and Actor Aline Salloum on Oren Safdie’s High School Crush Gone Sideways, “Gratitude”
Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...
Read More
The Beast is Back: Radiotheatre’s Live Audio Play “King Kong”
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read More
Frenemies and Freedom: “Confederates,” Signature Theatre
Dominique Morisseau is aware that most of her fans see her as a predominantly naturalistic...
Read More
Gilbert Gottfried and the Mechanics of Crafting One of the Most Memorable Voices of All Time
Though Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
Read More
“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART II
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read More
“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART I
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
Read More
- 1
- ...
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79
- 80
- 81
- 82
- 83
- 84
- 85
- 86
- 87
- 88
- 89
- 90
- 91
- 92
- 93
- 94
- 95
- 96
- 97
- 98
- 99
- 100
- 101
- 102
- 103
- 104
- 105
- 106
- 107
- 108
- 109
- 110
- 111
- 112
- 113
- 114
- 115
- 116
- 117
- 118
- 119
- 120
- 121
- 122
- 123
- 124
- 125
- 126
- 127
- 128
- 129
- 130
- 131
- 132
- 133
- 134
- 135
- 136
- 137
- 138
- 139
- 140
- 141
- 142
- 143
- 144
- 145
- 146
- 147
- 148
- 149
- 150
- 151
- 152
- 153
- 154
- 155
- 156
- 157
- 158
- 159
- 160
- 161
- 162
- 163
- 164
- 165
- 166
- 167
- 168
- 169
- 170
- 171
- 172
- 173
- 174
- 175
- 176
- 177
- 178
- 179
- 180
- 181
- 182
- 183
- 184
- 185
- 186
- 187
- 188
- 189
- 190
- 191
- 192
- 193
- 194
- 195
- 196
- 197
- 198
- 199
- 200
- 201
- 202
- 203
- 204
- 205
- 206
- 207
- 208
- 209
- 210
- 211
- 212
- 213
- 214
- 215
- 216
- 217
- 218
- 219
- 220
- 221
- 222
- 223
- 224
- 225
- 226
- 227
- 228
- 229
- 230
- 231
- 232
- 233
- 234
- 235
- 236
- 237
- 238
- 239
- 240
- 241
- 242
- 243
- 244
- 245
- 246
- 247
- 248
- 249
- 250
- 251
- 252
- 253
- 254
- 255
- 256
- 257
- 258
- 259
- 260
- 261
- 262
- 263
- 264
- 265
- 266
- 267
- ...
- 268
Like Us On Facebook
REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- When Languages Fall Apart: InlanDimensions International Arts Festival
- The Dismantling of Mourning
- Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
- World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English
- Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs
- FIRE THEATRE Mime Company: On a Quest for Fire Drama
- Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw
- Beckett 2020
- Theatre as a Social Institution
- Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.
- Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.
- Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.
- Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
- Between Pandemic and Protest: The Rise of Performative Activism in Poland
- Building Bridges: Interweaving Beckett – Brazil and Poland
- Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre
- The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021
- Laughing in Darkness: Reading Różewicz Anew
- “Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance
- Between.Pomiędzy @ 12 — Ohio Impromptu @ 40 — Beckett @ 115
