“Blood Knot,” A 60-Year-Old Message
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
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Chinese Theatre Abroad
“Trouble In Mind,” National Theatre
The National Theatre has a good record in staging classic American drama by black playwrights....
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“The Red on the Rainbow,” A Brave and Important Play
In 2017, Coligny, a small dorpie in Bokone Bophirima (North West Province), was thrown into the...
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About “Fair Play”
It’s a sign of the times that one of my last trips of the year, to Ella Road’s Fair Play at the...
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Saitama Gold Theater Players Take Their Final Bow After 15 Years
After 15 years of entertaining audiences in Japan and abroad, the actors of Saitama Gold Theater...
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“Best of Enemies,” Young Vic
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
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Kennedy Center Dramaturgy Intensive 2021 Retrospective
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
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“As Soon As Impossible”: An Arab-American Comedy of Errors
Where and when: Harry J. Elam, Jr. Theater at Stanford University from November 11, 12, 13, 18,...
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Nireeksha Women’s Theatre Group Develops Short Stories by Nine Women Writers as Radio Plays
The drama series is an initiative for She Radio on Radio Malayalam Mission, Government of Kerala...
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Here’s to the Ladies who Lunch: One of Sondheim’s Greatest Achievements was Writing Complex Women
The most eclectic of music theatre composers was not only a gifted wordsmith and lyricist, but...
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What is Theatre of the Oppressed? Artiste and Activist Sanjoy Ganguly Explains
Sanjoy Ganguly, pioneer of Theatre of the Oppressed in the country, was recently in Chennai for a...
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How Enid Blyton Created the Template for Children’s Theatre in Britain
Head to London’s West End and you are likely to find all sorts of plays for families, inspired by...
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Zadie Smith: How “The Wife of Willesden” Brings to Life Chaucer’s Tale of Sex and Power
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
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Hollywood Has Got Method Acting All Wrong, Here’s What the Process is Really About
So-called method acting seems to be having a moment. Benedict Cumberbatch and Kirsten...
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Hustling at the Bottom of the Stand-Up Pyramid
All the rage in Beijing’s stand-up circuit, Pazilye Parhat says much of comedy stems from...
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Stephen Sondheim Showed Me the Beauty, Terror and Exquisite Pain of Being Alive
What did Stephen Sondheim mean to me? This is an attempt to bring order to the chaos. My first...
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Realities Blend Together in Arlekin Players’ “Witness”
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
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“Dance Like a Man” Keeps Time to Inherent Family Tunes
The classic play ‘Dance Like a Man’ captures the subtle undertones found in familial...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- FIRE THEATRE Mime Company: On a Quest for Fire Drama
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- Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.
- Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.
- Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
- Between Pandemic and Protest: The Rise of Performative Activism in Poland
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- Can the World be Saved on Stage?
- The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021
- Laughing in Darkness: Reading Różewicz Anew
- “Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance
- Between.Pomiędzy @ 12 — Ohio Impromptu @ 40 — Beckett @ 115
- Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre
- How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life
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- The Social Theater of Ambulatory Care in Poland. Part 3.
- The Social Theater of Ambulatory Care in Poland. Part 2.
