Home Is where the He(art) Is: Flatfoot Dance Company’s “Home” Trilogy
Durban, South Africa. Flatfoot Dance Company’s Home trilogy created and presented at different...
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South Africa
“Macbeth” Brings Double, Double, Toil and Trouble From DR Congo
Third World Bunfight‘s Macbeth has been touring around the world since its premiere in Cape Town...
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“Synaesthetics”: Gopala Davies’ Explorations In Intermediality
South African Indian actor and director Gopala Davies’s production of Les Cenci: A Story About...
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The Vrystaat Kunstefees: Developing Creative Industries in the Free State, Part II
Read Part I here. The Vrystaat Arts Festival aims to contribute to the exchange of ideas around...
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Ntsoana: Changing the Perceptions and B(l)ending the Conventions of Art
The Ntsoana Contemporary Dance Theatre celebrated its tenth anniversary, during the first weekend...
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“DEURnis”: The Anatomy of Intimacy
I enter a suburban house in Capitol Park, Pretoria. A suburban house with a dog. Sculptures in the...
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The Vrystaat Kunstefees: Developing Creative Industries in the Free State, Part I
The Vrystaat Arts Festival aims to contribute to the exchange of ideas around art, culture, and...
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South African Arts Festivals Today
In 1999, working with colleagues from the Theatrical Event Working Group of the International...
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The Staged Lives and Times of Two Mining Towns – “Marikana the Musical”
I had the opportunity to watch a performance of Billy Elliot – The Musical in Bradford, UK...
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‘Uitkampteater’ Creates Spaces for Young Artists
The 22nd Klein Karoo National Arts Festival (KKNK), presented by Kunste Onbeperk (Arts Unlimited),...
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African Theatre: Why It’s Important to Transpose Western Dramatic Classics
The Western dramatic canon has been a source of irritation to some Afrocentrists, who see it as...
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