Worldwide
Farrah El Dibany: First Egyptian and Arab to Perform at Paris Opera
I’m honored to be recognized by Egyptian and French presidents, says El Dibany. Egpytian...
Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
From Uruguay to Auroville: Clowning Duo Brings Physicality and Humour to the Stage
At Adishakti Theatre’s Remembering Veenapani festival, a clowning troupe from Uruguay...
Like Us On Facebook
Most Popular Posts
Imagine/: Artificial Intelligence Comes to Theatrical Design 17th September 2022 - The Return of Gringoire: An Exclusive Interview with… 3rd September 2022
- Learning From Scratch: Istanbul Theatre Through a… 29th August 2022
- “When God Kicks You In The Womb,” The… 5th September 2022
- An Evening with Fats Waller: “Ain’t… 23rd September 2022
- Mental Illness, Misogyny, and the Myth of the Male… 26th August 2022
- A Manifesto for the Future Stage: Performance Is a… 20th November 2021
- Daily Life under State Violence: Interview with… 8th September 2022
- Emerging Playwright Embarks on Gershwin Era Musical 23rd August 2022
- “Kurios: A Cabinet of Curiosities”… 28th August 2022
