Worldwide

“Inside the Box” at the Geffen Playhou...

Posted by Christine Deitner | 0

Turning Challenges into Opportunities: Multicultur...

Posted by Irina Yakubovskaya | 0

“Quarter Life Crisis” at The Bridge Th...

Posted by Aleks Sierz | 0

Self-Isolation and the Modern-Medieval Sounds of “...

Posted by Megan McCormick | 0

The Annoyance’s “Splatter Theater:R...

Posted by Andrew Agress | 0

Africa

Uganda’s Creative Industry Under Siege Again

by Sylver Kyagulanyi | 18th Oct 2020 | Essay, Theatre and Politics, Uganda

The entertainment or creative arts industry is as old as humanity. It is one of the ways through...

Plots Behind the Closed Curtains: Naguib Mahfouz’s “Wedding Song” on Cairo Stage

by May Selim | 13th Oct 2020 | Adaptation, Egypt, Review
“Fela and the Kalakuta Queens” Goes Online

by Ian Kiyingi Muddu | 12th Oct 2020 | Musical Theatre, Review, South Africa, Theatre and Gender
Ugandan Theatre Grappling With The Pandemic

by Ian Kiyingi Muddu | 13th Sep 2020 | Covid-19, Essay, Uganda
Between Pride and Pain: National Day of Theatre Brings Many Memories to Egypt’s Artistic Community

by Ati Metwaly | 9th Sep 2020 | Devised Theatre, Egypt

Asia

National School of Drama Prepares for First Production with Pandemic Protocols

by Damini Nath | 22nd Oct 2020 | Adaptation, India

With a larger than usual stage, spaced out seating for a masked audience and actors armed with...

“Twelve Angry Men”; 1950’s Courtroom Drama about Confronting Prejudice Still Rings True

by Nobuko Tanaka | 22nd Oct 2020 | Interview, Japan, Theatre and Politics
Will Theatre Go Back to the Open?

by Shrinkhla Sahai | 21st Oct 2020 | Adaptation, India, Interview
Kabuki Rolls With The Times And Launches Paid Streaming Site

by The Japan Times | 20th Oct 2020 | Japan, News
Mumbai’s The Company Theatre Finds Innovative Ways to Navigate Theatre Digitally

by Gowri S | 19th Oct 2020 | Covid-19, India, News, Transmedia

Europe

Adapting Gianni Rodari in Improv Theatre: an Interview with Luca Rizzuti on “Grammatica Della Fantasia”

by Armando Rotondi | 30th Oct 2020 | Adaptation, Devised Theatre, Interview, Italy

Gianni Rodari is a cult writer and, probably, one of the most influential in the Italian 20th-century tradition, deeply studied mainly by scholars of pedagogy and educational sciences. Author, journalist, winner of the Hans...

“Waiting for Gretchen: Faust” – Teater Republique

by Peter M. Boenisch | 24th Oct 2020 | Adaptation, Denmark, Review
“It’s OK to be Naked”: An Interview with Tim Norwood

by Konrad Zielinski | 23rd Oct 2020 | Interview, Theatre and Gender, United Kingdom
Raw, Revolutionary, and Painfully Honest: “Insulted. Belarus(sia)”

by Irina Yakubovskaya | 23rd Oct 2020 | Belarus, Documentary Theatre, Interview, Theatre and Politics, Transcultural Collaborations
Interview with French Theater Director Paul Desveaux

by Nicole Birmann | 20th Oct 2020 | Covid-19, France, Interview, Transcultural Collaborations

North America

Fake Friends’ “Jerk” in Brooklyn

by Jack Wernick | 26th Oct 2020 | LGBTQ Theatre, New York, Review, Theatre and Politics, United States of America

Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...

Accessibility in the Time of Corona: An Overview

by Rhiannon Ling | 21st Oct 2020 | Essay, Theatre and Disability, Theatre and Politics, United States of America
Four Years Later: “The Astronaut’s Tale”

by Marcina Zaccaria | 15th Oct 2020 | New York, Review, Theatre and Opera, United States of America
4 Lessons from the NBA Bubble for the Future of Live Arts Performance

by Sarah Bay-Cheng | 12th Oct 2020 | Covid-19, Essay, Participatory Theatre, United States of America
“Sweat” at Left Edge Theatre

by Heather Waters | 8th Oct 2020 | Los Angeles, Playwriting, Theatre and Politics, United States of America

Oceania

UNESCO Cities of Literature Short Play Festival 2019

by Hilary Halba and Stuart Young | 25th Oct 2020 | Festivals, New Zealand, Transcultural Collaborations

In September 2019, the UNESCO Cities of Literature Short Play Festival took place in Dunedin, New...

“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best

by Leigh Boucher | 14th Oct 2020 | Australia, Review, Sydney, Theatre and Politics
Dame Kate Harcourt And the Art of the Senior Actor

by David O'Donnell | 9th Oct 2020 | Acting, New Zealand, Russia, Theatre and Age
As COVID Wreaks Havoc in the Performing Arts, Do We Still Need a National Opera Company?

by Peter Tregear | 6th Oct 2020 | Australia, Covid-19, Theatre and Opera
“Fission”: Entangling Science, Theatre and Mātauranga Māori.

by Hilary Halba and David O’Donnell with David Hutchinson, Rua McCallum and Martyn Roberts | 18th Sep 2020 | Devised Theatre, New Zealand, Theatre and Science, Transcultural Collaborations

South America

From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script

by Lola Proaño Gomez | 26th Sep 2020 | Argentina, Covid-19, Dramaturgy, Essay, Transmedia

The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...

Dancing with a Deer, a Jaguar or a Snake

by Joachim Ben Yakoub | 13th Mar 2020 | Chile, Interview, Theatre and Politics, Transcultural Collaborations
The Fundamental Profanation

by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender
The Bolshoi Theater School: Only in Russia and… Brazil

by Anna Galayda - Russia Beyond Headlines | 4th Mar 2020 | Brazil, Interview, Russia, Theatre and Dance
“El Círculo” Review: The Vulnerability of Process as Performance

by Mary Allison Joseph | 28th Jan 2020 | Chile, Festivals, Review

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Recent Posts

Adapting Gianni Rodari in Improv Theatre: an Interview with Luca Rizzuti on “Grammatica Della Fantasia” 30th October 2020
“Inside the Box” at the Geffen Playhouse – A Puzzler’s Delight 29th October 2020
Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia. 28th October 2020
“Quarter Life Crisis” at The Bridge Theatre 27th October 2020
Self-Isolation and the Modern-Medieval Sounds of “The Anchoress” 27th October 2020
The Annoyance’s “Splatter Theater:” Sharing a Chicago Halloween Tradition with an Online Audience 26th October 2020
Fake Friends’ “Jerk” in Brooklyn 26th October 2020
UNESCO Cities of Literature Short Play Festival 2019 25th October 2020
“Waiting for Gretchen: Faust” – Teater Republique 24th October 2020
“It’s OK to be Naked”: An Interview with Tim Norwood 23rd October 2020

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