Worldwide

Danny Robins’s 2:22 A Ghost Story At The Apollo Th...

Posted by Aleks Sierz | 0

“KPOP” On Broadway: A Multisensory Fea...

Posted by Walter Byongsok Chon | 0

“Geometry of the Soul”, “Frozen Songs” and “Clowns...

Posted by Emilija Kvočka | 0

Bombastic Intimacies: Sophie McIntosh’s “cityscrap...

Posted by Rhiannon Ling | 0

Robert Patrick, Playwright, Has Passed Away

Posted by Magie Dominic | 0

Africa

“Theatre Is King”: The 2023 Kenya Theatre Awards

by Alexander Nderitu | 17th Mar 2023 | Acting, Kenya, News

The second edition of the Kenya Theatre Awards took place on 23rd February 2023 at the Kenya...

“Three Sisters,” National Theatre

by Aleks Sierz | 23rd Jan 2023 | Adaptation, Nigeria, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Black Theatre in Asia—Spotlight Query

by Todd Sullivan | 6th Jan 2023 | Nigeria, Producing, Taiwan, Theatre and Decolonization, Transcultural Collaborations
Kenyans Get a Taste of “The French Shakespeare”

by Alexander Nderitu | 4th Jan 2023 | Applied Theatre, France, Kenya, Participatory Theatre, Theatre for Young Audiences
Cape Town Theatre Company’s “A Picture of Dorian Gray” at Masque Theatre

by The African Theatre Magazine | 5th Nov 2022 | Adaptation, Dramaturgy, Review, South Africa

Asia

“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream

by Kuan-Ting Lin | 12th May 2023 | Directing, Review, Taiwan, Theatre and Politics, Transcultural Collaborations

Originally a collection of West Asian folktales, The Arabian Nights may be the series of...

The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”

by Anna Gryszkiewicz | 14th Apr 2023 | China, Festivals, Review, Transmedia
Exploring Palestinian Allyship in “Decolonizing Sarah”

by Tim Hamilton | 10th Apr 2023 | Chicago, Palestine, Review, Theatre and Decolonization, Theatre and Politics, United States of America
“note to a friend” at PROTOTYPE 2023 Festival

by Jingyi Zhang | 18th Jan 2023 | Festivals, Japan, Prototype 2023, Review, Theatre and Opera, United States of America
Three-Day Women’s Theatre Festival in Thiruvananthapuram, Begun on December 23, Showcased 14 Plays by Women Directors

by Saraswathy Nagarajan | 16th Jan 2023 | Festivals, India, News, Theatre and Gender

Europe

Léonora Miano On “What Must be Said”

by Brian Valentine-Quinn | 5th Jun 2023 | Essay, France, Theatre and Decolonization

The stage adaptation of Léonora Miano’s Ce qu’il faut dire (or “What Must be Said”) addresses a longstanding taboo in French society around the open discussion of race. A central tenet of contemporary French republicanism,...

“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre

by Aleks Sierz | 3rd May 2023 | Adaptation, London, Review, United Kingdom
Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking

by Aleks Sierz | 1st May 2023 | London, Review, Theatre and Gender, United Kingdom
“Young Barbarians”: Non-serious Seriousness and Hungarian Drive

by Emiliia Dementsova | 1st May 2023 | Hungary, Musical Theatre, Review, Theatre and Politics, Theatre Olympics 2023
“Sea Creatures,” Hampstead Theatre

by Aleks Sierz | 28th Apr 2023 | Review, Theatre and Gender, United Kingdom

North America

Drag Queens in Musical Theatre

by Lisa Monde | 8th May 2023 | Essay, Interview, LGBTQ Theatre, Musical Theatre, New York, United States of America

Dedicated to the 40th anniversary of the first publication of the play by Jean Poiret La Cage Aux...

The Theatre We Want In 2040? We Used “Strategic Foresight” To Plan On The Prairies

by Christine Brubaker, Taiwo Afolabi, Yvette Nolan, Jessica Thornton, and Heather Russek | 28th Apr 2023 | Canada, News, Theatre and Decolonization, Theatre and Politics
Arden of Faversham: A True Crime Thriller

by Clare Cioffero | 10th Apr 2023 | Acting, New York, Review, United States of America
“Love”—A Dissenting View

by Jonathan Kalb | 2nd Apr 2023 | Devised Theatre, Documentary Theatre, New York, Review, Theatre and Politics, United Kingdom, United States of America
“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?

by Emily Cordes | 29th Mar 2023 | Documentary Theatre, Interview, New York, Theatre and Politics, United States of America

Oceania

Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech”

by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics

Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...

More Than 2,000 People from Wittenoom Died of Asbestos-Related Diseases. A Powerful and Compelling Requiem Brings Their Story to the Stage

by Kate Hunter | 17th Feb 2023 | Australia, Melbourne, Review, Theatre and Science
New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd

by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender
“The Jungle And The Sea” Reminds Us War Is Profoundly Local, With The Intimate Negotiation Of Human Relationships

by Niro Kandasamy | 9th Dec 2022 | Australia, Review, Theatre and Politics
“RBG: Of Many, One” Is A Beautifully Crafted, Virtuosically Performed Play About Ruth Bader Ginsburg

by Penelope Crossley | 7th Dec 2022 | Australia, Review, Theatre and Politics

South America

ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil

by Martin Blaszk | 10th Feb 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations

An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...

Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School

by Ivam Cabral and Marcio Aquiles | 9th Feb 2023 | Brazil, Education, Essay, Poland, Theatre and Politics, Transcultural Collaborations
The ENTRE Festival in Midwest Brazil

by Luis Guilherme Barbosa dos Santos, Mariana Tagliari, Onira de Ávila Pinheiro Tancrede, Robson Corrêa de Camargo, and Ronei Vieira Nogueira | 7th Feb 2023 | Applied Theatre, Brazil, Education, Essay, Festivals, Poland, Transcultural Collaborations
The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro

by Rodolfo García Vázquez | 6th Feb 2023 | Brazil, Covid-19, Essay, Poland, Theatre and Science, Transcultural Collaborations
From Uruguay to Auroville: Clowning Duo Brings Physicality and Humour to the Stage

by Gowri S | 20th May 2022 | Acting, Festivals, News, Uruguay

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Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” by Rhiannon Ling 30th May 2023
The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023
Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
“Geometry of the Soul”, “Frozen Songs” and “Clowns’… by Emilija Kvočka 31st May 2023
Theater, A Major Job Sector by Heather Waters 2nd April 2023
“Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023
“The Arabian Nights” in Taiwan: Deserted… by Kuan-Ting Lin 12th May 2023
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Recent Posts

Léonora Miano On “What Must be Said” 5th June 2023
Danny Robins’s 2:22 A Ghost Story At The Apollo Theatre: Populist Shocker Is Pretty Chill Free 5th June 2023
“KPOP” On Broadway: A Multisensory Feast of HEUNG 4th June 2023
“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival 31st May 2023
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” 30th May 2023
Robert Patrick, Playwright, Has Passed Away 19th May 2023
“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream 12th May 2023
Drag Queens in Musical Theatre 8th May 2023
“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre 3rd May 2023
Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking 1st May 2023

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