Worldwide

Avignon 2019: In Search Of Multiple Selves: “Multi...

Posted by Yana Meerzon | 0

Oriza Hirata’s “In the Heart of a Fore...

Posted by Nobuko Tanaka | 0

“Europe” at The Donmar Warehouse

Posted by Aleks Sierz | 0

Avignon 2019: Seeking Truth: On History, Memory an...

Posted by Yana Meerzon | 0

Lorca, Lopez, and Translating Desire: “Yerma” at t...

Posted by James Montaño | 0

Africa

Ethiopian Theater: A Brief Introduction

by Zerihun Birehanu Sira | 6th Jul 2019 | Essay, Ethiopia

European Influences in Ethiopian Theater Prior to the introduction of European form of theatre in...

First Egyptian Integrated Dance Show Spotlights Dancing With Disability

by Nada Deyaa’ | 7th May 2019 | Egypt, Festivals, News, Theatre and Disability
“It Is All Very Satisfying”: Director Of India By The Nile, Ila Gupta On Her 25 Years In The Arts Field

by Ati Metwaly | 6th May 2019 | Egypt, Festivals, India, News
The Structure Of The Arts And Culture Industry In Zimbabwe

by Samuel Ravengai | 5th May 2019 | Essay, Theatre and Politics, Zimbabwe
Veteran Kenyan Actress Returns to Stage With Feminist Show

by Alexander Nderitu | 28th Apr 2019 | Kenya, News, Theatre and Gender

Asia

They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”

by Marjan Moosavi | 19th Jul 2019 | Iran, Review

About this performance and its director also read Theatre of Inquiry: Matei Vișniec’s Richard III...

Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare

by Zabrina Lo | 17th Jul 2019 | Adaptation, Hong Kong, News
Samuel Beckett’s “Waiting for Godot” is brought into the Reiwa Era

by Nobuko Tanaka | 14th Jul 2019 | Adaptation, Dramaturgy, Ireland, Japan, News
Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert

by Henrik Eger | 14th Jul 2019 | Afghanistan, Interview, Playwriting, Theatre and Gender, Theatre and Politics, United States of America
Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī

by Farinaz Kavianifar | 14th Jul 2019 | Interview, Iran, Transcultural Collaborations

Europe

Avignon 2019: Reading the Open Ending of “Sous D’autres Cieux” (“Under Different Skies”)

by Yana Meerzon | 18th Jul 2019 | Avignon 2019, Festivals, France, Review

An imaginative, dynamic, and visually striking production Sus d’autres cieux continues the...

In Memory of Great Actress and Singer Pina Cipriani

by Armando Rotondi | 15th Jul 2019 | Italy, News
Presence Is The Lingua Franca

by Ágnes Bakk | 15th Jul 2019 | Hungary, Interview, Transmedia
Jack Thorne’s “The End of History” at the Royal Court: State of the Left

by Aleks Sierz | 13th Jul 2019 | London, Review, United Kingdom
“Bitter Wheat” at Garrick Theatre

by Aleks Sierz | 13th Jul 2019 | Acting, London, Review, United Kingdom

North America

Latinx Stories Front and Center: Cara Mía Theatre Co’s 2019-2020 Season

by Trevor Boffone | 19th Jul 2019 | Dallas, News, United States of America

Ask anyone about the best theatre cities in the United States and they will inevitably mention New...

“Twelfth Night” at Will Geer’s Theatricum Botanicum, Topanga Canyon, CA

by Christine Deitner | 17th Jul 2019 | Los Angeles, Review, United States of America
“Made in Italy”: Tale of Generational an Italian-Canadian Migrant’s Life and Family

by Natasha Lomonossoff | 16th Jul 2019 | Canada, Review, Theatre and Art
Hollywood Fringe Festival – “To Richard!”

by Christine Deitner | 16th Jul 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Hollywood Fringe Festival – “¡YA BASTA!: TIME’S BEEN UP”

by Christine Deitner | 15th Jul 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America

Oceania

A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright

by Denise Varney | 18th Jul 2019 | Adaptation, Australia, Melbourne, Review

Australian literary classics are currently enjoying a comeback at our major theatre companies....

Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today

by Vivienne Glance | 7th Jul 2019 | Australia, Producing, Review
In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law

by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender
In Black Swan’s “Water,” Three Vignettes Explore The Politics of Immigration, Drought, and Family Dynamics

by Stephen Chinna | 3rd Jun 2019 | Australia, Review, Theatre and Politics
In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past

by Sandra D'urso | 29th May 2019 | Adaptation, Australia, Review

South America

International Playwrights Showcased at Columbia University School of the Arts

by John Brunner | 30th Jun 2019 | Chile, France, News, Spain, Translation, United States of America

In June 2019, Columbia University School of Arts staged the second annual International Play...

Staging The Present Moment: International Festival of Iberian Expression Theatre

by Daniel Schenker | 19th May 2019 | Brazil, Festivals, News, Portugal, Theatre and Dance, Theatre and Politics
“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists

by Clarisse Zarvos | 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Gender
The Third Edition Of Loja’s International Festival Of Living Arts, Ecuador (FIAVL 2018)

by Lola Proaño Gomez | 26th Apr 2019 | Ecuador, Festivals, News
When Poetry Is The Protagonist: “Lugones,” The Lord Of All The Words

by Mayra Ortiz Rodríguez | 3rd Mar 2019 | Argentina, Playwriting, Review

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Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza 21st July 2019
Theatres Are Evolving To Reconnect Us To Each Other And The Environment 21st July 2019
Oriza Hirata’s “In the Heart of a Forest”: Mastering Multilingual Performance 21st July 2019
“Europe” at The Donmar Warehouse 20th July 2019
Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine] 20th July 2019
Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company 19th July 2019
Latinx Stories Front and Center: Cara Mía Theatre Co’s 2019-2020 Season 19th July 2019
They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place” 19th July 2019
Avignon 2019: Reading the Open Ending of “Sous D’autres Cieux” (“Under Different Skies”) 18th July 2019
A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright 18th July 2019

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