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William Kentridge On The Pandemic And Post-Pandemic Theatre
William Kentridge – a South African interdisciplinary artist and the founder of The Centre for the...
Network of Artistic Theatre Activists Kerala (NATAK) Keeps Theatre Scene in Kerala Active Through Social Media
At the backyard of his home at Kattappana in Idukki district, GK Pannamkuzhy set up a pyre. It was...
CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
Invisible Diaries: Lay Your Burdens Down Day
I’ve hit the wall. The big move is over but moving the “small stuff” all day reminded...
New Zealand’s Virtual Covid-19 Lockdown Festival
Zoom became the tool-de-jour for work meetings and social interaction with family and friends – and its potential for creating Lockdown Theatre was immediately explored, using either Facebook Live or YouTube as platforms for the recorded shows.
Dancing with a Deer, a Jaguar or a Snake
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
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“XXX Neon Sign” Review: Embodied… 31st October 2019 
The Dangers of Optical Illusionary Performative Activism 7th June 2020 
William Kentridge On The Pandemic And Post-Pandemic Theatre 3rd July 2020 
How The Anthropologists Theatre Engage With… 2nd July 2020 
Oedipus Zoom: Remaking Tragedy, Now Via Video Conference 8th June 2020 
In Conversation with Deniz Başar: “Wine &… 6th July 2020 
Boris Yukhananov On The Pandemic And Post-Pandemic Theatre 20th June 2020 
In Conversation With Deniz Başar:… 4th July 2020 
New Zealand’s Virtual Covid-19 Lockdown Festival 16th June 2020 
The WaxFactory’s “Lulu XX” 28th September 2019