Worldwide

Designing for Tuacahn Amphitheater (A Three Part S...

Posted by Colden Lamb | 0

9 New Names in Russian Ballet That You Should Know

Posted by Arly Rubens | 0

Art Scene: “Archive: This Was The End” Taps Extras...

Posted by Alexander Fatouros | 0

After the Pandemic: the Music Day at the Conservat...

Posted by Maria Pia Pagani | 0

Obscured Truths Come to Light in Hideki Noda’s ...

Posted by Nobuko Tanaka | 0

Africa

“Lerumo”: A Cautionary Tale

by Tonderai Chiyindiko | 25th May 2021 | Festivals, Review, South Africa

Lerumo, written and directed by Malaika Ntsoeu and featuring Malaika Motshabi Ntsoeu, Malefu...

The Women Making Waves in Theatre in Africa Part 2

by The African Theatre Magazine | 15th May 2021 | Gambia, Kenya, Malawi, News, Nigeria, South Africa, Theatre and Gender, Tunisia, Uganda, Zimbabwe
“The Empire Builders:” A Bold Experiment in Alternative Theatre

by Tonderai Chiyindiko | 10th May 2021 | Adaptation, Review, South Africa, Transmedia
Nyokabi Macharia: Marching to the Beat of Her Own Drum

by Sakina Mirichii | 9th May 2021 | Acting, Interview, Kenya
“Pass Over” – A Sobering and Unflinching Take on African-American Life in America

by Tonderai Chiyindiko | 9th May 2021 | Review, South Africa, Theatre and Politics, United States of America

Asia

Malayalam Theatre Heads to Clubhouse for New Forms of Storytelling

by Athira M | 24th Jul 2021 | India, News, Theatre and Politics, Transmedia

Clubhouse is taking over social media in a big way. The invitation-only, audio-only app is...

Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”

by Niloofar Mohtadi | 22nd Jul 2021 | Covid-19, Iran, Participatory Theatre, Review, United States of America
Ali Al-Zaidi: A Playwright Who Lives Through His Characters

by Amir Al-Azraki | 28th Jun 2021 | Interview, Iraq, Playwriting
From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.

by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview
From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.

by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview

Europe

“Walden” at The Harold Pinter Theatre

by Aleks Sierz | 1st Jul 2021 | London, Review, United Kingdom

There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of...

About “Outside In”

by Aleks Sierz | 30th Jun 2021 | London, Review, Theatre and Dance, United Kingdom
Can the World be Saved on Stage?

by Klaudia Łączyńska | 27th Jun 2021 | Between.Pomiędzy 2021, Festivals, Poland, Review, Theatre and Politics
The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021

by Martin Blaszk | 25th Jun 2021 | Between.Pomiędzy 2021, Poland, Review
About “Sweatbox” and “Blis-ta”

by Aleks Sierz | 24th Jun 2021 | Review, United Kingdom

North America

Digital Sci-fi Opera “Red Giant”: An Opera Of Our Times

by Jingyi Zhang | 23rd Jul 2021 | Review, Theatre and Opera, United States of America

Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...

“The Brooklyn Job” Stole My Heart

by Megan C. McCormick | 22nd Jun 2021 | New York, Review, Theatre and Opera, United States of America
NEMPAC Opera Project’s “Juneteenth”: Opera in the Key of Freedom

by Katrina Holden-Buckley | 21st Jun 2021 | Boston, Featured, Review, Theatre and Opera, United States of America
On the Basis of Sustainability: Artemisia Theatre’s “Goods”

by Rhiannon Ling | 16th Jun 2021 | Chicago, Review, Theatre and Film, United States of America
Performing Shakespeare in the Era of COVID-19

by Alexa Alice Joubin | 7th Jun 2021 | Canada, Essay, Transmedia

Oceania

A Tight, Living Room Drama of a Family in Crisis, “Appropriate” Explores Truth-Telling and Dark Histories

by Heidi Norman and Jennifer Newman | 20th Jul 2021 | Australia, Review, Sydney

Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...

“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh

by David O'Donnell | 14th May 2021 | Interview, LGBTQ Theatre, New Zealand, Playwriting, Theatre and Gender, Theatre for Young Audiences
Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”

by Liza-Mare Syron | 13th May 2021 | Australia, Dramaturgy, Review
New Zealand Covid Response Dramatized in Moving Verbatim Play: “Transmission” by Stuart McKenzie

by David O'Donnell | 6th May 2021 | Documentary Theatre, New Zealand, Review, Theatre and Politics
The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic

by Mahsa Foroughi | 1st May 2021 | Australia, Essay, Theatre and Film

South America

Artists’ Entry: Lia Rodrigues

by Etcetera | 2nd Jun 2021 | Brazil, Interview, Theatre and Dance, Theatre and Politics

Every month, Etcetera gazes into the soul of a performer. Artistic interest instead of human...

From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script

by Lola Proaño Gomez | 26th Sep 2020 | Argentina, Covid-19, Dramaturgy, Essay, Transmedia
Dancing with a Deer, a Jaguar or a Snake

by Joachim Ben Yakoub | 13th Mar 2020 | Chile, Interview, Theatre and Politics, Transcultural Collaborations
The Fundamental Profanation

by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender
The Bolshoi Theater School: Only in Russia and… Brazil

by Anna Galayda - Russia Beyond Headlines | 4th Mar 2020 | Brazil, Interview, Russia, Theatre and Dance

Like Us On Facebook

Facebook Pagelike Widget

Most Active Authors

Most Popular Posts

Mikhail Baryshnikov: A Dancer Whose Flight to… by Valeria Paikova 8th February 2021
From Daily to Beckett: Godot in Wuhan. Wang Chong… by Tomasz Wiśniewski And Katarzyna Kręglewska 26th June 2021
Jimmy Fallon, Addison Rae, and the Issue of TikTok… by Trevor Boffone 2nd April 2021
Online Acting Classes? Here Are the Pros and Cons by Katherine Cappellacci 22nd May 2021
An Interview with Tim Minchin, Writer and Star of… by Rem Myers 8th August 2020
The Rise of the Ridiculous in “Circle… by Timothy L'Ecuyer 6th January 2021
How COVID-19 Is Reshaping The Performing Arts by Simon Cartledge 10th April 2021
Ali Al-Zaidi: A Playwright Who Lives Through His Characters by Amir Al-Azraki 28th June 2021
From Daily to Beckett: Godot in Wuhan. Wang Chong… by Tomasz Wiśniewski And Katarzyna Kręglewska 26th June 2021
Artists’ Entry: Tiago Rodrigues by Etcetera 7th April 2021

Recent Posts

Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch 29th July 2021
9 New Names in Russian Ballet That You Should Know 28th July 2021
Art Scene: “Archive: This Was The End” Taps Extrasensory Senses 27th July 2021
After the Pandemic: the Music Day at the Conservatory “San Pietro a Majella” in Naples 26th July 2021
Obscured Truths Come to Light in Hideki Noda’s “Fakespeare” 25th July 2021
Malayalam Theatre Heads to Clubhouse for New Forms of Storytelling 24th July 2021
Digital Sci-fi Opera “Red Giant”: An Opera Of Our Times 23rd July 2021
Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit” 22nd July 2021
Transformative Imaginations #1: Breaking Toxic Patterns 21st July 2021
A Tight, Living Room Drama of a Family in Crisis, “Appropriate” Explores Truth-Telling and Dark Histories 20th July 2021

SEARCH OUR ARCHIVES

Pin It on Pinterest