Worldwide
“Mnquma & Ithemba”: African Contemporary Dance-Based Storytelling
by Tonderai Chiyindiko | 12th Jan 2021 | Review, South Africa, Theatre and Dance
The TX Theatre’s double bill Mnquma & Ithemba is rich modern African contemporary dance-based...
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Egypt launches 13th edition of the National Theatre Festival
by Ahram Online | 30th Dec 2020 | Egypt, Festivals, Theatre and Film
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Review of Kwasha! Theatre Company’s “Peeling Shadows”
by Tonderai Chiyindiko | 22nd Dec 2020 | Devised Theatre, Review, South Africa
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The Attakkalari Centre for Movement Arts Reimagines Dance for the Online Medium
by Gowri S | 18th Jan 2021 | India, News, Theatre and Dance
Through a series of virtual performances and conversations, Attakkalari Centre for Movement Arts...
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Shreyas Talpade Set to Unveil Nine Rāsā in January 2021
by Neeraja Murthy | 3rd Jan 2021 | Covid-19, India, News
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Amid the Waters: Afghan Stories Stream Diversity on the Iranian Stage
by Marjan Moosavi | 29th Dec 2020 | Afghanistan, Iran, Review
“The Dybbuk” Or a Play Possessing Audiences for a Century
by Agnieszka Legutko | 17th Jan 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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How to Write a Pandemic Play
by Aleks Sierz | 15th Jan 2021 | Playwriting, United Kingdom
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“S-27” at The Finborough Theatre
by Aleks Sierz | 11th Jan 2021 | Review, Theatre and Politics, United Kingdom
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Surge Madrid 2020: The Nonstop Alternative Theatre Festival
by Antonio Hernández Nieto | 9th Jan 2021 | Festivals, News, Spain
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
by Emily Cordes | 17th Jan 2021 | Participatory Theatre, Review, United States of America
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ Theatre, Review, Sydney
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
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Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought
by Anthony Uhlmann | 13th Nov 2020 | Australia, Review, Sydney, Theatre and Age
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From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
by Lola Proaño Gomez | 26th Sep 2020 | Argentina, Covid-19, Dramaturgy, Essay, Transmedia
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
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The Fundamental Profanation
by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender
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“El Círculo” Review: The Vulnerability of Process as Performance
by Mary Allison Joseph | 28th Jan 2020 | Chile, Festivals, Review
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Recent Posts
- “The Book of Magdalene” at Main Street Theater: Interview with Playwright Caridad Svich 23rd January 2021
- Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom 21st January 2021
- Interactive Online Theater – “Life on Earth” 21st January 2021
- In Turkey, Stage Curtains Open Digitally Amid Pandemic 20th January 2021
- On sound ecology: “Rainforest V (variation 3)” at Arter 19th January 2021
- The Attakkalari Centre for Movement Arts Reimagines Dance for the Online Medium 18th January 2021
- Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre 17th January 2021
- “The Dybbuk” Or a Play Possessing Audiences for a Century 17th January 2021
- Intriguing and Peculiar Immersive Theater with Grounded Aerial’s “The Insectinside” 16th January 2021
- How to Write a Pandemic Play 15th January 2021