Ten Years Of The Divine Comedy Festival In Kraków
In December 2017, the Divine Comedy International Theatre Festival (Międzynarodowy Festiwal...
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Divine Comedy Festival 2017
Divine Comedy Festival 2017 Review: “Cezary Goes To War”
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
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Liberty, Equality, And Feminism: “Stateswomen, Sluts Of The Revolution, Or The Learned Ladies”
To probe the practices of both protest and theatre-making, Teatr Polski of Bydgoszcz looked to...
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Krystian Lupa’s “The Trial” At Divine Comedy Festival 2017
It is almost impossible to describe the experience of seeing the work of the legendary Polish...
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“To The Depths,” Together: A Show In Folk Songs With A Story
The Polish production To The Depths or To The Bottom (Do Dna), which appeared at the 2017 Divine...
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“Hymn To Love” At Divine Comedy Festival 2017
The chorus, as Nietzsche states in The Birth Of Tragedy, “can only be understood as the cause of...
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“The Rage” at Divine Comedy Festival 2017
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
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The “Very Last Wedding” At The Divine Comedy Festival
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- Polish Theatre Transfers To Dresden
- A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
- A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
- A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
- A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
- A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
- Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
- Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
- Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz
- “Białoszewski/Ginsberg VR” At Performing Garage
- Body As Medium. Between Theory And Technology Of Theatre
- How Norwegians Do It (Play Ibsen, That Is)
- Virtual Reality In Polish Theatre
- Subverting The Idea Of Nationalism
- Polish Theatre at the Edinburgh Fringe 2018
![“Silence. Cisza w Troi” [Silence. The Silence in Troy], dir. by Paweł Szkotak, Teatr Biuro Podróży, Photo by Grzegorz Gajos.](https://thetheatretimes.com/wp-content/uploads/2018/07/SILENCE-Opole-8.05.2017-fot.-Grzegorz-Gajos-6-300x200.jpg)
- Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
![“Zagubiony chłopiec” [“The Lost Boy”] by Artur Pałyga, dir. by Paweł Passini, Teatr Lalki i Aktora w Opolu, Photograph by Grzegorz Gajos](https://thetheatretimes.com/wp-content/uploads/2018/07/Zagubiony-Chlopiec-300x200.jpg)
- “Ameryka”- Critical Mass And Block Party 2018
- Metaphor At Play: New Theatre from Belgium, Poland and United States
- The Context of Contemporary Polish Theatre: Spotlight on Poland
- The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre
![“Klątwa” [“The Curse”], adapted from Stanisław Wyspiański’s play, dir. by Olivier Frljić, Teatr Powszechny in Warsaw, Photograph by Magda Hueckel.](https://thetheatretimes.com/wp-content/uploads/2018/03/Klatwa_2_663-300x203.jpg)