Transmedia Archives | Page 3 of 5

“Privacy:” The Impact Of The Digital Revolution On Private Life

Posted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom

Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...

Looking Within With “Attempts: Singapore”

Posted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...

“Black Inscription” – A New Multimedia Love Song Cycle Premieres at Prototype

Posted by Cate Cammarata | 6th Feb 2018 | New York, Prototype 2018, Theatre and Opera, Transmedia, United States of America

“To dive we must forget the surface fuss… Ignore all surface fuss.. Ignore the surface…”...

Sculptures Reflect On The Space They Occupy In “Ten Years, Please”

Posted by Kee-Yoon Nahm | 13th Jan 2018 | Review, South Korea, Theatre and Art, Transmedia

In 2007, visual artist Jewyo Rhii and curator Hyunjin Kim held an unusual exhibition titled Ten...

Theatre Is Not Happy Any More In Crisis: The Internet and Performing Arts

Posted by Ágnes Bakk | 5th Dec 2017 | Germany, Interview, Transmedia

It’s often stated that performing arts reflect changes in society. But how does this look when we...

“One The Bear” (La Boite) New Transmedia Storytelling

Posted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia

In true international award-winning Black Honey Company style, One The Bear bursts on the...

Is VR the Future Of Live Performance?

Posted by Augusto Esteves | 31st Oct 2017 | Transmedia, United States of America

What do Coldplay, Stevie Wonder, and the Imagine Dragons all have in common? The answer, and well...

West Coast Premiere – “Please Excuse My Dear Aunt Sally” At The Odyssey Theatre

Posted by Christine Deitner | 28th Sep 2017 | Los Angeles, Transmedia, United States of America

Founded in 1969 by Artistic Director Ron Sossi, The Odyssey Theatre Ensemble is Los Angeles’...

Algorithm, Composition, And Metaphor

Posted by Annie Dorsen | 26th Sep 2017 | New York, Theatre and Science, Transmedia, United States of America

What is algorithmic theatre? For the last several years, I’ve been using the term...

Analog Virtual Reality Worlds of SIGNA Performance Group

Posted by Ágnes Bakk | 5th Sep 2017 | Festivals, Germany, Interview, Transmedia

Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...

Foreign Radical: The Intimate Power of Interactivity

Posted by Aida Rocci | 2nd Sep 2017 | Canada, Immersive Theatre, Transmedia

Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....

How Virtual Reality is Changing the Way We Experience Stage Shows

Posted by Andrea Moneta | 23rd Aug 2017 | Transmedia, United Kingdom

When the legends of opera were composing their works, it is unlikely they ever envisaged a time...

“End of Imitation 2.0”: A Digital And Documentary Look At Humanity

Posted by Anastasiia Gaishenets | 15th Aug 2017 | Transmedia, Ukraine

Work on a documentary performance called End of Imitation started last autumn. It was shaped by...

Fuerza Bruta Re-Interprets a Night Out at The Theater

Posted by Nobuko Tanaka | 11th Aug 2017 | Argentina, Immersive Theatre, Japan, Transcultural Collaborations, Transmedia

Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...

What Is the Relationship Between Acting and Transmedia? Part II

Posted by Belén Santa-Olalla | 28th Jul 2017 | Acting, Europe, Transmedia

This is the second blog post looking at acting and transmedia. It identifies several key...

Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics

Posted by Aida Rocci | 14th Jul 2017 | Interview, London, Spain, Transcultural Collaborations, Transmedia, United Kingdom

As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.

The Beginner’s Guide To Acting And Transmedia

Posted by Belén Santa-Olalla | 10th Jul 2017 | Acting, Spain, Transmedia

This is the first of a series of blog posts that look at the role of the actor in a transmedia...

Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format

Posted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom

At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...

Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla

Posted by Ágnes Bakk | 17th Jun 2017 | Immersive Theatre, Interview, Spain, Transmedia

Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She studied audiovisual communication, drama and performance art, and was an assistant director for the former director of the National...