Minecraft Plays in Covid Times with Director/Artist Susie Lawrence
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
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Transmedia
The Rise of the Ridiculous in “Circle Jerk” by Fake Friends
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
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New Musicals Presented at the National Alliance of Musical Theatre’s 32nd Annual Festival
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
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Chennai’s New Theatre Group, The Art Factory, Debuts with a Virtual Production
Chennai-based theatre group, The Art Factory, debuts with an anthology of Tamil and English short...
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“What a Carve Up!”, Barn Theatre
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator....
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Leaving Reality with “Dave’s Roleplays”: An Interview with Actor David French
At first glance, one might consider portraying someone’s older brother, boyfriend, or therapist,...
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Shoebox Musicals: A Story of TikTok, The Pandemic, “Ratatouille The Musical”, And The Wizard Conquering Them All
Recently a friend sent me a message that read, “I’m not sure if you have TikTok, but...
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Privileges of the Imagination
When, nearly three years ago, I wrote about the first Teatroteka (Didaskalia, No. 142), I looked...
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Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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Of Wizards and Trolls: “Russian Troll Farm: A Workplace Comedy”
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
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Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
As part of the XXX Baltic House International Theatre Festival, the conference “Theatre and...
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The Annoyance’s “Splatter Theater:” Sharing a Chicago Halloween Tradition with an Online Audience
While theaters around the United States typically produce The Rocky Horror Picture Show around...
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Mumbai’s The Company Theatre Finds Innovative Ways to Navigate Theatre Digitally
Actor and artistic director Atul Kumar speaks on the need to experiment with ‘form’ to make...
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Shernaz Patel on the Changing Landscape of Theatre from Stage to Screen
Actor Shernaz Patel speaks about supervising the transition of theatre to benefit an online...
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Fariña: Cocaine Coast Docks in Madrid
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
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Kerala’s ‘Tholpavakoothu’ as a Modern Avatar in a Music Video
“The use of Kerala’s traditional puppetry in a music video by director Emcy Joseph throws...
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“The House of Sorrow” – Jisun Kim
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
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From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
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The Story Behind “LILIAN”: Interview with Kasia Głowicka
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
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“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
Cursed problems often require unorthodox solutions, ones that transgress or delineate anew...
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