How Virtual Reality is Changing the Way We Experience Stage Shows
When the legends of opera were composing their works, it is unlikely they ever envisaged a time...
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Transmedia
What (Good) Examples Of Digital Technology In Theatre Do You Know?
The Field Survey, Part 1: Seeing Summarizing the answers of the playful poll done at the...
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How Does The (Digital) Theatre Of The Future Look Like?
The Field Survey, Part 4: Dreaming What would you like to happen in the (near) future in relation...
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“End of Imitation 2.0”: A Digital And Documentary Look At Humanity
Work on a documentary performance called End of Imitation started last autumn. It was shaped by...
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Fuerza Bruta Re-Interprets a Night Out at The Theater
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
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What Is the Relationship Between Acting and Transmedia? Part II
This is the second blog post looking at acting and transmedia. It identifies several key...
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Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics
As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.
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The Beginner’s Guide To Acting And Transmedia
This is the first of a series of blog posts that look at the role of the actor in a transmedia...
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Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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The Future of Theatre Creation? SpiderWebShow Unveils CdnStudio
Collaboration for theatre artists across borders may become a little easier thanks to an...
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Peter Scolari in “The Dreyfus Affair” at BAM
Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...
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The Critically Performative Work Of Hassan Khan
MMK3 is the smallest of Frankfurt’s Museum für Moderne Kunst’s three buildings, and...
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Adapting for Transmedia – Part II
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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Adapting For Transmedia – Part I
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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Complicite/Simon McBurney West Coast Premiere of “The Encounter” at The Wallis (Beverly Hills)
If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...
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Cyber Theatre in China: Performance or Action?
Twenty years ago, it was inconceivable for people to meet without a physical encounter. But today,...
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Games And Theatre in Hybrid-Reality
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
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“Speed Show: Drifting Internet Café”: Diary of a Cyborg Theatre Production in Beijing
In Shuzo Oshimi’s comic series, Drifting Net Café, the protagonist runs into his first love from...
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I Want To Hear You Breathing: A Conversation With Mischa Dohler
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
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