Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote
Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...
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Transmedia
A New Form Of Theatre Consumption Aims To Revolutionize The World Of Theatre
The way media is produced and consumed has been transformed in the past decade or so thanks to...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE
In this time of superdiversity, with different cultures and strata of the population living...
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Open Online Theatre Invites Its Audience to “Walk Into Space”
IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...
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“Hopscotch Opera”: A Mobile Opera For 24 Cars From The Industry LA
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...
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Gaming and the Future of Dramaturgy: Goethe’s “Faust” as an Immersive and Interactive Experience
Peter Lee is the founder of NOLGONG, the Seoul-based game design company, which is also producing...
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Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
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Between the Niche and Disneyland: Interactive Performance Design for Virtual Theatre & Games
Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...
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A Conversation With Katie Day on Theatre, Big Data, and Narrative Design
A conversation with Katie Day (founder and artistic director of The Other Way Works company) about...
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From Virtual Corporeality to Nano-Spectacles: Interview With Mirko Stojkovic
Interview with Mirko Stojkovic dramaturg, video game developer and university teacher about...
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The OzAsia Festival Is Young And Confident – Here Are the Shows to Watch
The formal launch of the OzAsia Festival’s visual arts program at the Adelaide Festival Centre...
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Sander Veenhof: Staging Audience Against Isolation
Sander Veenhof is a hands-on futurist, creating interactive experiences to explore scenario’s for...
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Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”
The Brighton-based Blast Theory is one of the world leading interactive performance companies that...
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Why We Need to Remember How to Forget
Three US neuroscientists published a case study in 2005 detailing how a woman, AJ, was plagued by...
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Christina Papagiannouli on Cyberformance, Online Theatre, and Pokémon GO
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
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Broadway’s First Steps Into Live Streaming and Digital Documentation
For the first time in Broadway history, on June 30th 2016, a musical was live streamed: Roundabout...
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Digital Feelings Erupt in Theater
Theater, Yale’s journal of criticism and performance, launched its special issue on “Digital...
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Built for Collapse: “Red Wednesday”
The evening that I saw Red Wednesday by Built for Collapse at the LaGuardia Performing Arts...
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How Online Performance Needs to Grow
This post discusses the emergence and evolution of digital art and online performance in the...
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