Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York
Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...
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Translation
Pondering Over the Division between North and South Korea, Kim Eunsung’s “Sister Mok-Rahn” Greets New York
On Sunday, May 7, Korean playwright Kim Eunsung’s Sister Mok-Rahn was given a staged reading at...
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Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
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Shakespeare and the Hindi Theatre
Hamara Shakespeare: Shakespeare and the Hindi Theatre in India Shakespeare has been performed in...
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Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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Roland Schimmelpfennig’s “Winter Solstice” Probes the Lure of Fascism
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
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Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre
Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...
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The Need for Supertitles or Not
Two shows recently seen at the Under The Radar festival in New York gave me the opportunity to...
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“NIMBY” From Chilean-French Company Colectivo Zoológico at Iberoamerikanisches Theaterfestival
On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...
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Sending the Spectator Abroad: Some Reflections on Theatre Translation
How does the work of translation affect how we read, understand and spectate? How do translations...
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Translated Theatre in Brexit Britain
As the London Eye fireworks die down and 2016 segues bleary-eyed in to 2017, one of the most...
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More Musings On Supertitles
“Knowing two languages doesn’t make you a translator any more than having ten fingers makes you a...
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EURODRAM Full Open Call 2016-17
Next week marks the deadline for the annual call for scripts from EURODRAM.
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Microtheater in Words Without Borders: A Genre for Uncertain Times
More than ten years after Words without Borders presented its first issue of theater in...
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London Theatre Company Brings Translators Centre-Stage
There are plenty of theatre translators who start out as actors, directors, playwrights or other...
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New US Theatre Translation Network Goes Online
A network of US-based theatre translators that has been developing over several years recently...
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A Contemporary Korean Play Meets A New York Audience
The article below is one I wrote for the E-Newsletter Hamilton Dramaturgy’s ScriptForward! back in...
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Musings on Supertitles
Thinking about how to make supertitles more friendly, more accessible to an audience that is...
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Theatre Review: “Poker Face” By Petr Kolečko–”Feels Like It’s Happening Right Here Right Now”
The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...
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Translating Theatre: ‘Foreignisation’ on Stage
TRANSLATING THEATRE: ‘FOREIGNISATION’ ON STAGE AN AHRC LEADERSHIP FELLOWSHIP PROJECT, MAY...
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