Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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Translation
“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
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An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
Read MoreNatalya Vorozhbit’s “Bad Roads” At The Royal Court: Russian And Ukrainian Drama In The UK
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian playwright Natalia Vorozhbit’s play Bad Roads in an English language translation by Sasha Dugdale. Vorozhbit is one of the most exciting...
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Eurydice Among the Shades – Elfriede Jelinek’s “Shadow. Eurydice Says” in NYC
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
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Amsterdam’s Symposium On Cultural Translation
Amsterdam’s Stedelijk Museum asserted itself as the watering hole for a universal collective of people congregating on the subject of cultural translation within a dramaturgical framework, which alone begins as a intriguing idea, given that the collective arrived out of the rain from many corners of the globe.
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An Inconvenient Truth – Henrik Ibsen’s “An Enemy of the People” at Yale Rep
Thanks to Trump’s designation of the press as “the enemy of the people,” the question of what...
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My Translation Odyssey: Translating Alexandra Badea’s “The Pulverised”
Currently performing with the Royal Shakespeare Company, Lucy Phelps is an actor and translator...
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Where And How To Find Foreigner-Friendly Performances In Moscow’s Theaters
Moscow is an excellent venue for devoted drama connoisseurs, even if you don’t speak Russian. Here...
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Supertitles Galore At The 2017 Avignon Festival: Necessary Or Not?
I’ve recently returned from the Avignon Festival where I’m sure I saw more shows with supertitles...
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“The Maids”: A New Stage of Power and Performance
The Taiwan-based theatre troupe, Yang’s Ensemble, used to deal mostly with Sino-centric cultures...
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“Buried Child” in Hong Kong: Disparate Americana
American Travis Preston directed this production of Sam Shepard’s Buried Child for the Hong Kong...
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Theatre Translation Forum launches ‘Adapting Translation for the Stage’
In 2013-14, an innovative, cross-disciplinary research project explored the interactions of...
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Out of the Wings Brings Hispanic and Lusophone Theatre to London Audiences
Following its second annual week of play readings from the Spanish- and Portuguese-speaking world,...
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Bakkhai at the Stratford Festival: A Translation in the Clear Key of Green
“Beginnings have their own energy, ethics, tonality, colour.” –excerpt from Anne Carson’s...
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Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York
Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...
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Pondering Over the Division between North and South Korea, Kim Eunsung’s “Sister Mok-Rahn” Greets New York
On Sunday, May 7, Korean playwright Kim Eunsung’s Sister Mok-Rahn was given a staged reading at...
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Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
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Shakespeare and the Hindi Theatre
Hamara Shakespeare: Shakespeare and the Hindi Theatre in India Shakespeare has been performed in...
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