Women Of The World Write: “Global Female Voices” At The Arcola Theatre
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Lora Krasteva | 27th May 2018 | Festivals, London, News, Producing, Theatre and Gender, Translation, United Kingdom
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Vikram Phukan | 23rd May 2018 | Adaptation, India, Translation
The Bard’s tale on the machinations of Denmark’s royal family remains his most influential plays...
Read MorePosted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
Read MorePosted by Nobuko Tanaka | 19th Apr 2018 | Interview, Ireland, Japan, Translation
When Akira Shirai first read the script for Ballyturk, he quickly understood why its creator,...
Read MorePosted by Alexa Alice Joubin | 18th Apr 2018 | Adaptation, Essay, Translation, Worldwide
In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by William Gregory | 24th Mar 2018 | Festivals, LGBTQ Theatre, London, News, Producing, Translation, United Kingdom
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
Read MorePosted by Noah Birksted-Breen | 23rd Mar 2018 | Adaptation, Russia, Translation, United Kingdom
I have just finished translating Mikhail Durnenkov’s The War Hasn’t Yet Started for the third time...
Read MorePosted by French Culture | 22nd Mar 2018 | Adaptation, France, News, Theatre and Art, Translation
As a young French director visiting New York with his theater troupe, Paul Desveaux hardly...
Read MorePosted by Christopher Harris | 10th Mar 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
Read MorePosted by Nicole Birmann Bloom | 20th Feb 2018 | France, Interview, Theatre and Art, Translation
A production from Compagnie L’Héliotrope, and co-presented by the Cultural Services of the...
Read MorePosted by Christopher Harris | 15th Feb 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
Read MorePosted by Yana Meerzon | 7th Feb 2018 | Canada, Review, Theatre and Dance, Translation
In scholarly debates on contemporary theatre, the question about language has primary importance....
Read MorePosted by Ekaterini Nikolarea | 2nd Feb 2018 | Essay, Translation
In this essay, I want to discuss the interface the Semiotics of Theater and Theater Translation as...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by William Gregory | 16th Jan 2018 | France, News, Playwriting, Spain, Translation
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
Read MorePosted by Katalin Trencsényi | 24th Dec 2017 | Essay, Translation, United Kingdom
When talking about translation, statistics show an alarming picture. The United Kingdom has the...
Read MorePosted by Valentina Riccardi | 21st Dec 2017 | Australia, Interview, Theatre and Dance, Transcultural Collaborations, Translation
Interview conducted as part of the media partnership between Culture360 and International Theatre...
Read MorePosted by Aleks Sierz | 18th Dec 2017 | Review, Syria, Translation, United Kingdom
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
Read MorePosted by Jessica Hinds-Bond | 2nd Dec 2017 | Interview, Producing, Russia, Russian Theatre Abroad, Translation
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
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