A Place To Be Seen: Global Queer Plays At The Arcola Theatre
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
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Translation
“Lessons Learnt” By A Professional Translator–Adapting The Same Play Three Times Over Three Years
I have just finished translating Mikhail Durnenkov’s The War Hasn’t Yet Started for the third time...
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American Actors Give New Voice To French Theater
As a young French director visiting New York with his theater troupe, Paul Desveaux hardly...
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“Y Tad” – Theatr Genedlaethol Cymru (A Welsh Translation of Florian Zeller’s “The Father”)
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
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“Pollock” A Play By Fabrice Melquiot: Conversation with French Director Paul Desveaux
A production from Compagnie L’Héliotrope, and co-presented by the Cultural Services of the...
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“I Feel As If I’m Loosing My Leaves:” Translatability Of Theme Through Language In Theatr Genedlaethol Cymru’s Production Of Florian Zeller’s “Y Tad”
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
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On Words In Motion: “Brodsky/Baryshnikov”
In scholarly debates on contemporary theatre, the question about language has primary importance....
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A Theoretical Polarization Between Performability Versus Readability Or Towards “The Metaphysics Of A (Play) Text?”
In this essay, I want to discuss the interface the Semiotics of Theater and Theater Translation as...
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From Skopje To London Via Hungarian And English: András Visky’s “The Unburied”
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
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‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
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A View From The Bridge: The Dramaturg’s Work on A Play in Translation
When talking about translation, statistics show an alarming picture. The United Kingdom has the...
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Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
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An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
Read MoreNatalya Vorozhbit’s “Bad Roads” At The Royal Court: Russian And Ukrainian Drama In The UK
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian playwright Natalia Vorozhbit’s play Bad Roads in an English language translation by Sasha Dugdale. Vorozhbit is one of the most exciting...
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Eurydice Among the Shades – Elfriede Jelinek’s “Shadow. Eurydice Says” in NYC
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
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Amsterdam’s Symposium On Cultural Translation
Amsterdam’s Stedelijk Museum asserted itself as the watering hole for a universal collective of people congregating on the subject of cultural translation within a dramaturgical framework, which alone begins as a intriguing idea, given that the collective arrived out of the rain from many corners of the globe.
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An Inconvenient Truth – Henrik Ibsen’s “An Enemy of the People” at Yale Rep
Thanks to Trump’s designation of the press as “the enemy of the people,” the question of what...
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My Translation Odyssey: Translating Alexandra Badea’s “The Pulverised”
Currently performing with the Royal Shakespeare Company, Lucy Phelps is an actor and translator...
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Where And How To Find Foreigner-Friendly Performances In Moscow’s Theaters
Moscow is an excellent venue for devoted drama connoisseurs, even if you don’t speak Russian. Here...
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