Transcultural Collaborations Archives | Page 7 of 9

Experiencing “Badke”

Posted by Samah Hijawi | 7th Nov 2017 | Belgium, Palestine, Review, Theatre and Dance, Transcultural Collaborations

KVS Theater in Brussels I tend to shy away from western-Arab collaborations. I tend to be...

Interview With Heidi Wiley On The Creation Of European Theatre Convention (ETC)

Posted by The Theatre Times | 4th Nov 2017 | Germany, Interview, Management, Transcultural Collaborations, Ukraine

Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...

“The Mecca Tales” in New York

Posted by Jack Wernick | 4th Nov 2017 | New York, Review, Transcultural Collaborations, United States of America

The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...

Why All The World’s A Stage For A Classic Chinese Opera

Posted by Nick Rongjun Yu | 25th Oct 2017 | China, Essay, Festivals, Transcultural Collaborations, United Kingdom

In August, the stage play, The Dreamer was performed for enthusiastic audiences at the Pleasance...

Francis Poulenc’s “Midnight In Paris” (“La Voix Humaine”) In Beijing

Posted by Cheng-Han Wu | 21st Oct 2017 | Belgium, China, Festivals, Review, Theatre and Opera, Transcultural Collaborations

Belgium’s new opera company Muziektheater Transparant is invited by the 2017 Beijing Music...

Amsterdam’s Symposium On Cultural Translation

Posted by Christopher Harris | 21st Oct 2017 | Dramaturgy, Netherlands, Transcultural Collaborations, Translation

Amsterdam’s Stedelijk Museum asserted itself as the watering hole for a universal collective of people congregating on the subject of cultural translation within a dramaturgical framework, which alone begins as a intriguing idea, given that the collective arrived out of the rain from many corners of the globe.

Jan Lauwers: Beyond Postmodernism

Posted by Karel Vanhaesebrouck | 14th Oct 2017 | Belgium, Playwriting, Transcultural Collaborations

How are we to live together in this day and age? Jan Lauwers, the ‘first among equals’ at...

Shakespeare and Decolonization: #ShakespeareMustFall?

Posted by Marié-Heleen Coetzee | 15th Sep 2017 | South Africa, Transcultural Collaborations

The 400th anniversary of Shakespeare’s death in 2016 provided ample room for celebrations and...

“Quai Ouest” in Hong Kong: Extended Emotions in a Dark Warehouse

Posted by Whit Emerson | 25th Aug 2017 | Hong Kong, Transcultural Collaborations

After queuing outside the Cattle Depot Theatre, in the harsh yellow street light and hot weather...

“Between Man And Machine:” Biana Li’s Robotic Dance Show For Kids

Posted by Zolima Citymag | 23rd Aug 2017 | France, Japan, Theatre for Young Audiences, Transcultural Collaborations

Why We Recommend it Using pioneering technology and fun choreography, this multimedia dance show...

Drama and Betrayal: Hit Play “The Truth” Comes to Hong Kong

Posted by Zolima Citymag | 21st Aug 2017 | Hong Kong, Transcultural Collaborations

Why We Recommend It After success in cities across Europe, tragicomedy The Truth — which tells the...

Fuerza Bruta Re-Interprets a Night Out at The Theater

Posted by Nobuko Tanaka | 11th Aug 2017 | Argentina, Immersive Theatre, Japan, Transcultural Collaborations, Transmedia

Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...

“In Sundry Languages” Is A Feast for the Ears

Posted by Heather Fitzimmons-Frey | 2nd Aug 2017 | Canada, Transcultural Collaborations

Toronto Laboratory Theatre declares that its show, In Sundry Languages, “looks and feels like...

Collective Playwriting: A European Experience

Posted by Paul Castagno | 1st Aug 2017 | Finland, Norway, Playwriting, Transcultural Collaborations

The EU Collective Plays project is arguably the most ambitious new play project in the history of...

Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics

Posted by Aida Rocci | 14th Jul 2017 | Interview, London, Spain, Transcultural Collaborations, Transmedia, United Kingdom

As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.