“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability
Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...
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Transcultural Collaborations
The Immigrant Dragons–Part I: How Australia Is Saving A Hong Kong Tradition
It’s a cool January afternoon at a bus terminal at Yuen Long station. A blue minivan pulls up....
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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“Still Life With Chickens:” New Samoan Play Confronts Loneliness Through Comedy
Samoan playwright David Fa’auliuli Mamea’s Still Life With Chickens won the 2017 Adam Award for...
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Birthing A Country: “Womb Of Fire”
The provocative one-hander Womb Of Fire by The Mothertongue Project recently had a three-week run...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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“Possession:” Music And Movement Dominate Performance On Hermits, Deserts And Demons
Possession was performed twice during D-Caf festival, and is directed by Tom Bailey. English...
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A Genre-Bending Pasifika Collaboration -“The Naked Samoans Do Magic”
The Naked Samoans Do Magic Commissioned by the Auckland Arts Festival and co-produced with The...
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World Theatre Festival Shizuoka 2018: Reaching Out To The World Through Theatre
World Theatre Festival Shizuoka 2018 Shizuoka Performing Arts Center (SPAC) will hold its annual...
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Global Shakespeare
Voodoo Macbeth? Heir apparent of the Denmark Corporation in Manhattan? A pair of star-crossed...
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The Perks Of Bringing In New People In The Theatre Repertory
Casting actors from outside the repertory means new energy and new audiences. Last week, I watched...
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Force And Fragility Meet And Merge In “Dunas”
There are mutual squeals of delight when Belgian dance artist, Sidi Larbi Cherkaoui and Spanish...
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“Kumar50”: The Star of the Singapore Drag Scene
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
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How Can We Transform The World Through One’s Self? Amsterdam’s Butoh Festival
In Waves: Transforming The World Through One’s Self At Amsterdam’s Butoh Festival In...
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“Y Tad” – Theatr Genedlaethol Cymru (A Welsh Translation of Florian Zeller’s “The Father”)
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
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Changing The Landscape Of Puppetry Theatre In Poland: Jakub Krofta And The Wrocław Puppet Theatre
Jakub Krofta is currently the Artistic Director of the Wrocław Puppet Theatre (Wrocławski Teatr...
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The Art Of Ageing Theatre Project
A first glance at the website for “The Art of Ageing” theatre project may lead you to...
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“I Feel As If I’m Loosing My Leaves:” Translatability Of Theme Through Language In Theatr Genedlaethol Cymru’s Production Of Florian Zeller’s “Y Tad”
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
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Satoshi Miyagi Returns To The Japan Society With “Mugen Noh Othello”
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
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