Theatre Meeting 2018: The Sun As The Last Frontier
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
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Transcultural Collaborations
Traditional Storytelling Meets New Media Activism In Iran
In the summer of 2015, I conducted fieldwork in Tehran and Qom, Iran, with a small team of...
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Kinetics Of Sound
Kinetics Of Sound takes its starting point in an ordinary theatre exchange programme in which two...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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The Croatian National Theatre Stages Henrik Ibsen’s “Peer Gynt” In Zagreb
The Croatian National Theatre in Zagreb and Det Norske Teatret from Oslo created a co-production...
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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Arabic Storytelling In Bahrain’s Theater Festival
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
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Epidaurus Lyceum: International Summer School Of Ancient Drama
Theme 2019: Reinventing Ancient Drama on the contemporary stage July 2- 16, 2019 The Epidaurus...
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On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
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Korean Theater Of Musical Comedy In Kazakhstan Receives CIS Cultural Award
Kazakhstan’s State Republican Academic Korean Theater of Musical Comedy has received...
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Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
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Creating Tapestries Of Sound
Passing through Mumbai last week was Japanese composer Yasuhiro Morinaga. Arts aficionados in...
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Kamishibai: How The Magical Art Of Japanese Storytelling Is Being Revived And Promoting Bilingualism
In a world where technological advancement seems to be at the forefront of almost everything, it...
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Glasgow’s Easterhouse To Stage Ancient “Trojan Women” Play With War-Scarred Syrian Refugees
A 2,400-year-old Greek tragedy is to be staged in one of Scotland’s most deprived communities to...
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“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability
Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...
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The Immigrant Dragons–Part I: How Australia Is Saving A Hong Kong Tradition
It’s a cool January afternoon at a bus terminal at Yuen Long station. A blue minivan pulls up....
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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“Still Life With Chickens:” New Samoan Play Confronts Loneliness Through Comedy
Samoan playwright David Fa’auliuli Mamea’s Still Life With Chickens won the 2017 Adam Award for...
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Birthing A Country: “Womb Of Fire”
The provocative one-hander Womb Of Fire by The Mothertongue Project recently had a three-week run...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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