A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
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Transcultural Collaborations
“Every dollar is a soldier/With money you’re a dragon”: A Virtual Promenade between Two Migrant Fates
Running Aug 24-29 at the 2021 Edinburgh Fringe, Every dollar is a soldier/With money you’re a...
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“Youth Everlasting and Life Without Death”: Performing Folk-tale and “Centriphery”
A Theoretical and Organizational Premise “Centriphery” is an on-going large-scale...
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Together We Go On: A 36 Hour Non-Stop Festival on 28th and 29th August
The International Drama/Theatre and Education Association (IDEA) is organizing the Together We Go...
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Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
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Windows into Performance Art: River Lin’s Artistic and Curatorial Practices
Networking is both motif and method in the work of River Lin (林人中). Performing, directing,...
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Dramaturgy as “A Poem About The Unknown”: Producing Dance Theatre About the Future During Uncertain Times
A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian...
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Theatre Shows How The Art of Inclusion Can Help Build a Better Canada in 2021
As we bid the pandemic year goodbye and herald the new year, it’s worth asking about the kind of...
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“A Way Forward” For Theatre In The EU
After seven months of dialogue and organization, a group of “more than 150 policymakers, artists,...
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Young European Voices Exploring Hopes and Dreams
Young Europe III Raising young people’s voices across Europe, exploring their hopes and dreams,...
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Theater in Translation at the British Centre for Literary Translation
The annual International Literary Translation & Creative Writing Summer School is delivered in...
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Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
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Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
As part of the XXX Baltic House International Theatre Festival, the conference “Theatre and...
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UNESCO Cities of Literature Short Play Festival 2019
In September 2019, the UNESCO Cities of Literature Short Play Festival took place in Dunedin, New...
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Raw, Revolutionary, and Painfully Honest: “Insulted. Belarus(sia)”
The new play Insulted. Belarus(sia) was written in September 2020 by Andrei Kureichik, a prominent...
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Interview with French Theater Director Paul Desveaux
Paul Desveaux is the director of Compagnie L’Héliotrope. In the United States, he recently...
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The Intercultural Journey of An Iranian Performing Artist
Niayesh Nahavandian is a young, Iranian female performing artist that has lived and worked in...
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“Fission”: Entangling Science, Theatre and Mātauranga Māori.
In the era of Covid 19, when our theatres have been forced to close throughout Aotearoa/New...
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The Story Behind “LILIAN”: Interview with Kasia Głowicka
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
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