Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
Read MorePosted by Aleks Sierz | 26th Sep 2022 | London, Palestine, Review, Theatre and Politics, United Kingdom
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
Read MorePosted by Kee-Yoon Nahm | 9th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
Read MorePosted by Kee-Yoon Nahm | 8th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
Read MorePosted by Aleks Sierz | 14th Aug 2022 | India, London, Playwriting, Review, Theatre and Politics, United Kingdom
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
Read MorePosted by Deborah Augustin | 11th Aug 2022 | Afghanistan, Applied Theatre, Interview, Malaysia, Theatre and Politics
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
Read MorePosted by Yana Meerzon | 7th Aug 2022 | Avignon 2022, Directing, Festivals, France, Theatre and Politics
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
Read MorePosted by Florida Kastrati | 5th Aug 2022 | Applied Theatre, Kosovo, Review, Theatre and Politics
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
Read MorePosted by Aleks Sierz | 4th Aug 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...
Read MorePosted by Andrej Čanji | 2nd Aug 2022 | Playwriting, Review, Serbia, Theatre and Politics
National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for...
Read MorePosted by Alvina Ruprecht | 21st Jul 2022 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
Read MorePosted by Jonathan Kalb | 20th Jul 2022 | Musical Theatre, New York, Review, Theatre and Politics, United States of America
On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....
Read MorePosted by Molly Grogan | 10th Jul 2022 | China, Hong Kong, News, Producing, Theatre and Politics
Hong Kong’s branding campaign as “Asia’s World City” sings the praises of its liveability,...
Read MorePosted by Praveen Sudevan | 30th Jun 2022 | India, Playwriting, Review, Theatre and Politics
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MorePosted by Sheila Chisholm | 24th Jun 2022 | Review, South Africa, Theatre and Politics
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set...
Read MorePosted by Ivanka Apostolova Baskar | 21st Jun 2022 | Dramaturgy, France, Interview, Theatre and Politics, United Kingdom
There is always a cultural gap between scholars and artists, each group being suspicious of the...
Read MorePosted by Philippa Wehle | 1st Jun 2022 | Musical Theatre, New York, Review, South Korea, Theatre and Politics, United States of America
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MorePosted by Raluca Rădulescu | 18th May 2022 | Interview, Playwriting, Theatre and Politics, Ukraine
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
Read MorePosted by Yana Meerzon | 13th May 2022 | Interview, Management, Russia, Theatre and Politics
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
Read MorePosted by Yana Meerzon | 12th May 2022 | Interview, Management, Russia, Theatre and Politics
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read MorePosted by May Selim | 10th May 2022 | Egypt, Interview, Playwriting, Theatre and Politics
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
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