Theatre for Dialogue Confront the Unrest in Ukraine
Between 11-18 February 2014, seven International Theatre of the Oppressed practitioners were...
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Theatre and Politics
Olivier Frljić and The Cancellation of His “Un-Divine Comedy”
Divine Kraków, Un-Divine Comedy: A talk with Croatian Director Oliver Frljić of Un-Divine Comedy...
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The Theatre and Democracy Project in Valencia
This post was written by the director, dramaturg, and educator, Hannah Wolf, who is currently in...
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The Case for a National Theatre
Mitt Romney’s offhanded crusade against Big Bird, announced in a presidential debate with...
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Play By Soviet Writer Gorky Shines On London Stage
A play in which the privileged are out of touch and the poor are getting poorer is all too apt in...
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Escape From Circus: Review Of Mabou Mines’ “Dollhouse”
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...
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“BerlusPutin” – Moscow Theater To Run One-Protest-Show About The Hybrid Of Putin And Berlusconi
A production by the Moscow’s Teatr.doc has not just soared to popularity as a cultural event, but...
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“O dobru (On Goodness)” and Arts Censorship in Poland
The last piece written by Demirski and directed by Strzępka brings a simple, and yet a very...
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The 16th Shakespeare Festival in Gdańsk
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
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Artur Żmijewski’s “The White Mass” – On Church and Theatre
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
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