About the futureStage Manifesto
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
Read MorePosted by Aleks Sierz | 12th Apr 2022 | Applied Theatre, Essay, Theatre and Politics
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
Read MorePosted by Kasia Lech | 29th Mar 2022 | Essay, Poland, Puppetry, Theatre and Politics, Ukraine
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
Read MorePosted by Dramatyczny Kolektyw | 28th Mar 2022 | News, Poland, Theatre and Politics, Transcultural Collaborations
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
Read MorePosted by Donald Brown | 24th Mar 2022 | Playwriting, Review, Theatre and Politics, United States of America
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Borisav Matić | 19th Mar 2022 | Interview, Theatre and Politics, Translation, Ukraine
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
Read MorePosted by Tony Valdovinos | 16th Mar 2022 | Musical Theatre, New York, Theatre and Politics, United States of America
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
Read MorePosted by Evelin Bizjak | 15th Mar 2022 | Review, Slovenia, Theatre and Politics
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
Read MorePosted by Tanya Vasylkevych | 13th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
Read MorePosted by Tanya Vasylkevych | 7th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
Read MorePosted by Tom Mustroph | 6th Mar 2022 | Interview, Moldova, Theatre and Politics
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
Read MorePosted by Cristina Modreanu | 1st Mar 2022 | Interview, Theatre and Politics, United States of America
CM: Your new book, Timelines. writings and conversations, maps out recent developments in American...
Read MorePosted by John Freedman | 24th Feb 2022 | Essay, Russia, Theatre and Politics
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
Read MorePosted by Natasha Tripney | 21st Feb 2022 | Germany, Review, Theatre and Politics
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
Read MorePosted by Jonathan W. Marshall | 18th Feb 2022 | Australia, Review, Theatre and Politics
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
Read MorePosted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
Read MorePosted by Aleks Sierz | 29th Jan 2022 | Review, Theatre and Politics, United Kingdom
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
Read MorePosted by Deniz Başar and Handan Salta | 28th Jan 2022 | Interview, Kosovo, Theatre and Politics
Deniz Başar and Handan Salta attended Kosovo Theatre Showcase and apart from seeing the plays and...
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