“A Way Forward” For Theatre In The EU
After seven months of dialogue and organization, a group of “more than 150 policymakers, artists,...
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Theatre and Politics
“Break” by Monia Sander Haj-Mohamed
Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? I have probably...
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Vsevolod Meyerhold: The Revolutionary Communist Director Executed By Stalin
Vsevolod Meyerhold was a personality of great contradictions, and one of the movers and shakers in...
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“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
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Ghana’s Politics Has Strong Ties with Performing Arts: This is How it Started
Towards the end of the Kwame Nkrumah era in 1966, a number of highlife artists wrote songs...
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Interview with Charlotte Boimare & Magali Solignat
Conversation with the two authors Charlotte Boimare and Magali Solignat, co-writers of the...
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For Youth, Theatre is Action
Over the past two years, I have had the privilege of inviting a group of teenagers in Canada, ages...
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Lessons Wanted, But Not Found, in “Daisy”
On September 7, 1964, during an NBC Monday night movie, the democratic campaign to reelect...
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Fake Friends’ “Jerk” in Brooklyn
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
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Raw, Revolutionary, and Painfully Honest: “Insulted. Belarus(sia)”
The new play Insulted. Belarus(sia) was written in September 2020 by Andrei Kureichik, a prominent...
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“Twelve Angry Men”; 1950’s Courtroom Drama about Confronting Prejudice Still Rings True
Back in January, when English director Lindsay Posner visited Tokyo for preparatory meetings to...
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Accessibility in the Time of Corona: An Overview
There’s no denying that COVID-19 has been a financial and connectivity nightmare for artists....
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Uganda’s Creative Industry Under Siege Again
The entertainment or creative arts industry is as old as humanity. It is one of the ways through...
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Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
If the United States again accuses Russia of interfering in the election, it will almost certainly...
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“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
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“An Evening With an Immigrant” at The Bridge Theatre
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
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“Sweat” at Left Edge Theatre
Sweat, by Lynn Nottage, is a cautionary tale about how the effects of poverty, or the threat of...
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Fariña: Cocaine Coast Docks in Madrid
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
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