‘No I in Team’ – Sarah DeLappe’s “The Wolves” at TheaterWorks
The great strength of The Wolves, the debut play by Sarah DeLappe now playing in an extended run...
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Theatre and Gender
RashDash – “Two Man Show”
Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...
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A Life Of Footlights And Forehands: Nostalgia Takes The Court In “Balls” and “Battle Of the Sexes”
The Astrodome has always stirred up a sense of nostalgia in me. Growing up in New Orleans, we...
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“Victory Condition” at Royal Court
What does it mean to feel contemporary? Feel. Contemporary. Really feel. According to...
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“Caravan” Delivers A Glimpse Of Women On The Edge With Sweet Comedy
Despite its forays into dark subject matter, Caravan, staged as part of the Melbourne Festival, is...
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“A Feminine Edition”: Women’s Voices Prevail At 2017 Cairo Contemporary Theatre Festival
Ten out of 20 plays at this year’s Cairo International Festival for Contemporary and Experimental...
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“Yerma” at The Young Vic.
Yerma in London, as the subtitle states, is a contemporary adaptation of Federico García...
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Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption
Playwright Patricia Cornelius is known for populating the stage with complex, working-class,...
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Review: A Peek Inside Wig in a Box’s New Work-in-Progress
Montreal, Québec Willow White attends a workshop performance of The Gentle Art of Punishment and...
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When Women Sing Their Stories
The various signposts of a woman’s life find striking expression in the songs that have graced the...
Read MoreTranssexual Theatre: Two Brave New Edinburgh Plays Tell of Harrowing Journeys
The struggle for transgender people is a leading theme at this year’s Edinburgh Fringe thanks to two shows from the National Theatre of Scotland, Adam and Eve. The shows begin in different times and places, but both are about...
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Interview With Jin Xing on Drama, Dance, Freedom
Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...
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Alive And Restless In Savita Rani’s “Restlessness In Pieces”
Puducherry-based theatre artiste Savita Rani is back with an evolved version of Restlessness in...
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Lynn Nottage’s “Intimate Apparel”: A Revival of Nuance
To revive a play by Lynn Nottage is to revive nuance. Under the direction of Daniela Varon,...
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Avignon: Symphonies of Pain Part 2 – Lemi Ponifasio’s “Standing in Time”
Standing in Time. texts by Rasha Abbas. Direction, scenography by Lemi Ponifasio; sound design...
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Avignon: Symphonies of Pain Part I – Dorothée Munyaneza’s “Unwanted”
My journey through the Festival d’Avignon this year (20171) has just begun, but I have already...
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What Is the Price of Surrogacy? Vivienne Franzmann’s “Bodies” at The Royal Court
Surrogacy is an emotionally fraught subject. And one that is pregnant with meaning. The...
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Vivacious and Unapologetic, “The Rover’s” 17th-century Feminism is Painfully Pertinent
The Rover, now on at Belvoir Theatre in Sydney, starts unexpectedly, with long-dead 17th-century...
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Stage Adaptation of West African Novel Thrills Nairobi Audiences
‘I am wife Number One…I am gold. And then silver, bronze, even charcoal came along!’ This lament...
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‘Who Knew the World Could be so Awful’: Alice Birch’s Apocalyptic Feminist Theatre
Alice Birch’s production, Revolt. She said. Revolt again., currently on at Melbourne’s Malthouse...
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