Paula Marull’s “Yo no duermo la siesta” Delights Audiences at the Espacio Callejón
When Prince Charming shows up on a dilapidated motorcycle in the middle of the night, seemingly...
Read MorePosted by Susan Berardini | 31st May 2017 | Argentina, Theatre and Gender
When Prince Charming shows up on a dilapidated motorcycle in the middle of the night, seemingly...
Read MorePosted by Diwan Singh Bajeli | 29th May 2017 | India, Theatre and Gender
The play Malah Toli, which was presented last month by Hindi Rangbhoomi at Shri Ram Centre this...
Read MorePosted by Katrina Holden-Buckley | 26th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
While most scholars addressing issues of feminism in opera focus on the fate of women in opera...
Read MorePosted by Nahrain Al-Mousawi | 15th May 2017 | Morocco, Theatre and Dance, Theatre and Gender
Originally from Ouarzazate, Morocco, Bouchra Ouizguen studied and performed with choreographers...
Read MorePosted by Katrina Holden-Buckley | 4th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
Boston Lyric Opera’s The Marriage of Figaro opened on Friday to an audience that the John Hancock...
Read MorePosted by EfeJota Suárez | 3rd May 2017 | Spain, Theatre and Gender, Theatre and Politics
La Sección recovers the figure of three women to draw a robot sketch of the submission, obedience...
Read MorePosted by Minakshi Kaushik | 29th Apr 2017 | India, Theatre and Gender
Indian Women’s Performance Art: Un-coding Gender and Sexuality Performance Art’s...
Read MorePosted by Brie McFarlane | 29th Apr 2017 | Canada, Theatre and Gender
Season 3 of Ottawa’s TACTICS (Theatre Artists Collective: The Independent Series) opened with The...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, Theatre and Gender, United Kingdom
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
Read MorePosted by Soha Elsirgany | 20th Apr 2017 | Egypt, Theatre and Gender, Theatre for Young Audiences
The play Untangled (Hal El-Dafayer) was staged at Cairo’s Hosapeer Theatre last week, where...
Read MorePosted by Diwan Singh Bajeli | 19th Apr 2017 | India, Theatre and Gender
Rajesh Babbar’s Life…A Bitter Truth emphasizes the need to fight against oppression to...
Read MorePosted by Alice Jones | 18th Apr 2017 | Theatre and Gender, United Kingdom
In the airy sitting room of a nice house, a group of friends are catching up over a glass of wine....
Read MorePosted by Aleks Sierz | 16th Apr 2017 | Review, Theatre and Gender, United Kingdom
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
Read MorePosted by Amatesiro Dore | 5th Apr 2017 | Nigeria, Theatre and Gender
In present-day Ilè-Ifẹ̀, the birthplace of Yorùbá civilisation, a very urbane monarch, His...
Read MorePosted by Elizabeth Schafer | 3rd Apr 2017 | Theatre and Gender, United Kingdom
In 1602, a law student called John Manningham saw Twelfth Night, or What You Will, and wrote what...
Read MorePosted by Aleks Sierz | 6th Mar 2017 | Review, Theatre and Gender, United Kingdom
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...
Read MorePosted by Alfonso Vázquez | 5th Mar 2017 | Spain, Theatre and Gender, Theatre and Politics
Stefano Massini’s A Stubborn Woman, recreates the figure of Russian journalist Anna Politkóvskaya....
Read MorePosted by Vivian Martínez Tabares | 1st Mar 2017 | Cuba, Theatre and Gender
The fifth edition of Magdalena sin Fronteras (Magdalena Without Borders), the gathering of women...
Read MorePosted by Aleks Sierz | 3rd Feb 2017 | Essay, Playwriting, Theatre and Gender, United Kingdom
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
Read MorePosted by Lauren Dubowski | 2nd Feb 2017 | Directing, News, Poland, Theatre and Gender
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
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