Creating Opportunities For “Inclusive Dance” With Stopgap Dance Company
“I believe people with almost any kind of physique can do contemporary dance. Yet though...
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Theatre and Disability
Using Theatre To Promote Positive Mental Health
The link between creative expression and positive mental health has been known for quite some time...
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Ravi Jain’s “Prince Hamlet”: A Meta-theatrical Reversal Of Disability And Gender
Why Not Theatre’s Prince Hamlet, adapted and directed by Ravi Jain, is a performative exploration of the relationship between aesthetics and disability. Prince Hamlet is a gender-bent, bilingual play which uses English and American Sign Language (ASL).
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“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
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Rehabilitation Through The Charm Of Theatre
20 differently-abled students to stage plays in Bahrain As a 50-member team of Thanal, Vadakara,...
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Radical Theatre Of The Difabled
“Theatre is the art of looking at ourselves” – Augusto Boal, founder of the...
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An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe
A greater push for disability representation in the theatre industry has seen the emergence of...
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Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?
The New York theater scene is often thought of as the pinnacle of progression, where the newest...
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“Dear Dsylexia”: A Truthful Theatre Journey In A Dyslexic World
Dear Dsylexia–written on purpose with the wrong spelling–is a stunning piece of solo theatre,...
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Invertigo Dance Theatre Company: A Conversation With Laura Karlin And Sofia Klass
Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...
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“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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Peter Hinton’s Return To The NAC Stage
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
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Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
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Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
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“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
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“Brick City” Brings A Positive Representation Of Disability To The Stage
Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Technology And Disability Performance: Our Shifting Perspectives.
Over the last 20 years, the development of technology in performance has made us question what is...
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