Creating Opportunities For “Inclusive Dance” With Stopgap Dance Company
“I believe people with almost any kind of physique can do contemporary dance. Yet though...
Read MorePosted by Nobuko Tanaka | 8th Mar 2019 | Japan, Review, Theatre and Disability, United Kingdom
“I believe people with almost any kind of physique can do contemporary dance. Yet though...
Read MorePosted by Mary Moynihan, Niamh Clowry, and Féilim James | 7th Mar 2019 | Ireland, News, Theatre and Disability
The link between creative expression and positive mental health has been known for quite some time...
Read MorePosted by Abhimanyu Acharya and Sheetala Bhat | 2nd Mar 2019 | Canada, Review, Theatre and Disability
Why Not Theatre’s Prince Hamlet, adapted and directed by Ravi Jain, is a performative exploration of the relationship between aesthetics and disability. Prince Hamlet is a gender-bent, bilingual play which uses English and American Sign Language (ASL).
Read MorePosted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
Read MorePosted by The Hindu | 14th Jan 2019 | India, News, Theatre and Disability
20 differently-abled students to stage plays in Bahrain As a 50-member team of Thanal, Vadakara,...
Read MorePosted by Irfan Kortschak | 6th Jan 2019 | Essay, Indonesia, Theatre and Disability
“Theatre is the art of looking at ourselves” – Augusto Boal, founder of the...
Read MorePosted by Madison Parrotta | 23rd Dec 2018 | Interview, Theatre and Disability, United States of America
A greater push for disability representation in the theatre industry has seen the emergence of...
Read MorePosted by Madison Parrotta | 29th Nov 2018 | Essay, New York, Theatre and Disability, United States of America
The New York theater scene is often thought of as the pinnacle of progression, where the newest...
Read MorePosted by Armando Rotondi | 29th Nov 2018 | Review, Spain, Theatre and Disability
Dear Dsylexia–written on purpose with the wrong spelling–is a stunning piece of solo theatre,...
Read MorePosted by Elisa Rocha | 18th Nov 2018 | Interview, Los Angeles, Theatre and Dance, Theatre and Disability, United States of America
Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...
Read MorePosted by Katalin Trencsényi | 4th Nov 2018 | Devised Theatre, Essay, Theatre and Dance, Theatre and Disability, United Kingdom
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
Read MorePosted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Review, Theatre and Disability, Transcultural Collaborations, United States of America
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
Read MorePosted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
Read MorePosted by Madison Parrotta | 21st Sep 2018 | Review, Theatre and Disability, United States of America
Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...
Read MorePosted by Veronica Lee | 14th Aug 2018 | Festivals, Review, Theatre and Disability, Theatre and Politics, United Kingdom
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
Read MorePosted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Tony McCaffrey | 4th Aug 2018 | Australia, Essay, Theatre and Disability
Over the last 20 years, the development of technology in performance has made us question what is...
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