They Were People: Brittany K. Allen’s “Redwood” at EST
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Aleks Sierz | 18th Oct 2023 | India, London, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Anniversaries are great moments for reassessment. Ten years ago, the Royal Shakespeare Company...
Read MorePosted by Kopano Masibi | 29th Sep 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
Read MorePosted by The Hindu | 20th Sep 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
Read MorePosted by Rhiannon Ling | 26th Jul 2023 | Devised Theatre, Editorial, New York, Theatre and Decolonization, United States of America
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
Read MorePosted by Sarah Austin | 25th Jun 2023 | Australia, Festivals, Melbourne, Review, Theatre and Decolonization
Rising has just completed its second run across Melbourne. The newest addition to the city’s...
Read MorePosted by Brian Valente-Quinn | 5th Jun 2023 | Essay, France, Theatre and Decolonization
The stage adaptation of Léonora Miano’s Ce qu’il faut dire (or “What Must be Said”) addresses a...
Read MorePosted by Christine Brubaker, Taiwo Afolabi, Yvette Nolan, Jessica Thornton, and Heather Russek | 28th Apr 2023 | Canada, News, Theatre and Decolonization, Theatre and Politics
Does it seem far-fetched to imagine a future where the government subsidizes theatres and theatre...
Read MorePosted by Tim Hamilton | 10th Apr 2023 | Chicago, Palestine, Review, Theatre and Decolonization, Theatre and Politics, United States of America
Hummus is not appropriated hipster dip, it’s Palestinian food. So argues Wally, a...
Read MorePosted by Kate Dossett | 1st Feb 2023 | Essay, Theatre and Decolonization, Theatre and Politics, United Kingdom
In an age of so-called “cancel culture” it’s important to remember that for much of British...
Read MorePosted by Aleks Sierz | 23rd Jan 2023 | Adaptation, Nigeria, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Todd Sullivan | 6th Jan 2023 | Nigeria, Producing, Taiwan, Theatre and Decolonization, Transcultural Collaborations
It began as a direct message conversation between two black creatives: Ghanniy Oyedele from...
Read MorePosted by Jonathan Kalb | 9th Dec 2022 | New York, Review, Theatre and Decolonization, Theatre and Politics, United States of America
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
Read MorePosted by Aleks Sierz | 10th Nov 2022 | Documentary Theatre, London, Playwriting, Theatre and Decolonization, United Kingdom
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: a calmly intelligent exploration of family identity
Read MorePosted by The African Theatre Magazine | 29th Oct 2022 | Africa, Applied Theatre, Education, News, Theatre and Decolonization
The African Theatre Magazine invites applicants to the second edition of the Writing about African...
Read MorePosted by Alexander Nderitu | 11th Oct 2022 | Directing, Interview, Kenya, Theatre and Decolonization, Theatre and Politics
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
Read MorePosted by Christy Romer | 28th Sep 2022 | Europe, Interview, Playwriting, Theatre and Decolonization, Theatre and Politics
Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...
Read MorePosted by Lara Cox | 15th Sep 2022 | Interview, Oceania, Producing, Theatre and Decolonization
On June 13, 2022, I spoke with Guillaume Gay, who is operational and artistic director of the...
Read MorePosted by Jade Thomas | 12th Sep 2022 | Belgium, Essay, Playwriting, Theatre and Decolonization, United States of America
African American drama, theater and performance has a rich and complex history. Only recently,...
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