Theatre and Dance Archives | Page 4 of 8

Masked Dancing: Javanese Tales on Stage

Posted by Duncan Graham | 5th Feb 2018 | Indonesia, Interview, Theatre and Dance

As an event it was spectacular; as dance, it swirled past the barriers of culture and language. As...

“The Neighbor’s Grief is Greener”: A Dark Domesticity

Posted by Ezekiel Oliveira | 4th Feb 2018 | Israel, Review, Singapore, Theatre and Dance, Theatre and Gender

A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...

“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes

Posted by Michele Rolim | 31st Jan 2018 | Brazil, Festivals, Review, Theatre and Dance, Theatre and Gender

The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...

“The Pursuit Of Happiness” At Under The Radar Festival

Posted by Jack Wernick | 29th Jan 2018 | New York, Review, Theatre and Dance, United States of America

New York-based experimental troupe Nature Theater of Oklahoma (NTO) teams up with Slovenia’s...

Jerome Bel and His Amateurs Test the Limits of Contemporary Dance in Saitama Show

Posted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance

Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...

The Best Dance Shows Coming In 2018

Posted by Zoe Anderson | 14th Jan 2018 | News, Theatre and Dance, United Kingdom

Windrush: Movement of the People Phoenix Dance Theatre marks the 70th anniversary of the journey...

Polish Tanztheater?

Posted by Anna Królica | 13th Jan 2018 | Essay, Poland, Theatre and Dance

It is an interesting coincidence that 1973 saw the creation of both Pina Bausch’s Tanztheater...

The Fusion Dance and Theatre: What’s Required in Successful Intercultural Collaboration

Posted by Nita Sathyendran | 9th Jan 2018 | Australia, India, Theatre and Dance, Transcultural Collaborations

Australian theatre-person and actor Trevor Jamieson on finding parallels between Indian and...

How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World

Posted by Jeff Goldberg | 7th Jan 2018 | Interview, Japan, New York, Theatre and Dance, United States of America

Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...

Manuel Pelmus Examines The Performance Art Of Hong Kong Protest

Posted by Zolima Citymag | 26th Dec 2017 | China, Hong Kong, News, Theatre and Dance, Theatre and Politics

When asked to pick one word that describes the city of Hong Kong, Romanian performance artist...

Dance And Cultural Exchange: Typologies Of Migration

Posted by Franz Anton Cramer | 24th Dec 2017 | Essay, Europe, Theatre and Dance

In dance, migration is not a phenomenon confined to modern times. For numerous reasons artists...

Intercultural Theatre Practices – Interview With Frances Barbe

Posted by Valentina Riccardi | 21st Dec 2017 | Australia, Interview, Theatre and Dance, Transcultural Collaborations, Translation

Interview conducted as part of the media partnership between Culture360 and International Theatre...

“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta

Posted by Nicole Birmann | 19th Dec 2017 | Festivals, France, Interview, Theatre and Dance, United States of America

Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...

Review: Circadia Indigena’s “Greed/REsolve” Assaults The Senses

Posted by Annie Smith | 14th Dec 2017 | Canada, Festivals, Review, Theatre and Dance

Vancouver, British Columbia Annie Smith review’s Circadia Indigena’s Greed/REsolve, a contemporary...

“OCD Love:” LEV Dance Company Delves Into A Paradox, The Strange Psychic Disruption Of The Troubled Body!

Posted by Alvina Ruprecht | 6th Dec 2017 | Canada, Israel, Review, Theatre and Dance

This latest work by the Israeli dance company LEV Dance, created by Sharon Eyal and Gai Behar is a...

A Conversation About Movement, Nationalism, And Collectivity

Posted by Nat Muller and Sandra Noeth | 22nd Nov 2017 | Interview, Theatre and Art, Theatre and Dance, Theatre and Politics

“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...

The Unlimited House Of Krip: Vogue Ball With D/deaf And Disabled Performers

Posted by Joe Turnbull | 19th Nov 2017 | London, News, Theatre and Dance, Theatre and Disability

Disability theatre company, Fittings Multimedia, headed by Garry Robson got an Unlimited...

Life Is Love In A Modern Take On An Ancient Chinese Folktale

Posted by Elle Kwan | 18th Nov 2017 | China, Review, Theatre and Dance, Theatre and Gender

The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...

For The Love Of The Game: “Peh LO Tah” at BAM

Posted by Marcina Zaccaria | 13th Nov 2017 | Festivals, New York, Review, Theatre and Dance, United States of America

Peh LO tah is an amazing experience for a diverse audience that transcends ethnic barriers. It’s emotional and visceral. Set and video design by David Szlasa includes large close-ups, reminiscent of a verité style popular in the 70s and 80s. In it, a sense of discovery has never been more profound.