Theatre and Dance

Sally Abbott’s “I Think We Are Alone” at Theatre Royal Stratford East: Coolly Controlled Study of Loneliness

Posted by Aleks Sierz | 5th Mar 2020 | London, Review, Theatre and Dance, United Kingdom

Once radical theatre companies are increasingly celebrating anniversaries, as if to say, hey,...

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The Bolshoi Theater School: Only in Russia and… Brazil

Posted by Anna Galayda - Russia Beyond Headlines | 4th Mar 2020 | Brazil, Interview, Russia, Theatre and Dance

Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...

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“The Chains:” Dance Theatre Uganda Returns with a Bang!

Posted by Ian Kiyingi Muddu | 1st Mar 2020 | Review, Theatre and Dance, Uganda

We last saw them on stage in 2016. We thought they had gone down the way of most companies –...

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Filming in Cunningham’s Footprints

Posted by Katalin Trencsényi | 27th Feb 2020 | Review, Theatre and Dance, Theatre and Film, United States of America

Cunningham Directed by Alla Kovgan “A 3D cinematic experience about legendary American...

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A Light in the Dark: “Unikkaaqtuat” a Joyful, Moderate Success at Ottawa’s National Arts Centre

Posted by Aisling Murphy | 4th Feb 2020 | Canada, Review, Theatre and Dance

From the pre-show announcement, we know we won’t catch all that is said onstage...

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“Chicago:” Presenting Crime as a Show

Posted by Lorena Meeser | 13th Jan 2020 | Mexico, Musical Theatre, Review, Theatre and Dance

Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...

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“Queen-Size:” Blurring the Lines Between Public and Private

Posted by Aprameya Manthena | 5th Jan 2020 | India, LGBTQ Theatre, Review, Theatre and Dance

Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...

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Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland

Posted by Simon Cartledge | 4th Jan 2020 | Essay, Hong Kong, Theatre and Dance

If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...

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Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Posted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance

Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...

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“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity

Posted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom

How far can bodily interaction amongst the audience members, with performance objects, and with...

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Dance on Screen. Three Moments from the 58th International Art Exhibition-La Biennale di Venezia

Posted by Ariadne Mikou | 16th Dec 2019 | Italy, Review, Theatre and Dance

Artists from three different and fairly distant parts of the world — Australia, Brazil and...

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Dance Umbrella’s “The Future Bursts In” at Linbury Theatre celebrates Merce Cunningham

Posted by Lisa Marie Bowler | 8th Dec 2019 | Festivals, Review, Theatre and Dance, United Kingdom

Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...

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Dance Umbrella Celebrates Merce Cunningham Centenary with “The Future Bursts In” at the Linbury Theatre in London

Posted by Lisa Marie Bowler | 5th Dec 2019 | Dance Umbrella 2019, London, Review, Theatre and Dance, United Kingdom

Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...

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“VAST” Uses Physical Theatre to Drive Home the Point that Man Longs for Nature

Posted by Gowri S | 3rd Dec 2019 | Devised Theatre, India, News, Theatre and Dance

A young boy from Nepal snatched away from his home in the Himalayas, now lives in a big slum in...

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Dance Umbrella’s “Out of the System” at Bernie Grant Arts Centre

Posted by Lisa Marie Bowler | 24th Nov 2019 | Dance Umbrella 2019, Festivals, Review, Theatre and Dance, United Kingdom

For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...

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An Expansive and Permeating Work Embracing Death and Humanity: A Paradox for Our Times: Gregory Maqoma – “Cion: Requiem of Ravel’s Bolero”

Posted by Miranda Laurence | 23rd Nov 2019 | Dance Umbrella 2019, Review, South Africa, Theatre and Dance, United Kingdom

In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...

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Longing for New and Mysterious Worlds at the Finnish National Opera and Ballet

Posted by Yulia Savikovskaya | 17th Nov 2019 | Finland, Review, Theatre and Dance, Theatre and Opera

Ballet Alice in Wonderland, and operas Carmen, Die Tote Stadt, and Das Rheingold. At the Finnish...

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“Palermo Palermo.” Now, Then and After

Posted by Ariadne Mikou | 16th Nov 2019 | Italy, News, Theatre and Dance

Teatro Biondo Stabile in Palermo has a full-house. To the right, left and up in the surrounding...

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Interview with Compagnie Dyptik

Posted by Nicole Birmann Bloom | 13th Nov 2019 | France, Interview, Theatre and Dance

Founded in 2012 by two breakdancers, Souhail Marchiche and Mehdi Meghari, Compagnie Dyptik is...

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“Augustine’s Dream:” A Work in Development

Posted by Jane Baldwin | 11th Nov 2019 | Devised Theatre, Essay, Theatre and Dance, United States of America

Augustine’s Dream  was presented in July 2019 at the Providence Fringe by  AnomalousCo. An...

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