“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by The Theatre Times | 2nd Dec 2022 | London, News, Playwriting, Translation, Ukraine, United Kingdom
Earlier this year in the Polish theatre journal Didaskalia (169/170, 2022), a pair of Ukrainian...
Read MorePosted by Aleks Sierz | 30th Nov 2022 | Acting, London, Playwriting, Review, United Kingdom
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
Read MorePosted by Aleks Sierz | 19th Nov 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Every day there is bad news about the NHS — junior doctors are exhausted, nurses need food banks...
Read MorePosted by Aleks Sierz | 10th Nov 2022 | Documentary Theatre, London, Playwriting, Theatre and Decolonization, United Kingdom
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: a calmly intelligent exploration of family identity
Read MorePosted by Aleks Sierz | 23rd Oct 2022 | London, Playwriting, Review, United Kingdom
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
Read MorePosted by Christy Romer | 28th Sep 2022 | Europe, Interview, Playwriting, Theatre and Decolonization, Theatre and Politics
Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...
Read MorePosted by Jade Thomas | 12th Sep 2022 | Belgium, Essay, Playwriting, Theatre and Decolonization, United States of America
African American drama, theater and performance has a rich and complex history. Only recently,...
Read MorePosted by Kee-Yoon Nahm | 9th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
Read MorePosted by Kee-Yoon Nahm | 8th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
Read MorePosted by Alexander Fatouros | 23rd Aug 2022 | Chicago, Musical Theatre, News, Playwriting, United States of America
American playwright and concert pianist, William Robert Martin, is an emerging artist whose star...
Read MorePosted by Aleks Sierz | 14th Aug 2022 | India, London, Playwriting, Review, Theatre and Politics, United Kingdom
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
Read MorePosted by Aleks Sierz | 4th Aug 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...
Read MorePosted by Andrej Čanji | 2nd Aug 2022 | Playwriting, Review, Serbia, Theatre and Politics
National Theatre, Belgrade, premiere 12th March 2022 The Years of Crows is the great comeback for...
Read MorePosted by Cătălina Florina Florescu | 1st Aug 2022 | Interview, New York, Playwriting, Theatre and Gender, United States of America
In 2011, I published my first medical humanities book, Transacting Sites of the Liminal Bodily...
Read MorePosted by Ivanka Apostolova Baskar | 23rd Jul 2022 | Interview, Playwriting, Serbia, Theatre and Art
An Interview with Katarina Saric – poet, writer, performer, activist-feminist (Montenegro)...
Read MorePosted by Jonathan Kalb | 19th Jul 2022 | Adaptation, New York, Playwriting, Review, United States of America
The first ten minutes of Robert Icke’s 3 ¾-hour Hamlet had me worried. Icke is a British directing...
Read MorePosted by Praveen Sudevan | 30th Jun 2022 | India, Playwriting, Review, Theatre and Politics
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MorePosted by Aleks Sierz | 22nd Jun 2022 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
Read MorePosted by Aleks Sierz | 18th Jun 2022 | Dramaturgy, London, Playwriting, Review, Theatre and Decolonization, United Kingdom
In the past, most plays by black-British writers have been about the legacy of the Windrush...
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