Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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Participatory Theatre
A Place to Remember: “Oedipus – Those Who Want to See”
It has only been one hundred days into President Moon Jae-In’s administration, but the new...
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Between Local and Global: Artistic programming and “glocal” challenges (Part 2/2)
Szabolcs Musca in conversation with Mark Deputter, Artistic Director of Teatro Maria Matos, Lisbon...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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What Role Can Art Play in Politics?
Suddenly there is this persistent call for an art that is useful, for direct commitment, for...
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Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
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Theatre of the Oppressed in Iraq
Theatre of the Oppressed was originated in the 1970s by a Brazilian theatre practitioner and...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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Spaces of Agency: Conversation with Maya Zbib of Zoukak Theatre Collective and Cultural Association
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016, Part I
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
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Dramaturgies of Generosity: The Theatre of BADco.
BAD co.- is one of the most interesting theatre groups from Croatia. The ensemble, lead by stage...
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“Hopscotch Opera”: A Mobile Opera For 24 Cars From The Industry LA
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...
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Between the Niche and Disneyland: Interactive Performance Design for Virtual Theatre & Games
Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...
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Jordan’s National Center for Culture and Arts: Defying Stereotypes, Leading Cultural and Artistic Dialogue for Social Change in The Middle East
Think of the Middle East and theatre would not be the first image that comes to the mind of most...
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Unrest and Discontent – Political Theatre as Agonistic Field
The more the time we are living through seems out of joint, the harder it has been for the...
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The Vrystaat Kunstefees: Developing Creative Industries in the Free State, Part I
The Vrystaat Arts Festival aims to contribute to the exchange of ideas around art, culture, and...
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Dramaturgy Without a Dramaturg
Wherever dramaturgy is conceived as a practice of thought in advance of the event, it will be...
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“The Chat” Puts Audiences in The Hot Seat
As the ethics of punishment are debated in mainstream media, statistics, images and unanswerable...
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What is “Ketamine: The Musical?”
A “profound and numbing” play dedicated to the powerful psychedelic drug ketamine is due to open...
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Immersive Theatre: Towards a Dramaturgy of Participation
As participatory theatre saturates the mainstream, here’s Persis Jade Maravala and Jorge...
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