Chris Goode’s “Jubilee” – The State of The (Punk) Nation
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
Read MorePosted by Duška Radosavljević | 9th Mar 2018 | Adaptation, London, Musical Theatre, Review, Theatre and Politics, United Kingdom
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
Read MorePosted by Tania Barrenechea | 25th Feb 2018 | Musical Theatre, Review, Theatre and Gender, United States of America
My Heart Felt That Sha La La The proscenium stage of the Playhouse has been converted into...
Read MorePosted by Bryony Kimmings | 13th Feb 2018 | Musical Theatre, News, United Kingdom
I cannot believe it’s the first month of 2018 and I’m here in the last week of rehearsals for A...
Read MorePosted by Mark Galinovsky | 10th Feb 2018 | Interview, Musical Theatre, New York, United States of America
Rob Rokicki is a Drama Desk, Lortel, and Off-Broadway alliance-nominated composer/lyricist. His...
Read MorePosted by Michael Schweikardt | 9th Feb 2018 | Design, Interview, Musical Theatre, South Korea
I love Titanic, the sweeping Broadway musical with a book by Peter Stone and a score by Maury...
Read MorePosted by Patrick Langston | 22nd Jan 2018 | Canada, Musical Theatre, Review, Theatre and Opera
A word of advice: If you’re going to see this superlative chamber musical, take the time to read...
Read MorePosted by Trevor Jones | 10th Jan 2018 | Australia, Musical Theatre, Review
In June this year, the annual Helpmann Award Nominations sparked concern that original Australian...
Read MorePosted by Walter Byongsok Chon | 2nd Jan 2018 | Interview, Musical Theatre, New York, South Korea, Transcultural Collaborations
To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...
Read MorePosted by Walter Byongsok Chon | 1st Jan 2018 | Essay, Musical Theatre, New York, South Korea, Transcultural Collaborations, United States of America
In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...
Read MorePosted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
Read MorePosted by Claudine van Hensbergen | 10th Dec 2017 | Essay, Musical Theatre, Theatre and Politics, United Kingdom
Such has been the demand for tickets to the London season of the multi-award-winning...
Read MorePosted by Leigh Boucher | 30th Nov 2017 | Australia, Musical Theatre, Review
Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...
Read MorePosted by Sigríður Jónsdóttir | 16th Nov 2017 | Iceland, Musical Theatre, Review, Theatre and Politics
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
Read MorePosted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Ken Cerniglia | 8th Nov 2017 | Dramaturgy, Essay, Musical Theatre, New York, Producing, United States of America
In an early scene of Rick Elice’s irreverent Peter Pan prequel, Peter And The Starcatcher, the...
Read MorePosted by Iain Hollingshead | 30th Oct 2017 | London, Musical Theatre, Review, Theatre and Politics, United Kingdom
Last month, 1,601 people were left disappointed by the news that Hamilton, the American musical...
Read MorePosted by Christine Deitner | 28th Oct 2017 | Los Angeles, Musical Theatre, Review, United States of America
With the opening of Bright Star at The Ahmanson Theatre at The Music Center in Downtown Los...
Read MorePosted by Len Collin | 24th Oct 2017 | Musical Theatre, Review, United Kingdom
Katie Hopkins, the controversial British media commentator, has become the subject of a new stage...
Read MorePosted by Sarah Balkin | 23rd Oct 2017 | Australia, Musical Theatre, New York, Review, United States of America
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
Read MorePosted by Trevor Boffone | 12th Oct 2017 | Dallas, Musical Theatre, United States of America
While I grew up around musical theatre, I certainly didn’t grow up around Hair. “Oh, What a...
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