Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by Michael Breslin | 6th Jan 2018 | LGBTQ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by David O'Donnell | 29th Dec 2017 | LGBTQ Theatre, New Zealand, Review, Theatre and Gender
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by Um Hyun-hee | 9th Dec 2017 | Documentary Theatre, LGBTQ Theatre, Review, South Korea, Theatre and Gender
Namsan Arts Center’s 2017 season opened with Censoring the Minority 2017 (written and directed by...
Read MorePosted by Jessica Rizzo | 16th Nov 2017 | LGBTQ Theatre, New York, Review, United States of America
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
Read MorePosted by Trevor Boffone | 2nd Nov 2017 | LGBTQ Theatre, Playwriting, Review, United States of America
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
Read MorePosted by Jamie Portman | 1st Nov 2017 | Canada, LGBTQ Theatre, Review, Theatre and Politics
There are moments in TotoToo’s production of Bent that are as good as anything that this...
Read MorePosted by Aleks Sierz | 29th Oct 2017 | LGBTQ Theatre, London, Review, United Kingdom
A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...
Read MorePosted by Sylvia Morgan | 24th Aug 2017 | LGBTQ Theatre, Scotland, Theatre and Gender, United Kingdom
The struggle for transgender people is a leading theme at this year’s Edinburgh Fringe thanks to two shows from the National Theatre of Scotland, Adam and Eve. The shows begin in different times and places, but both are about...
Read MorePosted by Aleks Sierz | 26th Jun 2017 | LGBTQ Theatre, Review, United Kingdom
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
Read MorePosted by Gina Robilliard | 18th Jun 2017 | Australia, LGBTQ Theatre
Burlesque is an art form that has polarized Western society for centuries. In his 1991 publication...
Read MorePosted by Leigh Boucher | 7th Jun 2017 | Australia, LGBTQ Theatre, Melbourne, Musical Theatre
Only Heaven Knows, a musical about a young Melbourne man who discovers the queer delights of...
Read MorePosted by Michael Segalov | 23rd May 2017 | LGBTQ Theatre, London, Review, United Kingdom
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
Read MorePosted by Holly Williams | 20th May 2017 | LGBTQ Theatre, London, Review, United Kingdom
Salomé: one of the most dangerously seductive female figures ever, often considered the original...
Read MorePosted by Wim Vorster | 9th May 2017 | LGBTQ Theatre, South Africa
Now and then a stage production is mounted supplying more than entertainment, albeit intellectual...
Read MorePosted by Richard Vetere | 5th May 2017 | LGBTQ Theatre, New York, United States of America
Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...
Read MorePosted by Göksu Kunak | 25th Apr 2017 | Africa, Egypt, LGBTQ Theatre
The term ‘freak’ thus refers not only to bodies, but also to denormalizing social...
Read MorePosted by Victoria Eandi | 19th Mar 2017 | Argentina, LGBTQ Theatre
How can a play about a serious matter such as a fatal illness turn into a hilarious comedy and a...
Read MorePosted by Sir Anril Pineda Tiatco | 11th Mar 2017 | LGBTQ Theatre, Musical Theatre, Philippines
First staged in 2010 at the Philippine Educational Theater Association (PETA) Theater Center in...
Read MorePosted by Alex First | 13th Dec 2016 | Australia, LGBTQ Theatre, Review
Bold and provocative, directed by Sarah Vickery.Thomas Ian Doyle’s latest work – The Upstairs...
Read MorePosted by Robert Duffley | 22nd Oct 2016 | LGBTQ Theatre, News, Russia
Out of the Blue, currently playing at Moscow’s Satirikon Theater, is restricted to ages 21...
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