Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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Immersive Theatre
“Witness For The Prosecution” at London County Hall
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
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Sydney Festival Review: Beckett’s “All That Fall”
In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...
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Foreign Radical: The Intimate Power of Interactivity
Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....
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Fuerza Bruta Re-Interprets a Night Out at The Theater
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
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Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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“Interrupted” at The 14th Factory – Immersive Multimedia Performance
Simply put, anyone who attended The 14th Factory’s afternoon of Interrupted on May 14th, an...
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“Alice’s Adventures Underground”: New Immersive Limits Down the Rabbit Hole
“Drink me” or “Eat me.” Like Neo, in The Matrix, you are presented with a simple dichotomy that...
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Adapting for Transmedia – Part II
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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Adapting For Transmedia – Part I
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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“Immersive Woyzeck”: A Directorial Memoir
“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...
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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
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Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
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Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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“Wither on the Vine” Showcases an Environmental Immersive Theatre
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
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I Want To Hear You Breathing: A Conversation With Mischa Dohler
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
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“Killer” – An Experiential Thriller
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
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Art in Public Spaces: Immersive and Site-Specific Theatre Off-Stage in China
The stage is a natural home for performance art, but any location where a performance can happen...
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“Bacantes” (The Bacchae) In The Best Theater In the World
The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...
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