Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
Read MorePosted by Christine Wahl | 14th Nov 2017 | Germany, Immersive Theatre, Interview, Participatory Theatre
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
Read MorePosted by Anthony Uhlmann | 27th Sep 2017 | Australia, Festivals, Immersive Theatre, Sydney
In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...
Read MorePosted by Aida Rocci | 2nd Sep 2017 | Canada, Immersive Theatre, Transmedia
Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....
Read MorePosted by Nobuko Tanaka | 11th Aug 2017 | Argentina, Immersive Theatre, Japan, Transcultural Collaborations, Transmedia
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
Read MorePosted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
Read MorePosted by Ágnes Bakk | 17th Jun 2017 | Immersive Theatre, Interview, Participatory Theatre, Spain, Transmedia
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
Read MorePosted by Christine Deitner | 2nd Jun 2017 | Immersive Theatre, Los Angeles, Review, Theatre and Opera, United States of America
Simply put, anyone who attended The 14th Factory’s afternoon of Interrupted on May 14th, an...
Read MorePosted by Aida Rocci | 1st Jun 2017 | Immersive Theatre, London, Review, United Kingdom
“Drink me” or “Eat me.” Like Neo, in The Matrix, you are presented with a simple dichotomy that...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
Read MorePosted by Izumi Ashizawa | 19th Apr 2017 | Directing, Immersive Theatre, United States of America
“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by Marcos García Barrero | 30th Mar 2017 | Immersive Theatre, Interview, Spain
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
Read MorePosted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
Read MorePosted by Clement Lee | 8th Mar 2017 | China, Hong Kong, Immersive Theatre, Review
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
Read MorePosted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
Read MorePosted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
Read MorePosted by Chen Ran | 27th Feb 2017 | China, Essay, Immersive Theatre
The stage is a natural home for performance art, but any location where a performance can happen...
Read MorePosted by Felipe Vidal | 25th Feb 2017 | Brazil, Immersive Theatre
The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...
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