Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Read MorePosted by Cristina Modreanu | 18th May 2018 | Essay, Immersive Theatre, Romania
The very moment I step into the building, great expectations surround me. If a measuring device...
Read MorePosted by Yulia Shamporova | 13th May 2018 | Immersive Theatre, Interview, Russia
Immersive performances are something relatively new for theater-goers around the globe. What are...
Read MorePosted by Beatriz Cabur | 20th Apr 2018 | Immersive Theatre, London, Participatory Theatre, Review, Transmedia, United Kingdom
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
Read MorePosted by Daily News Egypt | 17th Apr 2018 | Egypt, Immersive Theatre, Review, Theatre and Dance
People may or may not be familiar with contemporary art, but it involves no damage to the audience...
Read MorePosted by Hilary Halba | 14th Apr 2018 | Festivals, Immersive Theatre, New Zealand, Review, Transmedia
An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...
Read MorePosted by Vikram Phukan | 10th Apr 2018 | Essay, Immersive Theatre, India, Musical Theatre, Theatre and Dance, Theatre and Disability
Rather than experimental theatre, it is the realm of dance works that is considered to be much...
Read MorePosted by Rachel E. Diken | 9th Apr 2018 | Immersive Theatre, New York, Review, United States of America
Wow. In & Of Itself, written and performed by Derek DelGaudio for long runs with numerous...
Read MorePosted by Lee Chin-A | 24th Mar 2018 | Adaptation, Immersive Theatre, Review, South Korea, Theatre and Dance
Theatre adaptations of novels are on the rise this season. Of course, this is nothing new....
Read MorePosted by Ágnes Bakk | 17th Mar 2018 | Germany, Immersive Theatre, Interview, Transmedia
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
Read MorePosted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
Read MorePosted by Maria Pia Pagani | 9th Mar 2018 | Immersive Theatre, Italy, News
Over the course of time, the great aesthetic impact of the Sistine Chapel has been testified to...
Read MorePosted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review
“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...
Read MorePosted by Jack Wernick | 24th Feb 2018 | Immersive Theatre, New York, Review, Stage Combat, Theatre and Politics, United States of America
One of New York City’s most dynamic young theater companies makes a bold addition to its...
Read MorePosted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
Read MorePosted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
Read MorePosted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
Read MorePosted by Marjan Moosavi | 19th Jan 2018 | Essay, Immersive Theatre, Iran
Yuval Sharon was recently awarded a MacArthur Fellowship “genius grant” for...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
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