Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
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Immersive Theatre
Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She studied audiovisual communication, drama and performance art, and was an assistant director for the former director of the National...
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“Interrupted” at The 14th Factory – Immersive Multimedia Performance
How often are we invited to experience art that is so thoughtfully intertwined with live performances in this manner? How often are we invited to ‘choose our own adventure’ with artists on this level?
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“Alice’s Adventures Underground”: New Immersive Limits Down the Rabbit Hole
“Drink me” or “Eat me.” Like Neo, in The Matrix, you are presented with a simple dichotomy that...
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Adapting for Transmedia – Part II
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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Adapting For Transmedia – Part I
Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...
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“Immersive Woyzeck”: A Directorial Memoir
“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...
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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
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Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
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Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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“Wither on the Vine” Showcases an Environmental Immersive Theatre
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
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I Want To Hear You Breathing: A Conversation With Mischa Dohler
The Theatre Times recently republished an article called “A New Form of Theatre Consumption Aims...
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“Killer” – An Experiential Thriller
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
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Art in Public Spaces: Immersive and Site-Specific Theatre Off-Stage in China
The stage is a natural home for performance art, but any location where a performance can happen...
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“Bacantes” (The Bacchae) In The Best Theater In the World
The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...
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The Things We Carry: Geoff Sobelle’s “The Object Lesson”
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
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“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE
In this time of superdiversity, with different cultures and strata of the population living...
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“A Doll’s House”: Actors in Reality Theatre
A lonely corner at night in the London neighborhood of Hackney. A group of strangers meet,...
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“Injured Neighborhood” (Herido barrio), by Matemurga Takes on Gentrification
The communitarian theatre group Matemurga, from Villa Crespo (Buenos Aires), closed the 2016...
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Swedstage: A Showcase of Swedish Theatre
Four degrees Celsius, a thin rain and low clouds: instead of letting ourselves overwhelmed by...
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