Immersive Theatre

Review: “An Italian Christmas Carol” Haunts Past And Future

Posted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review

Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...

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Immersive Theatre On A Silver Platter: “The Hungry Hearts Supper Club”

Posted by Vikram Phukan | 12th Dec 2017 | Immersive Theatre, India, Review

Earlier this year, as a whimsical Valentine’s Week Special targeted the blissfully single rather...

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Theatre And Immersion: “You Enter Yourself Into This Space”

Posted by Christine Wahl | 14th Nov 2017 | Germany, Immersive Theatre, Interview, Participatory Theatre

Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...

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“Witness For The Prosecution” at London County Hall

Posted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom

Some site-specific theatre feels like a really good fit. You could say, in this case, that it...

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Sydney Festival Review: Beckett’s “All That Fall”

Posted by Anthony Uhlmann | 27th Sep 2017 | Australia, Festivals, Immersive Theatre, Sydney

In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...

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Foreign Radical: The Intimate Power of Interactivity

Posted by Aida Rocci | 2nd Sep 2017 | Canada, Immersive Theatre, Transmedia

Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....

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Fuerza Bruta Re-Interprets a Night Out at The Theater

Posted by Nobuko Tanaka | 11th Aug 2017 | Argentina, Immersive Theatre, Japan, Transcultural Collaborations, Transmedia

Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...

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Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format

Posted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom

At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...

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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla

Posted by Ágnes Bakk | 17th Jun 2017 | Immersive Theatre, Interview, Participatory Theatre, Spain, Transmedia

Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She studied audiovisual communication, drama and performance art, and was an assistant director for the former director of the National...

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“Interrupted” at The 14th Factory – Immersive Multimedia Performance

Posted by Christine Deitner | 2nd Jun 2017 | Immersive Theatre, Los Angeles, Review, Theatre and Opera, United States of America

How often are we invited to experience art that is so thoughtfully intertwined with live performances in this manner? How often are we invited to ‘choose our own adventure’ with artists on this level?

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“Alice’s Adventures Underground”: New Immersive Limits Down the Rabbit Hole

Posted by Aida Rocci | 1st Jun 2017 | Immersive Theatre, London, Review, United Kingdom

“Drink me” or “Eat me.” Like Neo, in The Matrix, you are presented with a simple dichotomy that...

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Adapting for Transmedia – Part II

Posted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom

Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...

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Adapting For Transmedia – Part I

Posted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom

Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...

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“Immersive Woyzeck”: A Directorial Memoir

Posted by Izumi Ashizawa | 19th Apr 2017 | Directing, Immersive Theatre, United States of America

“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...

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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity

Posted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom

“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...

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Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez

Posted by Marcos García Barrero | 30th Mar 2017 | Immersive Theatre, Interview, Spain

There is a place in Madrid well known for the old things that are sold inside. It is an antique...

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Opera: Sex, Violence, and Politics – An Immersive Exhibition

Posted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom

Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...

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“Wither on the Vine” Showcases an Environmental Immersive Theatre

Posted by Clement Lee | 8th Mar 2017 | China, Hong Kong, Immersive Theatre, Review

Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...

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I Want To Hear You Breathing: A Conversation With Mischa Dohler

Posted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom

The Theatre Times recently republished an article called “A New Form of Theatre Consumption Aims...

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“Killer” – An Experiential Thriller

Posted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom

One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...

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