PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
Read MorePosted by Abigail Weil | 9th Jun 2019 | Czech Republic, Design, Festivals, Immersive Theatre, News, Prague Quadrennial 2019, Transmedia
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
Read MorePosted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review
Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...
Read MorePosted by Sravasti Datta - The Hindu.com | 6th May 2019 | Immersive Theatre, India, News, Transmedia
In Somewhere, players set out for Kayamgadh, a mythical city of storytellers in colonial India. In...
Read MorePosted by Abigail Weil | 3rd May 2019 | Immersive Theatre, LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
Read MorePosted by Alvina Ruprecht | 10th Apr 2019 | Acting, Canada, Immersive Theatre, Review
The Arts Court Theatre is the perfect intimate space for the experimental performance piece...
Read MorePosted by Aida Rocci | 31st Mar 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
Recollection takes up to six participants in a thrilling journey about the importance of memories and personal data. Going beyond the sensational premise, the budding Any One Thing ambitiously explores the ideas of ‘personalized’ and ‘immersive’ theatre in depth, taking the genre to the boundaries of what is real.
Read MorePosted by Aida Rocci | 27th Feb 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
An empty room. A large table. 12 iPads, 12 note pads, and 12 name desk holders that designate “Juror” along with a number. That is the simple setting for The Justice Syndicate, a new piece by fanSHEN. This interactive play revolves around a jury deliberation on a high-profile sexual assault case.
Read MorePosted by Teo Xiao Ting | 5th Feb 2019 | Documentary Theatre, Immersive Theatre, Review, Singapore
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
Read MorePosted by Russia Beyond | 4th Feb 2019 | Immersive Theatre, News, Russia
Amazing artistic performances, unimaginably difficult tricks, and the highest appraisals from both...
Read MorePosted by Rickey Orr | 26th Jan 2019 | Immersive Theatre, Interview, United States of America
Brian Clowdus was left burned out and unfulfilled as a hustling actor. On a whim on his way back...
Read MorePosted by Hannah Lund | 19th Jan 2019 | Adaptation, China, Immersive Theatre, Review
As we neared the elevator doors, a woman dressed in a beautiful 1930s-era gown directed us to keep...
Read MorePosted by Marilena Borriello | 17th Jan 2019 | Immersive Theatre, Interview, London, United Kingdom
We all probably agree that the theatre is by nature “immersive” and that–since the...
Read MorePosted by Jonathan Kalb | 15th Jan 2019 | Immersive Theatre, Review, United Kingdom, United States of America
“Immersive theater” is a gimmicky term that can be just an indiscriminate pitch nowadays for any...
Read MorePosted by Romy König | 9th Dec 2018 | Germany, Immersive Theatre, Review, Theatre and Politics
For a second, the man stares aghast. His son is on stage talking about some very personal things,...
Read MorePosted by Patrick Langston | 18th Nov 2018 | Canada, Immersive Theatre, Review
There’s not much on the stage. Three bathtubs, a metal dress form and shower head hanging above...
Read MorePosted by Willow White | 8th Nov 2018 | Canada, Immersive Theatre, LGBTQ Theatre, Review
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
Read MorePosted by Aida Rocci | 29th Sep 2018 | Dramaturgy, Immersive Theatre, London, Review, Theatre and Art, United Kingdom
Almost eighty years later the release of Fantasia, Sounds and Sorcery celebrates the iconic movie in an immersive production with ground-breaking technology.
Read MorePosted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Read MorePosted by Cristina Modreanu | 18th May 2018 | Essay, Immersive Theatre, Romania
The very moment I step into the building, great expectations surround me. If a measuring device...
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