Immersive Theatre Archives | Page 2 of 4

Between Panoramas And VR: What Does It Mean To Be Immersed?

Posted by Ágnes Bakk | 17th Mar 2018 | Germany, Immersive Theatre, Interview, Transmedia

Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...

Life Isn’t a Beach in “Einstein in the Carpark”

Posted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore

If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...

Giudizio Universale. Michelangelo And The Secrets Of The Sistine Chapel

Posted by Maria Pia Pagani | 9th Mar 2018 | Immersive Theatre, Italy, News

Over the course of time, the great aesthetic impact of the Sistine Chapel has been testified to...

Immersive “Julius Caesar” at The Bridge Theatre

Posted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review

“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...

“Dutchman” At Secret Theater

Posted by Jack Wernick | 24th Feb 2018 | Immersive Theatre, New York, Review, Stage Combat, Theatre and Politics, United States of America

One of New York City’s most dynamic young theater companies makes a bold addition to its...

“Privacy:” The Impact Of The Digital Revolution On Private Life

Posted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom

Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...

Looking Within With “Attempts: Singapore”

Posted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...

“The Grift”: Theatre or Escape Room?

Posted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom

Theatre as a concept is related to the idea of “play.” After all, scripts are plays...

“Unpermitted Whispers:” Reflections On The Originality Of “Hopscotch” Performance

Posted by Marjan Moosavi | 19th Jan 2018 | Essay, Immersive Theatre, Iran

Yuval Sharon was recently awarded a MacArthur Fellowship “genius grant” for...

“The Jungle” at The Young Vic: New Immersive Docu-Drama

Posted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom

Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...

Review: “An Italian Christmas Carol” Haunts Past And Future

Posted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review

Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...

Immersive Theatre On A Silver Platter: “The Hungry Hearts Supper Club”

Posted by Vikram Phukan | 12th Dec 2017 | Immersive Theatre, India, Review

Earlier this year, as a whimsical Valentine’s Week Special targeted the blissfully single rather...

Theatre And Immersion: “You Enter Yourself Into This Space”

Posted by Christine Wahl | 14th Nov 2017 | Germany, Immersive Theatre, Interview

Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...

“Witness For The Prosecution” at London County Hall

Posted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom

Some site-specific theatre feels like a really good fit. You could say, in this case, that it...

Sydney Festival Review: Beckett’s “All That Fall”

Posted by Anthony Uhlmann | 27th Sep 2017 | Australia, Festivals, Immersive Theatre, Sydney

In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...

Foreign Radical: The Intimate Power of Interactivity

Posted by Aida Rocci | 2nd Sep 2017 | Canada, Immersive Theatre, Transmedia

Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....

Fuerza Bruta Re-Interprets a Night Out at The Theater

Posted by Nobuko Tanaka | 11th Aug 2017 | Argentina, Immersive Theatre, Japan, Transcultural Collaborations, Transmedia

Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...

Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format

Posted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom

At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...

Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla

Posted by Ágnes Bakk | 17th Jun 2017 | Immersive Theatre, Interview, Spain, Transmedia

Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She studied audiovisual communication, drama and performance art, and was an assistant director for the former director of the National...

“Interrupted” at The 14th Factory – Immersive Multimedia Performance

Posted by Christine Deitner | 2nd Jun 2017 | Immersive Theatre, Los Angeles, Review, Theatre and Opera, United States of America

How often are we invited to experience art that is so thoughtfully intertwined with live performances in this manner? How often are we invited to ‘choose our own adventure’ with artists on this level?