“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
Read MorePosted by Zsolt Szász | 5th Apr 2019 | Dramaturgy, Hungary, Interview
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
Read MorePosted by Denise Fujiwara, DD Kugler, and Tama Soble | 9th Jan 2019 | Canada, Dramaturgy, Essay, Theatre and Dance
A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...
Read MorePosted by Miranda Laurence | 24th Nov 2018 | Dramaturgy, Essay, United Kingdom
My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...
Read MorePosted by Miranda Laurence | 11th Nov 2018 | Dramaturgy, Essay, Thailand, Theatre and Dance, Transcultural Collaborations, United Kingdom
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
Read MorePosted by Amanda Fromell | 4th Nov 2018 | Dramaturgy, Essay, Participatory Theatre, Sweden, Transmedia
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
Read MorePosted by Clement Lee | 3rd Nov 2018 | Belgium, Dramaturgy, Hong Kong, Interview, Theatre and Politics
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
Read MorePosted by Aldri Anunciação | 30th Sep 2018 | Brazil, Dramaturgy, Review, South America, Theatre and Art
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
Read MorePosted by Aida Rocci | 29th Sep 2018 | Dramaturgy, Immersive Theatre, London, Review, Theatre and Art, United Kingdom
Almost eighty years later the release of Fantasia, Sounds and Sorcery celebrates the iconic movie in an immersive production with ground-breaking technology.
Read MorePosted by Walter Byongsok Chon | 16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America
Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...
Read MorePosted by Christopher Harris | 29th Aug 2018 | Dramaturgy, Essay, London, Netherlands, Theatre and Opera, United Kingdom
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
Read MorePosted by Yan Chen | 19th Jul 2018 | Dramaturgy, Festivals, Interview, Musical Theatre, New York, Theatre and Dance, United States of America
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
Read MorePosted by Simon Smith | 17th Jun 2018 | Dramaturgy, Essay, United Kingdom
Today we fully expect film, television, and theatre to use music to shape meaning. The screeching...
Read MorePosted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
Read MorePosted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Read MorePosted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
Read MorePosted by Michał Krawczak | 25th Mar 2018 | Dramaturgy, News, Poland, Theatre and Opera, Transmedia
In 2016 the art & science collective Dæd Baitz (Agnieszka Jelewska, Michał Krawczak, Paweł...
Read MorePosted by Agata Łuksza | 18th Mar 2018 | Adaptation, Croatia, Directing, Dramaturgy, Interview, Poland, Theatre and Politics
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
Read MorePosted by KaiChieh Tu | 15th Mar 2018 | Dramaturgy, Interview, Poland, Theatre for Young Audiences
Walking into the old basement of the legendary Old Theatre (Stary Teatr) in Krakow, you soon realize nothing is old here. MICET, the new interactive theatre museum, which opened just about a year ago, completely transforms the theatre’s dark, moldy basement into one of the most cutting-edge museum/installation/performance spaces in Europe.
Read MorePosted by Chloe Chotrani | 21st Feb 2018 | Asia, Dramaturgy, Interview
Chloe Chotrani is a movement artist and writer based in Singapore. She has set up the performing...
Read MorePosted by Taylor L. Ciambra | 16th Feb 2018 | Dramaturgy, Interview, United States of America
When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...
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