The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
Read MorePosted by Ivanka Apostolova Baskar | 9th May 2022 | Adaptation, Directing, Interview, Romania
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
Read MorePosted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
Read MorePosted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Aleks Sierz | 18th Mar 2022 | Acting, Directing, London, Review, United Kingdom
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
Read MorePosted by Alexander Barkar | 26th Feb 2022 | Design, Directing, Review, Russia
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
Read MorePosted by Alexander Barkar | 25th Feb 2022 | Design, Directing, Review, Russia
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read MorePosted by Christy Romer | 14th Feb 2022 | Croatia, Directing, Interview, Management
Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...
Read MorePosted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
Read MorePosted by Emily Cordes | 22nd Oct 2021 | Directing, New York, Review, United States of America
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
Read MorePosted by Victoria Isotti | 11th May 2021 | Directing, Interview, New York, Transmedia, United States of America
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
Read MorePosted by Elizabeth Kerr | 27th Apr 2021 | Directing, Hong Kong, Review
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
Read MorePosted by Farinaz Kavianifar | 21st Mar 2021 | Directing, Interview, Iran
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
Read MorePosted by Najwa Kondakji | 5th Mar 2021 | Directing, Interview, Lebanon, Syria
Ossama Halal is a Syrian theater director, choreographer, and actor. He started his artistic...
Read MorePosted by Magda Piekarska | 21st Feb 2021 | Directing, Poland, Review
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
Read MorePosted by Jennifer Delac | 14th Jan 2021 | Directing, Interview, United States of America
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
Read MorePosted by Fu Beimeng | 10th Dec 2020 | China, Directing, Interview, Puppetry, Theatre and Opera
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
Read MorePosted by Ashley Steed | 8th Dec 2020 | Directing, Interview, Ireland
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
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