Transforming Society Through Documentary Theatre: Peter Eckersall In Conversation With Lebanese Director Sahar Assaf
Peter Eckersall: How did you come into theatre and how did you start working around this idea of...
Read MorePosted by Peter Eckersall | 13th Feb 2019 | Directing, Documentary Theatre, Interview, Lebanon
Peter Eckersall: How did you come into theatre and how did you start working around this idea of...
Read MorePosted by Nobuko Tanaka | 25th Dec 2018 | Directing, Interview, Japan, Theatre and Politics
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
Read MorePosted by Zolima Citymag | 4th Dec 2018 | China, Directing, Hong Kong, Review
From an early age, we are taught that right and wrong are two distinct entities, just as easily...
Read MorePosted by Fjolla Hoxha | 1st Dec 2018 | Directing, Essay, Germany
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
Read MorePosted by Vikram Phukan | 28th Nov 2018 | Directing, Festivals, India
Long awaited by theatre aficionados in the city, a rousing new physical theatre production by the...
Read MorePosted by Corrie Tan | 20th Nov 2018 | Directing, Essay, Japan
Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...
Read MorePosted by Vikram Phukan | 18th Nov 2018 | Adaptation, Directing, India
The prolific theatremaker Faezeh Jalali has once again emerged from a strenuous and demanding...
Read MorePosted by Erik Ulfsby | 7th Nov 2018 | Directing, News, Norway
For me, as a director, it is important that the artistic idea and concept emerge from the story...
Read MorePosted by Sergey Elkin | 1st Nov 2018 | Directing, Interview, Russia, Russian Theatre Abroad
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Lorena Meeser | 30th Oct 2018 | Directing, Mexico, Musical Theatre, Review
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
Read MorePosted by Iris Winston | 24th Oct 2018 | Canada, Directing, Review
This Flight Tonight, Songs Of Joni Mitchell, Bear & Co. Directed by Eleanor Crowder The...
Read MorePosted by Nobuko Tanaka | 20th Oct 2018 | Directing, Interview, Japan
There has always been a considerable amount of cultural exchange between China and Japan, but...
Read MorePosted by Rie Hammer | 3rd Sep 2018 | Directing, Greece, Interview, Theatre and Gender, Theatre and Opera
The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...
Read MorePosted by Josette Féral | 2nd Sep 2018 | Acting, Directing, Essay, Transmedia
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
Read MorePosted by Maria Pia Pagani | 7th Aug 2018 | Directing, Italy, News, Russian Theatre Abroad
August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
Read MorePosted by Natasha Sutton Williams | 24th Jul 2018 | Books, Directing, Theatre and Disability, United Kingdom
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
Read MorePosted by Nobuko Tanaka | 11th Jul 2018 | Directing, Japan, News, Playwriting
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
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