Dmitry Krymov Plumbs the Depths of Memory (part 1)
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read MorePosted by Alexander Barkar | 25th Feb 2022 | Design, Directing, Review, Russia
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read MorePosted by Christy Romer | 14th Feb 2022 | Croatia, Directing, Interview, Management
Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...
Read MorePosted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
Read MorePosted by Emily Cordes | 22nd Oct 2021 | Directing, New York, Review, United States of America
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
Read MorePosted by Victoria Isotti | 11th May 2021 | Directing, Interview, New York, Transmedia, United States of America
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
Read MorePosted by Elizabeth Kerr | 27th Apr 2021 | Directing, Hong Kong, Review
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
Read MorePosted by Farinaz Kavianifar | 21st Mar 2021 | Directing, Interview, Iran
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
Read MorePosted by Najwa Kondakji | 5th Mar 2021 | Directing, Interview, Lebanon, Syria
Ossama Halal is a Syrian theater director, choreographer, and actor. He started his artistic...
Read MorePosted by Magda Piekarska | 21st Feb 2021 | Directing, Poland, Review
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
Read MorePosted by Jennifer Delac | 14th Jan 2021 | Directing, Interview, United States of America
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
Read MorePosted by Fu Beimeng | 10th Dec 2020 | China, Directing, Interview, Puppetry, Theatre and Opera
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
Read MorePosted by Ashley Steed | 8th Dec 2020 | Directing, Interview, Ireland
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
Read MorePosted by Franciszek Bryk | 14th Sep 2020 | Directing, Festivals, News, Poland, Transmedia
Cursed problems often require unorthodox solutions, ones that transgress or delineate anew...
Read MorePosted by Konrad Zielinski | 20th Aug 2020 | Directing, Poland, Review
Today, Krzysztof Warlikowski is considered one of the most influential auteurs devising for the...
Read MorePosted by Emma Cooper | 30th Jul 2020 | Adaptation, Directing, Interview, IOTF 2020, Poland, Theatre and Dance
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
Read MorePosted by Sarah Price | 23rd Jul 2020 | Directing, Essay, Producing, United Kingdom, United States of America
From classic Andrew Lloyd Webber plays to the release of a recording of the original cast of...
Read MorePosted by Marta Bryś | 15th Jul 2020 | Directing, Poland, Review
Maja Kleczewska’s and Łukasz Chotkowski’s Berek is like a dive into a dark spot of history, a...
Read MorePosted by International Online Theatre Festival | 12th Jul 2020 | China, Covid-19, Directing, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020
Tianjiao Li and Xuexi Li from Quirky Moth Theatre – China’s leading theatre company – respond to...
Read MoreFor the first part of this article go here. No coherent government program has been put in place...
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