Milo Rau: A Controversial Stage Director Visits Madrid
When Milo Rau arrives in a city, he attracts the attention of theater journalists, professionals,...
Read MorePosted by Antonio Hernández Nieto | 19th Mar 2020 | Directing, Review, Spain
When Milo Rau arrives in a city, he attracts the attention of theater journalists, professionals,...
Read MorePosted by Jessica Doherty | 27th Jan 2020 | Directing, Interview, Los Angeles, United States of America
Alana Dietze is an actress and director in Los Angeles. She is a company member and literary...
Read MorePosted by Ivanka Apostolova Baskar | 25th Jan 2020 | Directing, Interview, Slovenia
Niko Gorsic is a Slovenian actor, performer, and theater director working under the pseudonym...
Read MorePosted by Nobuko Tanaka | 26th Dec 2019 | Directing, Interview, Japan
The starting point for Dr. Hoffmann’s Sanatorium was, according to the play’s Japanese creator,...
Read MorePosted by Nobuko Tanaka | 21st Dec 2019 | Directing, Japan, News
Shuntaro Matsubara’s first contact with live theatre was in 2014, when he saw a production of...
Read MorePosted by Madeline Engelsman | 18th Dec 2019 | Directing, Interview, United States of America
Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...
Read MorePosted by Michael Ka Chi Cheuk | 26th Oct 2019 | China, Directing, Interview, Taiwan
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
Read MorePosted by Sania Lekshmi and Nidhi Panicker | 23rd Sep 2019 | Directing, India, Interview
“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Nobuko Tanaka | 1st Aug 2019 | Adaptation, Directing, Japan, News, Thailand, Transcultural Collaborations
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
Read MorePosted by Sohaila Kapur | 30th Jul 2019 | Directing, India, Interview
The ace director has often faced flak from traditionalists. For well over a decade now, Deepan...
Read MorePosted by Ahram Online | 29th Jul 2019 | Directing, Italy, Napoli Teatro Festival 2019, News, Syria
The documentary theatre piece Under Low Skies (Sous Un Ciel Bas) from Syrian director Wael Ali had...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | Directing, London, Review, Theatre and Gender, United Kingdom
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
Read MorePosted by Farinaz Kavianifar | 23rd May 2019 | Directing, Iran, Review, Theatre and Politics
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
Read MorePosted by Prabalika M. Borah | 13th May 2019 | Adaptation, Directing, India, News
Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...
Read MorePosted by Dmitry Ermalovich-Dashchynski | 12th May 2019 | Belarus, Design, Directing, Review
Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....
Read MorePosted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview
Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...
Read MorePosted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Fadi Fayad Skeiker | 5th Mar 2019 | Directing, United States of America
After teaching directing for several years, across the globe and at different kinds of...
Read MorePosted by Katalin Trencsényi | 25th Feb 2019 | Directing, Review, Russia, Russian Theatre Abroad, Transcultural Collaborations
It was long overdue for a British audience to be given the opportunity to see another work by the...
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