Milo Rau: A Controversial Stage Director Visits Madrid
When Milo Rau arrives in a city, he attracts the attention of theater journalists, professionals,...
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Directing
Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems
Alana Dietze is an actress and director in Los Angeles. She is a company member and literary...
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“The Fifth Act” or Theatrical Requiem with Niko Gorsic
Niko Gorsic is a Slovenian actor, performer, and theater director working under the pseudonym...
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“Dr. Hoffmann’s Sanatorium”: Delving Deep into the Weird World of Kafka
The starting point for Dr. Hoffmann’s Sanatorium was, according to the play’s Japanese creator,...
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Capitalizing on the Pull of Experimental Japanese Theatre
Shuntaro Matsubara’s first contact with live theatre was in 2014, when he saw a production of...
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Amanda Levie: Founder-Director of No Peeking Theatre
Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...
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An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
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“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”
“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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Deepan Sivaraman on Going Beyond Words to Embrace The Visual Language of Theatre
The ace director has often faced flak from traditionalists. For well over a decade now, Deepan...
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Syrian Wael Ali’s Play “Under Low Skies” to Premiere in Napoli, Italy
The documentary theatre piece Under Low Skies (Sous Un Ciel Bas) from Syrian director Wael Ali had...
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Githa Sowerby’s “Rutherford And Son” at The National Theatre
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
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Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
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Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla
Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...
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The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre
Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....
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Samara Hersch: Theatre For The People, By The People
Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...
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Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
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On Teaching Directing: The Essential Five
After teaching directing for several years, across the globe and at different kinds of...
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Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London
It was long overdue for a British audience to be given the opportunity to see another work by the...
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