Remembering Joan Littlewood (6 October 1914 – 20 September 2002)
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
Read MorePosted by Tom Cornford | 17th Oct 2022 | Directing, Essay, Theatre and Politics, United Kingdom
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
Read MorePosted by Alexander Nderitu | 11th Oct 2022 | Directing, Interview, Kenya, Theatre and Decolonization, Theatre and Politics
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
Read MorePosted by Maria Pia Pagani | 3rd Oct 2022 | Adaptation, Directing, Italy, Review
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
Read MorePosted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Emilija Kvočka | 5th Sep 2022 | Design, Directing, Review, Serbia
Performance “When God Kicks You In The Womb”, based on the novel by Ildiko Lovaš, is a...
Read MorePosted by Barbara Gabriel | 2nd Sep 2022 | Canada, Directing, Festivals, Review
The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...
Read MorePosted by Jonathan Kalb | 13th Aug 2022 | Adaptation, Directing, New York, Review, United States of America
If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
Read MorePosted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
Read MorePosted by Andrew Agress | 9th Aug 2022 | Directing, Immersive Theatre, New York, Review, United States of America
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
Read MorePosted by Yana Meerzon | 7th Aug 2022 | Avignon 2022, Directing, Festivals, France, Theatre and Politics
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
Read MorePosted by Yana Meerzon | 6th Aug 2022 | Avignon 2022, Directing, Festivals, France, Review, Theatre and Religion
I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...
Read MorePosted by Ivanka Apostolova Baskar | 31st Jul 2022 | Directing, Education, Interview, Macedonia
Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...
Read MorePosted by Aleks Sierz | 18th Jul 2022 | Directing, Musical Theatre, Review, United Kingdom
Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...
Read MorePosted by Alexander Fatouros | 13th Jul 2022 | Design, Directing, Interview, Musical Theatre, Spain
Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...
Read MorePosted by Andrew Agress | 11th Jul 2022 | Directing, Dramaturgy, New York, Review, United States of America
How is theater like a support group? This question struck me upon entering The Strangers Came...
Read MorePosted by Sergey Elkin | 3rd Jul 2022 | Adaptation, Directing, Interview, Russia
Dmitry Krymov: artist, director, stage designer, teacher. The son of two of the great theatrical...
Read MorePosted by Fareeda Pyracha Ahmed | 13th Jun 2022 | Acting, Directing, Interview, New York, United States of America
Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...
Read MorePosted by Eslam Omar | 6th Jun 2022 | Devised Theatre, Directing, Egypt, News
Egyptian actor and director Mohamed Sobhy is celebrating the success of his latest theatrical play...
Read MorePosted by Vassili Schedrin | 31st May 2022 | Directing, News, Playwriting, Russia, United States of America
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read MorePosted by Ivanka Apostolova Baskar | 9th May 2022 | Adaptation, Directing, Interview, Romania
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
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