“The Greatest Event in a Doll’s Life.” A New Work on Marriage in Contemporary China
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
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Devised Theatre
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
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Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza
The focus of this review is inspired by the title and the theme of Salia Sanou’s multidisciplinary...
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“Stimmen des Kiezes”: A Site-Specific Movement–Text Collage in Berlin-Friedrichshain
In the middle of the vibrant Berlin district Friedrichshain, well-known for party tourism, hipster...
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PQ 2019: Paradise City
Today’s Prague Quadrennial adventures took me further away from the Exhibition Grounds than any...
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Toronto Laboratory Theatre: “In Sundry Languages” – Creating New Identities Through Collaborative Devising In Many Languages!
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
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Necromancers of the Public Domain: Art Both Free and Liberating
In 1919, following the devastation of the First World War, a movement arose to aid in the...
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A Street Play That Conveyed Hard-Hitting Messages On Body Shaming
The 20-minute street play was presented by Faces, the theatre group of GITAM University. In a...
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Goof Troupe: Little Lord’s “Skinnamarink”
Sport is sometimes defined as a task with arbitrary but necessary constraints. Education is never...
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“Skinnamarink” at Next Door at NYTW
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
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Machinations Of Circus And Light: “When Angels Fall” Created By Rapaëlle Boitel At ArtsEmerson
Using the tools of the circus, performance art, modern dance, and puppetry, the French director...
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High-Functioning Sociopaths And A Missing Panther
The Little Theatre’s Christmas pantomime brings your favorite fictional detectives and a number of...
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Pilgrims’ Progress: Larissa FastHorse’s “The Thanksgiving Play”
The political mantra “Nothing about us without us” is hard to object to immediately–it makes...
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“Muhnochini”: Wrestling With Feminine Forces
The quiet drone of a tanpura marks the meditative beginnings of a new solo performance that opened...
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“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
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“Free EU Roaming”: Adapting Catalan Referendum Into A Play
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
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Baig’s “Acha Bacha” Shows That Sometimes Real Stories Don’t Have Happy Endings
I attended a live performance of Acha Bacha, written by Bilal Baig and directed by Brendan Healy,...
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“Sea Of Common Catastrophe” At Irondale Center
Irondale Ensemble Project, a self-defined “think tank” in Brooklyn’s bustling Fort Greene nabe is...
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