The Painter: An Allegory, By Lighting Designer Cory Pattak
Light is elusive, mercurial, and ephemeral. It remains invisible to the eye until it collides with...
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Design
Give Meaning Through Architecture – Jan Pappelbaum And “What Is Stage – From Text to Space”
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
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A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
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Psychological Spaces, #Metoo, And “The Crucible:” A Conversation With Set Designer Andrew R. Cohen
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
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When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
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“Mr. Half Dwells…” Journeys Through the “Normal” City of Hong Kong in the Most Abnormal Theatrical Display
It is always an excitement to anticipate a show if one sees the name Ming-hang...
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A Day In The Life Of Liz Crossman: Costume Prop Maker And Milliner
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
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The Thumbnail Sketch Series: Sean Fanning and the Courage to Remain Incomplete
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
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The Thumbnail Sketch Series: Paige Hathaway And The Impulse For Scenic Design
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
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Finding Common Language: Paul Tate DePoo III Brings His Set Design For “Titanic” To Seoul, South Korea
I love Titanic, the sweeping Broadway musical with a book by Peter Stone and a score by Maury...
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Behind the Scenes of “Uncommon Sense”: An Interview with John Coyne From Tectonic Theater Company
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
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From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
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Impact From Trivia–Jan Versweyveld And “What Is Stage–Dynamics Of Seeing”
In early September, around 20 participants, including I, have ended a magical month as theatre...
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“Awareness Of Light:” Uncovering The Magic Of Light Behind The Curtain From An Asian Female Lighting Design Perspective
There are many theatre lighting design textbooks in the world; however, few female Asian lighting...
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Hazem Shebl Appointed Vice President Of Prestigious International Theatre Organization
The International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) has...
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5 Things You Probably Didn’t Know About The Bolshoi Theater
It’s easy to become so engrossed in a performance at the Bolshoi that fascinating details about...
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Audience Gets Closer to the Action in New London Theatre
A new theatre which can adapt its auditorium to suit each play is to open this autumn with a...
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Samurai Drama to Put Unique Spin On Evolution of Theater
Japanese audiences will soon join those in Holland as the only people in the world with access to...
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“Dark Matter”: An Interview With Lighting Designer Martyn Roberts
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
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The Magic Theatre of Emanuele Luzzati: A Documentary Exhibition at the Filatoio Rosso in Caraglio
Ten years ago, on 26 January 2007, Emanuele Luzzati died, in Genua. He was one of Italian...
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