The Painter: An Allegory, By Lighting Designer Cory Pattak
Light is elusive, mercurial, and ephemeral. It remains invisible to the eye until it collides with...
Read MorePosted by Cory Pattak | 30th Sep 2018 | Design, Essay, United Kingdom
Light is elusive, mercurial, and ephemeral. It remains invisible to the eye until it collides with...
Read MorePosted by Clement Lee | 17th Aug 2018 | Design, Germany, Hong Kong, News
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
Read MorePosted by Kate Youde | 3rd Jun 2018 | Design, Interview, United Kingdom
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
Read MorePosted by Michael Schweikardt | 6th May 2018 | Design, Interview, United States of America
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
Read MorePosted by Ágnes Bakk | 28th Apr 2018 | Design, Germany, Interview
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
Read MorePosted by Clement Lee | 21st Apr 2018 | Design, Hong Kong, Review
It is always an excitement to anticipate a show if one sees the name Ming-hang...
Read MorePosted by Liz Crossman | 2nd Apr 2018 | Design, United Kingdom
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
Read MorePosted by Michael Schweikardt | 11th Mar 2018 | Design, Interview, United States of America
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
Read MorePosted by Michael Schweikardt | 23rd Feb 2018 | Design, Interview, Philadelphia, United States of America
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
Read MorePosted by Michael Schweikardt | 9th Feb 2018 | Design, Interview, Musical Theatre, South Korea
I love Titanic, the sweeping Broadway musical with a book by Peter Stone and a score by Maury...
Read MorePosted by Rebekah Unsworth | 17th Jan 2018 | Design, Interview, New York, Theatre and Disability, United States of America
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
Read MorePosted by Lauren Dubowski | 27th Dec 2017 | Design, Italy, Poland, Review, Theatre and Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
Read MorePosted by Clement Lee | 14th Dec 2017 | Design, Hong Kong, Netherlands, Review
In early September, around 20 participants, including I, have ended a magical month as theatre...
Read MorePosted by Wan-Jung Wang | 20th Oct 2017 | Asia, Books, Design, Japan
There are many theatre lighting design textbooks in the world; however, few female Asian lighting...
Read MorePosted by The Theatre Times | 6th Jul 2017 | Design, Egypt
The International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) has...
Read MorePosted by Anna Galayda - Russia Beyond Headlines | 2nd Jul 2017 | Design, Essay, Russia
It’s easy to become so engrossed in a performance at the Bolshoi that fascinating details about...
Read MorePosted by Sally Guyoncourt | 23rd Apr 2017 | Design, United Kingdom
A new theatre which can adapt its auditorium to suit each play is to open this autumn with a...
Read MorePosted by Nobuko Tanaka | 24th Mar 2017 | Design, Japan
Japanese audiences will soon join those in Holland as the only people in the world with access to...
Read MorePosted by David O'Donnell | 24th Feb 2017 | Design, Interview, New Zealand
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
Read MorePosted by Maria Pia Pagani | 24th Jan 2017 | Design, Essay, Italy
Ten years ago, on 26 January 2007, Emanuele Luzzati died, in Genua. He was one of Italian...
Read More