Applied Theatre

Anatomy of a Clown in Applied Theatre: From War-Torn Countries to Children Museums

Posted by Curtis Peter van Gorder | 5th Dec 2016 | Applied Theatre, Essay

“Laughter is the brush that sweeps away the cobwebs of your heart.” – Mort Walker,...

Read More

Elixir Mime Workshops for Thailand 2016

Posted by Curtis Peter van Gorder | 28th Oct 2016 | Applied Theatre, News

Thanks to the cooperation of several NGOs in Thailand, Elixir Mime was able to give three mime...

Read More

Jordan’s National Center for Culture and Arts: Defying Stereotypes, Leading Cultural and Artistic Dialogue for Social Change in The Middle East

Posted by Lina Attel | 25th Oct 2016 | Applied Theatre, Jordan, News, Participatory Theatre

Think of the Middle East and theatre would not be the first image that comes to the mind of most...

Read More

“An Enemy of the People”: The Egyptian Experience

Posted by Nora Amin | 13th Oct 2016 | Adaptation, Applied Theatre, Egypt, Essay

It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...

Read More

The Others: Ensemble Workshops with Syrian Refugees

Posted by Dyane Stillman | 5th Oct 2016 | Applied Theatre, Essay

I moved to Lebanon this August to join the faculty of ACS at Beirut, after having spent six years...

Read More

Prison Theatre in Jordan

Posted by Fadi Fayad Skeiker | 23rd Aug 2016 | Applied Theatre, Essay, Jordan

As Hakeem leaves the workshop that he leads in the Aljwaida prison for women in Jordan, he is...

Read More

Dreams of Young Syrian Refugees Imagined

Posted by Fadi Fayad Skeiker | 23rd Jul 2016 | Applied Theatre, Essay, Germany

I am in the same room with three young asylum seekers from Syria—Abed, 17, from Deir al-Zour;...

Read More

1
2
3

Like Us On Facebook

Facebook Pagelike Widget

Advertisement

Advertisement

Most Popular Posts

Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” by Rhiannon Ling 30th May 2023
The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023
Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
“Geometry of the Soul”, “Frozen Songs” and “Clowns’… by Emilija Kvočka 31st May 2023
Theater, A Major Job Sector by Heather Waters 2nd April 2023
“Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023
“The Arabian Nights” in Taiwan: Deserted… by Kuan-Ting Lin 12th May 2023
The Theatre We Want In 2040? We Used… by Christine Brubaker, Taiwo Afolabi, Yvette Nolan, Jessica Thornton, And Heather Russek 28th April 2023
Robert Patrick, Playwright, Has Passed Away by Magie Dominic 19th May 2023

Recent Posts

Léonora Miano On “What Must be Said” 5th June 2023
Danny Robins’s 2:22 A Ghost Story At The Apollo Theatre: Populist Shocker Is Pretty Chill Free 5th June 2023
“KPOP” On Broadway: A Multisensory Feast of HEUNG 4th June 2023
“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival 31st May 2023
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” 30th May 2023
Robert Patrick, Playwright, Has Passed Away 19th May 2023
“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream 12th May 2023
Drag Queens in Musical Theatre 8th May 2023
“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre 3rd May 2023
Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking 1st May 2023

SEARCH OUR ARCHIVES

Pin It on Pinterest