Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Adaptation
Asian Adaptations of Shakespeare Today
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
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“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
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How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life
Written in 1918, Lu Xun’s A Madman’s Diary marked the advent of modern Chinese literature....
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Two Productions of “The Plague” Push the Boundary of Theatre
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
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Carnatic Music Marries Theatre in The Madras Players’ “Trinity” – Set to Reach a Global Audience
The Madras Players’ Trinity, filmed by a four-camera set up, will be made available for a global...
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Experimenting with Virtual Theatre: An Interview with Igor Golyak
Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...
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A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
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“The Empire Builders:” A Bold Experiment in Alternative Theatre
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
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The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
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Madsoc Theatre Reopens with “Once An Actress”
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
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A Play Adapted from Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under the Spotlight
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
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Interview with James Shapiro on Adaptation of Shakespeare Plays on the Contemporary Stage
James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...
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Adishakti Theatre Arts’ Latest Musical Turns The Lens On Sexual Assault And Power Politics At The Workplace
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play,...
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“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production
Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...
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Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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Playing Richard
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
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The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
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Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
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“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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