Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Mark Byron | 20th Jun 2021 | Adaptation, Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Alexa Alice Joubin | 12th Jun 2021 | Adaptation, Essay, Hong Kong, Japan, Singapore, South Korea
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
Read MorePosted by Kasia Lech | 9th Jun 2021 | Adaptation, Festivals, France, Musical Theatre, Review, Spain, United Kingdom
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
Read MorePosted by Ziwen Gao | 6th Jun 2021 | Adaptation, China, Poland, Review
Written in 1918, Lu Xun’s A Madman’s Diary marked the advent of modern Chinese literature....
Read MorePosted by Molly Grogan | 5th Jun 2021 | Adaptation, China, Covid-19, Hong Kong, Review, Transmedia
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
Read MorePosted by Gowri S | 3rd Jun 2021 | Adaptation, India, News
The Madras Players’ Trinity, filmed by a four-camera set up, will be made available for a global...
Read MorePosted by Victoria Isotti | 21st May 2021 | Adaptation, Boston, Interview, Transmedia, United States of America
Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...
Read MorePosted by Gowri S | 17th May 2021 | Adaptation, India, Review
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
Read MorePosted by Tonderai Chiyindiko | 10th May 2021 | Adaptation, Review, South Africa, Transmedia
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
Read MorePosted by Mahsa Foroughi | 1st May 2021 | Adaptation, Australia, Review, Theatre and Film
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
Read MorePosted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
Read MorePosted by Gowri S | 25th Apr 2021 | Adaptation, India
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
Read MorePosted by Niloofar Mohtadi | 24th Apr 2021 | Adaptation, Interview, Iran
James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...
Read MorePosted by Gowri S | 16th Apr 2021 | Adaptation, India, Review
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play,...
Read MorePosted by Vanessa Berry | 14th Mar 2021 | Adaptation, Australia, Review, Sydney
Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...
Read MorePosted by Leah Mercer | 9th Mar 2021 | Adaptation, Australia, Review, Russian Theatre Abroad
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
Read MorePosted by Katerina Eremina | 27th Feb 2021 | Adaptation, Belarus, Review
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
Read MorePosted by Gowri S | 22nd Feb 2021 | Adaptation, India, New York, Review, United States of America
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
Read MorePosted by Boris Sandler | 21st Jan 2021 | Adaptation, New York, Russian Theatre Abroad, Transmedia, United States of America
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
Read MorePosted by Agnieszka Legutko | 17th Jan 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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