“The Burnt City,” One Cartridge Place
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Duška Radosavljević | 24th May 2022 | Adaptation, Immersive Theatre, London, Review, United Kingdom
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Duška Radosavljević | 19th May 2022 | Adaptation, Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Lara Cox | 16th May 2022 | Adaptation, France, Review, Theatre and Decolonization
What do you do when you are blown away by a show, and yet you know that there is something...
Read MorePosted by Ivanka Apostolova Baskar | 9th May 2022 | Adaptation, Directing, Interview, Romania
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
Read MorePosted by Borisav Matić | 8th May 2022 | Adaptation, Review, Serbia, Theatre and Politics, Theatre for Young Audiences
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
Read MorePosted by Emiliia Dementsova | 7th May 2022 | Adaptation, Review, Russia, Theatre and Politics
In a country at war, theatres continue to work… “(They) are so simple to offer war...
Read MorePosted by Lucija Klarik | 4th May 2022 | Adaptation, Croatia, Review, Theatre and Politics, Theatre and Religion
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
Read MorePosted by Daily Sabah | 13th Apr 2022 | Adaptation, Festivals, News, Turkey
The 23rd edition of The State Theaters – Sabancı International Adana Theater Festival will offer...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
Read MorePosted by Beverley Brommert | 9th Mar 2022 | Adaptation, Review, South Africa
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Sheila Chisholm | 22nd Jan 2022 | Adaptation, Musical Theatre, Review, South Africa
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
Read MorePosted by Natalie Hanna | 7th Jan 2022 | Adaptation, Review, Theatre and Gender, United Kingdom
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
Read MorePosted by Praveen Sudevan | 27th Dec 2021 | Adaptation, India, Interview, Transcultural Collaborations
Italian theatre director Anna Dora Dorno talks about her project, Dante Beyond Borders. Italy was...
Read MorePosted by Jonathan Kalb | 23rd Dec 2021 | Adaptation, New York, Review, Theatre and Gender, United States of America
As most people reading this will already know, Company was first reworked for a female Bobbie...
Read MorePosted by Lara Cox | 15th Dec 2021 | Adaptation, France, Musical Theatre, Review, Translation
A week after Josephine Baker posthumously entered the French Panthéon, a musical about two...
Read MorePosted by Dawna Fung | 2nd Dec 2021 | Adaptation, China, Hong Kong, Review
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
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