James Graham’s “Best of Enemies” at the Noël Coward Theatre
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
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Tamil Theatre’s New Voice: Chennai Audiences Cheer for Fresh Ideas and New Faces
Tamil contemporary theatre in the city sees a promising resurgence as new faces debut on stage...
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“A Drop of Midnight”
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
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“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
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Women and War: a Staged Reading of Two New Plays From Ukrainian Playwrights
Earlier this year in the Polish theatre journal Didaskalia (169/170, 2022), a pair of Ukrainian...
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Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
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Joe White’s “Blackout Songs” at Hampstead Theatre: Powerful Account of Mutual Dependency on Drink
Joe White is great at staging fraught emotions. His Mayfly in 2018 vividly showed a family whose...
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Coming Soon: The 1st International Symposium on Contemporary Asian Theatre, University of Göttingen (Hybrid)
The University of Göttingen would like to invite you to The 1st International Symposium on...
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How I Reunited the Most Important Documents in English Theater History for the First Time in 200 Years
Most of what we know about the beginnings of English professional theater as a financial...
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“The Poltergeist,” Arcola Theatre
Last night, at the Arcola, I witnessed the return of The Poltergeist, Philip Ridley’s blazing...
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Four of Shakespeare’s Plays and How They Speak to the Current Political Situation in Britain
The last few years in politics have gifted the keen observer many allusions to some of...
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Godless Clergy Members in “The Unbelieving”
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
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Growing Up and Getting Through in Jill Sobule’s “F*ck7thGrade”
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
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Registration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders
The International Association of Theatre Leaders (IATL) would like to invite you to The...
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Current Plans: Hong Kong’s Collaborative Art Space
It was well past midnight on October 2, 2021. Current Plans—at the time known as Present...
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“The Handke Project,” Kosovo Theatre Showcase
The Handke Project, Kosovo Theatre Showcase, Teatri Oda, 26th October 2022 If The Handke Project...
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Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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Refugees in Berlin (Excerpts From a Sort of Berlin Diary)
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
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Sudha Bhuchar’s Evening Conversations at the Soho Theatre: A Calmly Intelligent Exploration of Family Identity
Sudha Bhuchar’s Evening Conversations at the Soho Theatre: a calmly intelligent exploration of family identity
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“Husino’s Miner” at Dodona Theatre, Prishtina, Kosovo
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
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Cape Town Theatre Company’s “A Picture of Dorian Gray” at Masque Theatre
Masque theatre is hosting Cape Town Theatre Company’s A Picture of Dorian Gray. “A Picture of...
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“Woyczek” at the National Theater of Hungary
Buchner’s “historically difficult explains modernity” in the performance of...
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Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
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Writing about African Arts 2022: Call for Participants
The African Theatre Magazine invites applicants to the second edition of the Writing about African...
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Melissa Etheridge’s Queer Joy: “My Window—A Journey Through Life”
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
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“When The World Turns” is a Profoundly Moving Theatrical Experience for Children with Complex Disabilities
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
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Prequel, Sequel and Two Fangs: An Exclusive Interview with Dacre Stoker
This year is the 125th Anniversary of the famous gothic novel written by the Irish writer Bram...
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“Sesame Street: The Musical” Electrifies
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
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“Ravenscourt,” Hampstead Theatre
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
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Remembering Joan Littlewood (6 October 1914 – 20 September 2002)
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
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“Desdemona Roopakam” to be Staged
The play seeks to draw parallels between Desdemona from Othello and select women from Indian epics...
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Generation XIII – A Documentary Podcast
Five dancers. Three years. One school. Every three years 1000 young dancers from all over the...
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The 90-Minute MacGuffin: “Four Saints in Three Acts”
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
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Micro Theatre Festival Returns with 16 Mini Plays This Week
The third edition of the Micro Theatre Festival (MTF) will kick off Saturday 8 October and run...
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Exclusive Interview with Stuart Nash, Founder of Nairobi Performing Arts Studio
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
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Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
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Micro Theatre Festival Returns with 16 Mini Plays This Week
The third edition of the Micro Theatre Festival (MTF) will kick off Saturday 8 October and run...
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Review: Jazzart Dance Theatre’s “Survive”
SURVIVE. Triple Bill: Wasteland choreographed by Dane Hurst. In Body as One choreographers: Grant...
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“Viviani on the Road”: The Third Part of the Special Project, Trianon Viviani Theatre in Naples
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
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“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
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A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October
This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
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Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.
Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...
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Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
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“Hostel Lights” at the Baxter
HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...
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An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank
Technology and the theater are closer together than ever, and our hope for the planet may depend...
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Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.
Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...
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How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
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