Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre
What does it really mean to do political theatre? Does the theatre even hold any potential to...
Read More![Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/image-1-627x376.jpg)
Sections
In Memoriam Michael Lupu (1930-2019), Dramaturg of Another Dimension
Brian Greene, the theoretical physicist and author of The Elegant Universe, once wrote, “Some...
Read More
Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at the Royal Court
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read More
How I Produced My First Ever (Multilingual) School Play
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
Read More
Czech Centre London Presents: “Velvet Havel”
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
Read More
“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Read More
Dublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital...
Read More
Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
Read More
Coming-of-age in 2019: “Spring Awakening” at TUTS
Teenagers dealing with sex, suicide, abusive parents, and queer love might not seem like typical...
Read More
Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland”
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
Read More
“The Unnatural and Accidental Women” in Ottawa
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
Read More
Zimbabwe’s Jasen Mphepo Little Theatre
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
Read More
Kai Tuchmann on Dramaturgy and Digital Realities
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
Read More
“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Read More
Kosmas Politis, “Eroica” by Yolanda Markopoulou
“Heroism is to this decision that you make by yourself, to stick to it until the very...
Read More
Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
Read More
Edgar Oliver and “Victor”
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
Read More
Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity
Once there were radically innovative playwrights; then came university courses about radically...
Read More
Interview with Emily Mann
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read More
“Venus vs Modernity”: Rethinking Sara Baartman
“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.
Read MoreLike Us On Facebook
Featured Writers
Most Popular Posts
How “Six” Became The Biggest New Musical… 23rd January 2019 
“Super Vocal,” Chinese TV Talent Contest For Opera… 17th February 2019 
“Slave Play”: Can a Subaltern Consent? 29th September 2019 
Entering “Yellow Inn”: A Conversation… 15th September 2019 
“Medea” By Simon Stone, The New Stage Sensation 14th February 2019 
Ian McKellen Tour 2019: Tickets, Dates, And Venues… 3rd December 2018 
Tribalism, Tragedy and Torment: Yaël Farber’s “Blood… 10th October 2019 
Top Twelve Indian Plays Of 2018 30th January 2019 
Edgar Oliver and “Victor” 5th October 2019 
Avignon 2019 – “Outwitting the… 11th August 2019