Mukha Mugam Returns to the Stage with “The View From Above,” A Macbeth-Inspired Political Satire
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MoreFor most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MoreReview: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything &...
Read MoreSHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
Read MoreA contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
Read MoreA Preview of a new translation of Molière’s Dom Juan for the 21st century by Gideon Lester and...
Read MoreI began my tenure as Chair of the LMDA Conference during the early days of COVID. This was back...
Read MoreWe’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set design: Barry Altwig. Lighting: Barry Strick. Sound: Trevor Lind. Music Direction/Choreography: Tersia Harley. Presented by...
Read MoreWith nine Broadway musicals currently playing on Australian stages – and a further three set to...
Read MoreTheatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
Read MoreThere is always a cultural gap between scholars and artists, each group being suspicious of the...
Read MoreTheatre veteran PC Ramakrishna turns author with Find Your Voice, a guide on how to navigate a...
Read MoreProduction-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
Read MoreIn the past, most plays by black-British writers have been about the legacy of the Windrush...
Read More“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read MoreAttired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one...
Read MoreIn my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read MoreKonrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...
Read MoreGratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...
Read MoreSince its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read MoreDominique Morisseau is aware that most of her fans see her as a predominantly naturalistic...
Read MoreThough Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
Read MoreThis is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read More(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
Read MoreFat Ham arrives at the Public Theater for its first live production following the Zoom staging by...
Read MoreEgyptian actor and director Mohamed Sobhy is celebrating the success of his latest theatrical play...
Read MoreWhen an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
Read MoreSky of Darkness is enjoying its US premiere June 2-12 at Theaterlab in Midtown Manhattan. The...
Read MoreCelebrating Arab culture, the Liverpool Arab Arts Festival (LAAF) is gearing up for its upcoming...
Read MoreWalking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
Read MoreThe Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MoreWhy do we still remember theater that became history many decades ago? How do we remember plays...
Read MoreReview: Cathedral, directed by Shannon Rush for the State Theatre Company of South Australia...
Read MorePaula Vogel’s How I Learned to Drive is, famously, the play that blew the lid off the subject of...
Read MoreAutistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
Read MoreReview: Son of Byblos, directed by Anna Jahjah for Brave New World Theatre Company The downstairs...
Read MoreIn 1999, Viviane De Muynck and Jan Lauwers set to work with the last chapter of James...
Read MorePunchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MoreOver the years, our contributors have been addressing the topic of decolonization in theatre and...
Read MoreIt is the second time that Los números imaginarios (The imaginary numbers), a Spanish company of...
Read MoreThe Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MoreAt Adishakti Theatre’s Remembering Veenapani festival, a clowning troupe from Uruguay...
Read MoreIvo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MoreAndriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
Read MoreReview: Stay Woke, by Aran Thangaratnam, directed by Bridget Balodis. The lingering smell of...
Read MoreWhat do you do when you are blown away by a show, and yet you know that there is something...
Read MoreThis story is part of a collaboration between Zolima CityMag and the Hong Kong Design Centre’s new...
Read MoreActor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
Read MoreThis is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
Read MoreRussia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read MoreOCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...
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