“Shushkin’s Stories” by The Theatre of Nations at The Barbican 18th November 2019 | London, Review, Russian Theatre Abroad, United Kingdom
GCTC’S “Bang Bang”: A Fast-Paced, Funny Satire 18th November 2019 | Canada, Review, Theatre and Politics
Longing for New and Mysterious Worlds at the Finnish National Opera and Ballet 17th November 2019 | Finland, Review, Theatre and Dance, Theatre and Opera
The World Premiere of “Eight Nights” at Antaeus Theatre Company 17th November 2019 | Los Angeles, Review, United States of America
“Heroes of the Fourth Turning” at Playwrights Horizons 16th November 2019 | New York, Review, United States of America
“Reparations” at the Billie 15th November 2019 | New York, Review, Theatre and Politics, United States of America
“The Black History Museum…According to the United States of America” 15th November 2019 | Immersive Theatre, New York, Participatory Theatre, Review
“The Thanksgiving Play” at Geffen Playhouse 14th November 2019 | Los Angeles, Review, United States of America
Love in 3D: Multiple Guises for L’Amour at the Royal Opera House 14th November 2019 | London, Review, Theatre and Opera, United Kingdom
“Old Stock: A Refugee Love Story” – Form Gets In The Way Of Important, Heartfelt Story 13th November 2019 | Canada, Musical Theatre, Review
“From Darkness” Review: Family Loss And Sorry Business that Invokes Laughter And Tears 13th November 2019 | Australia, Review, Transcultural Collaborations
Bedlam Returns to Cambridge’s Nora Theatre Company with “The Crucible” 12th November 2019 | Boston, Review, United States of America
Reclaiming the Legend of Bhagat Singh 12th November 2019 | Documentary Theatre, India, Review, Theatre and Politics
“Augustine’s Dream:” A Work in Development 11th November 2019 | Devised Theatre, Essay, Theatre and Dance, United States of America
The “Time Traveler” Who Took Our Tobacco 11th November 2019 | Africa, Kenya, News, Transcultural Collaborations
New Rapp: “The Sound Inside” 10th November 2019 | New York, Review, Theatre and Art, United States of America
David Baddiel’s “God’s Dice” at the Soho Theatre: Mid-Life Crisis as Science Confronts Religion 9th November 2019 | Playwriting, Review, Theatre and Religion, Theatre and Science, United Kingdom
“On Bear Ridge” at the Royal Court: History of Loss in Ed Thomas’s Absurdist Play. 9th November 2019 | Review, Theatre and Politics, United Kingdom
“Botticelli in the Fire” at the Hampstead: A Queer 15th Century Tale. 9th November 2019 | Review, Theatre and Gender, United Kingdom
“Painted Alice” Review: Down The Rabbit Hole Once More 9th November 2019 | Adaptation, Review, United States of America
Mozart by Way of Cape Town 9th November 2019 | Adaptation, Boston, Review, South Africa, Theatre and Opera, United States of America
“Dr. Ride’s American Beach House:” Ready for Orbit 8th November 2019 | New York, Review, United States of America
Shadow Theatre: Performance and the Imaginary in Contemporary Egypt 7th November 2019 | Egypt, Essay, Puppetry
Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands 7th November 2019 | New York, Review, Theatre and Politics, United States of America
Isadora Duncan and “The Figurative Arts in Italy:” An Exhibition Review. 6th November 2019 | Italy, Review, Theatre and Dance
“Old Stock:” A Refugee Love Story and Debate Between Empathy and Voyeurism 6th November 2019 | Canada, Review, Theatre and Politics
“Bun de Export:” A Personal Exploration of Romanian Migration 6th November 2019 | Review, Romania, Theatre and Politics
Billy Langa and Mahlatsi Mokgonyana on Pushing the Boundaries of the Craft 6th November 2019 | Interview, South Africa
Anima and Animus. Lucy Guerin: “Split.” The Place, London, Dance Umbrella 2019 Festival. 5th November 2019 | Australia, Dance Umbrella 2019, Review, Theatre and Dance
The “Vessel” in which Dance and Sculpture Meet 5th November 2019 | Australia, Review, Theatre and Dance
The Kathakar Festival Celebrates the Power of Storytelling 5th November 2019 | Festivals, India, News
Slanguages, Hip-Hop, a Russian Play, Punjabi Poetry and Oxford University 5th November 2019 | Applied Theatre, News, Theatre and Politics, Transcultural Collaborations, United Kingdom
Cultural Participation Policies: A Poverty of Ambitions 4th November 2019 | Essay, Management, United Kingdom
“Fangirls” Review: New Musical has Enough Warmth, Witty Lines and Catchy Tunes to Win its Own Fangirls 4th November 2019 | Australia, Musical Theatre, Review
A Quietly Bold Statement from a New Artist with a Lot to Tell: Oona Doherty’s “Hard to be Soft” at Dance Umbrella Festival at Southbank Centre, London 3rd November 2019 | Dance Umbrella 2019, Review, Theatre and Dance, United Kingdom
Jan Klata’s “King Lear” at the Theatre Olympics: In the Name of the Father 2nd November 2019 | Festivals, Poland, Review, Russia
“Oscar Wao” at Repertorio Español 2nd November 2019 | Adaptation, New York, Theatre and Politics, United States of America
Acceptance, Representation, and Everlasting Season of Love: Kelsee Sweigard as Maureen Johnson in The 20th Anniversary Touring Production of “Rent” 1st November 2019 | Boston, Interview, Musical Theatre, United States of America
Translating Trojan Horses 1st November 2019 | Documentary Theatre, Essay, Theatre and Politics, Theatre and Religion, Translation, United Kingdom
Annie Baker’s “The Antipodes” at the National Theatre 31st October 2019 | London, Review, United Kingdom, United States of America
“The Eighth Life (for Brilka)”: Dark Chocolate 31st October 2019 | Festivals, Germany, Review, Russia
Sarah Rutherford’s “The Girl Who Fell” at the Trafalgar Studios: Death, Mourning, Co-Incidence and Healing 31st October 2019 | London, Review, United Kingdom
“XXX Neon Sign” Review: Embodied Performance About Working in a Brisbane Porno Shop 31st October 2019 | Australia, Musical Theatre, Review
A Transgender Theatre Group Focuses on the Lives of Fellow Members Through a Play 30th October 2019 | India, LGBTQ Theatre, News
Double Bill: “Annunciation” by Angelin Preljocaj and “Siciliana” by Kor’sia Company at Teatro Massimo of Palermo (Italy) 30th October 2019 | Italy, Review, Theatre and Dance
Reflections on “Passageways” 29th October 2019 | Musical Theatre, New York, Review, United States of America
“The Shadow Whose Prey the Hunter Becomes”: Who Decides Who We re? 29th October 2019 | Australia, Review, Theatre and Disability
Iasi Theatre Festival for Young Audiences: “153 Seconds,” A Documentary of Contemporary Tragedy 28th October 2019 | Festivals, Review, Romania, Theatre for Young Audiences
Ravers Under the Microscope: Dance Umbrella Festival Opens with Gisèle Vienne’s “Crowd” at Sadler’s Wells 28th October 2019 | Dance Umbrella 2019, London, Review, Theatre and Dance, United Kingdom
Richard Gadd’s “Baby Reindeer” at The Bush Theatre: An Obsessive Story About Obsession 27th October 2019 | Documentary Theatre, London, Review, United Kingdom
“The Greatest Event in a Doll’s Life.” A New Work on Marriage in Contemporary China 27th October 2019 | China, Devised Theatre, Interview, Theatre and Gender
Eunkyung Jeong Elucidates Enlightenment in Her Autobiographical Installation 27th October 2019 | Review, South Korea, Theatre and Gender
Alice Birch’s “[BLANK]” at the Donmar Warehouse 26th October 2019 | London, Review, Theatre and Gender, United Kingdom
An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong 26th October 2019 | China, Directing, Interview, Taiwan
Arinzé Kene’s “Little Baby Jesus” at the Orange Tree Theatre: Lyrical, Energetic and Wise Coming-of-Age Drama 26th October 2019 | London, Playwriting, Review, Theatre and Age, United Kingdom
Olonkho Show “Dzhyrybyna the Warrior Woman”: Hit the Tambourine 26th October 2019 | Festivals, Review, Russia
Thrown into the Deep End! A Participant’s Perspective from The Kennedy Center New Play Dramaturgy Intensive 2019 25th October 2019 | Dramaturgy, Essay, United States of America
Maxim Gorky’s “Vassa” at the Almeida Theatre 25th October 2019 | Adaptation, London, Review, United Kingdom
Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre 25th October 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom
Protiv Etogo: “Mayakovsky and Stalin” 24th October 2019 | New York, Review, Theatre and Politics, United States of America
“Slave Play”: Jeremy O. Harris’s “Balcony” 24th October 2019 | New York, Review, Theatre and Politics, United States of America
“A History Of Water In The Middle East” at The Royal Court 23rd October 2019 | London, Review, Theatre and Politics, United Kingdom
“Found” at The Cell: Immersive Theatrical Experience 23rd October 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America
Danusia Samal’s “Out of Sorts” at the Theatre 503: Deeply Emotional Account of Personal Identity 22nd October 2019 | London, Review, United Kingdom
How to Stage an Opera? Summer Munich Opera Festival as a Role Model 22nd October 2019 | Germany, Review, Theatre and Opera
Taking Classic Musical “West Side Story” to New Heights. 21st October 2019 | Japan, Musical Theatre, Review
Playing the Family: Dramaturgy in Peeping Tom’s Family Trilogy 21st October 2019 | Belgium, Dramaturgy, Essay, Theatre and Dance
Vienna: Mental Eclipse Theater’s “Blasted” (Sarah Kane). Separating Admirable Impulse From Mixed Impact 20th October 2019 | Austria, Review, Theatre and Art
“Games” at Soho Playhouse 20th October 2019 | Acting, New York, Review, Theatre and Politics, United States of America
“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera 19th October 2019 | China, Hong Kong, Review, Theatre and Opera, Theatre and Politics
Reflecting on Theatre Education and History with Laurence Senelick 19th October 2019 | Boston, Interview, United States of America
“A Night At The Kabuki”: Giving a Classic Love Story the Queen Treatment 18th October 2019 | Japan, News
“A Day in the Death of Joe Egg” at Trafalgar Studios 18th October 2019 | Review, Theatre and Disability, United Kingdom
Family Secrets Get Messy in “All My Fathers” 17th October 2019 | New York, Review, Theatre and Age, United States of America
David Greig’s “Solaris” at the Lyric Hammersmith Theatre 17th October 2019 | Adaptation, London, Review, United Kingdom
Solving the “Lulu” Problem 17th October 2019 | New York, Review, Theatre and Gender, United States of America
Stratford 2019: “Birds of a Kind”- A Remarkable Dialogue Between the Author and the Director 16th October 2019 | Canada, Review, Transcultural Collaborations
“Cambodian Rock Band” at City Theatre, Pittsburgh PA 16th October 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“The Pianist Of Willesden Lane”: A Triumphant Musical Journey With A Strong Contemporary Message 16th October 2019 | Canada, Review
“The Unnatural And Accidental Women”: The Voices Of The Disappeared Still Speak To Us In This Immersive Event 15th October 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
“Project Amelia” at Bricolage Production Company in Pittsburgh, PA, USA 15th October 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“A Few Good Men” at the Pittsburgh Public Theater 14th October 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Back to Somewhere That’s Green: “Little Shop of Horrors” at Boston’s Lyric Stage Company 14th October 2019 | Boston, Review, Theatre and Politics, United States of America
Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre 13th October 2019 | London, Review, Theatre and Politics, United Kingdom
In Memoriam Michael Lupu (1930-2019), Dramaturg of Another Dimension 13th October 2019 | Dramaturgy, News, United States of America
BoomStick Theater’s “Toxic Avenger: The Musical” on Melrose 13th October 2019 | Los Angeles, Review, United States of America
Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at the Royal Court 12th October 2019 | London, Review, Theatre and Politics, United Kingdom
How I Produced My First Ever (Multilingual) School Play 12th October 2019 | Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
Czech Centre London Presents: “Velvet Havel” 11th October 2019 | Czech Republic, London, Musical Theatre, Review
“Unknown, I Live With You”: Oppression and Song 11th October 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera
Dublin Fringe Festival 2019: Women in Flux 10th October 2019 | Festivals, Ireland, News, Playwriting, Theatre and Gender
Michael Frayn’s “Noises Off” at the Garrick Theatre 10th October 2019 | London, Review, United Kingdom
Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic 10th October 2019 | Review, Spain, Translation, United Kingdom
“The New Canadian Curling Club”: Delightful Immigration Comedy With Deeper Aspirations 10th October 2019 | Canada, Review, Theatre and Politics
Coming-of-age in 2019: “Spring Awakening” at TUTS 9th October 2019 | Musical Theatre, Review, United States of America
Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland” 9th October 2019 | China, Interview, Theatre and Opera
“The Unnatural and Accidental Women” in Ottawa 8th October 2019 | Canada, Review, Transcultural Collaborations
What Are You Already Doing In Your Organization Or Community (Related To Digital Technology And Theatre)? 7th October 2019 | Belgium, Germany, News
“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company 7th October 2019 | New York, Review, United States of America
“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream” 7th October 2019 | Adaptation, New Zealand, Review, Theatre for Young Audiences, Transcultural Collaborations
Another Step Forward: An Interview With Homo Cosmos Theatre CEO Founder Katsiaryna Saladukha 6th October 2019 | Belarus, Europe, Interview
Bill Irwin’s “On Beckett” at the Kirk Douglas Theatre 5th October 2019 | Los Angeles, Review, United States of America
Edgar Oliver and “Victor” 5th October 2019 | LGBTQ Theatre, New York, Review, United States of America
Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity 5th October 2019 | LGBTQ Theatre, London, Review, Theatre and Gender, United Kingdom
Interview with Emily Mann 4th October 2019 | Interview, New York, Theatre and Politics, United States of America
This Fairy-Tale Adaptation is a Multi-Sensory Experience. 4th October 2019 | India, Review, Sweden, Theatre for Young Audiences, Transmedia
“Venus vs Modernity”: Rethinking Sara Baartman 4th October 2019 | Review, South Africa, Theatre and Gender, Theatre and Politics
Purisai Festival Showcases Therukoothu and Community Theatre 4th October 2019 | Festivals, India, News
Trains and Transcendence in “Passengers” at ArtsEmerson 3rd October 2019 | Boston, Canada, Review, United States of America
Lily Houghton and Kylie M. Brown on “Of the Woman,” World Premiere at Normal Ave 3rd October 2019 | Interview, New York, United States of America
It is a Different Take on “Mahabharat:” Puneet Issar on Directing the Epic on Stage 3rd October 2019 | India, Review, Theatre and Religion
Minding the Mind: Cerebral Rapper Baba Brinkman Occupies SoHo Playhouse, New York 2nd October 2019 | New York, Review, United States of America
Belarusian Theatre and The Disability Question 2nd October 2019 | Belarus, Essay, Theatre and Disability
“Nixon’s Nixon”: A Revival at the New Repertory Theatre 1st October 2019 | Review, Theatre and Politics, United States of America
An Original Tokyo Musical Destined For Bigger Things 1st October 2019 | Interview, Japan, Musical Theatre
“The Ugly One:” Re-adaptation Attempts Face-Lift 1st October 2019 | Adaptation, Canada, Germany, Review
“A Play is a Poem” by Ethan Coen at Mark Taper Forum 30th September 2019 | Los Angeles, Review, United States of America
“Slave Play”: Can a Subaltern Consent? 29th September 2019 | New York, Review, United States of America
Hollywood Onstage: Musicals Adapted From Movies 29th September 2019 | Australia, Musical Theatre, News
Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at The Royal Court Theatre 29th September 2019 | London, Review, United Kingdom
The WaxFactory’s “Lulu XX” 28th September 2019 | Adaptation, Design, New York, Review, Theatre and Film, Theatre and Gender, United States of America
Poetic Political Theatre: A Review of “The Secret River” by Kate Grenville, Adapted by Andrew Bovell 28th September 2019 | Australia, London, Review, United Kingdom
Lesley Storm’s “Black Chiffon” at the Park Theatre: 1940s Psychological Thriller Revived 27th September 2019 | London, Review, United Kingdom
“Sunday” at Atlantic Theater Company 27th September 2019 | New York, Review, United States of America
Glasses That Translate. How Is This Possible? 26th September 2019 | Avignon 2019, Festivals, France, News
ReMOTE: Hip-Hop Dance Meets Gaming Technology at the 2019 Kuandu Arts Festival 26th September 2019 | Festivals, News, Sydney, Taiwan, Transmedia
Stage Russia HD Expands Its Offerings with Fourth Season 25th September 2019 | News, Russia, Russian Theatre Abroad
Zimbabwe Produces a Visual And Performing Arts Syllabus for Junior School: Grades 3 to Grade 7 25th September 2019 | Africa, News, Zimbabwe
Milly Thomas on Her Off-Broadway Show “Dust” at New York Theatre Workshop 24th September 2019 | Interview, New York, United States of America, Women on Broadway and Beyond
Nora is Back: “A Doll’s House, Part 2” on The Catalan Stage 23rd September 2019 | Review, Spain, Theatre and Gender
“La Traviata”: The Last Masterpiece of Franco Zeffirelli, at the Arena Opera Festival 23rd September 2019 | Festivals, Italy, Review, Theatre and Opera
Abhinaya Steals The Show at Kalakshetra Kathakali Festival 23rd September 2019 | Festivals, India, Review, Theatre and Dance
“Distancias Cortas” (Short Distances): Four Spaces, Four Moments 23rd September 2019 | Adaptation, Immersive Theatre, Mexico, Review
“Self Life Drawing” – Eunkyung Jeong 23rd September 2019 | Belgium, Festivals, Review, South Korea, Theatre and Politics
“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered” 23rd September 2019 | Directing, India, Interview
“True West” at Barebones Productions in Pittsburgh, PA 23rd September 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Sex and Theatre: Stephen Chifunyise’s “Intimate Affairs” 22nd September 2019 | Playwriting, Review, Theatre and Gender, Zimbabwe
“Chiaroscuro” at The Bush Theatre 22nd September 2019 | London, Review, Theatre and Politics, United Kingdom
Julia Leigh Continues to Explore Definitions of Womanhood in New Adaptation of Her Memoir 22nd September 2019 | Australia, Review, Sydney, Theatre and Gender
Maya Arad Yasur’s “Amsterdam” at the Orange Tree Theatre: Crimpian Account of the Past in the Present 21st September 2019 | London, Review, Theatre and Politics, United Kingdom
“All That Remains” At Etcetera Theatre Camden: An Emotional Journey 21st September 2019 | London, Review, Transmedia, Ukraine, United Kingdom
Alexander Zeldin’s “Faith, Hope and Charity” at the National Theatre 21st September 2019 | London, Review, Theatre and Politics, United Kingdom
Khekhe On His Journey And Future In Zimbabwean Theatre 20th September 2019 | Acting, Interview, Zimbabwe
“Hansard” at the National Theatre 20th September 2019 | London, Review, Theatre and Politics, United Kingdom
There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital” 19th September 2019 | Immersive Theatre, LGBTQ Theatre, New York, Review, Theatre and Politics, Theatre and Religion, United States of America
Ugandan Show Tackles Language and Culture 18th September 2019 | Applied Theatre, News, Theatre and Politics, Theatre for Young Audiences, Uganda
Sniff Like a Dog Sniffs the Wondrous: “Warsaw’s Daughters #100LAT” by Teraz Poliż 18th September 2019 | Poland, Review, Theatre and Gender, Theatre and Politics
HERE’s “Looking at You”: Exposure & Revelation 17th September 2019 | Immersive Theatre, Musical Theatre, New York, Participatory Theatre, Review, Theatre and Opera, Theatre and Science, Transmedia, United States of America
Stratford 2019: “Nathan the Wise”- A Parable of Tolerance 16th September 2019 | Canada, Festivals, Review
French Puppetry and Object Theater in North America and France 16th September 2019 | Festivals, France, News, Puppetry, United States of America
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2 15th September 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1 15th September 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
“The Talmud” at DOXSEE 14th September 2019 | Adaptation, New York, Review, Theatre and Religion, Transcultural Collaborations, United States of America
“Total Immediate Collective Imminent Terrestrial Salvation” at The Royal Court 13th September 2019 | Review, United Kingdom
Henrik Ibsen’s “A Doll’s House” at the Lyric Hammersmith: New Artistic Director’s Superb Debut 13th September 2019 | Adaptation, London, Review, United Kingdom
“The Secret River” at The National Theatre 12th September 2019 | Adaptation, London, Review, United Kingdom
Interview: Kristina Poe of LAByrinth Theater Company 12th September 2019 | Interview, New York, Theatre and Politics, United States of America
“No Elections, Torture Instead”: Zarema Zaudinova, Rising Star of Russian Documentary Theatre, About Her Latest Work, “Torture” 11th September 2019 | Documentary Theatre, Interview, Russia, Theatre and Politics
Mental Illness And Childhood Trauma On Indian Stage: QTP’s “Every Brilliant Thing” 10th September 2019 | India, Review, Theatre and Age
“Betrayal”: Popular Pinter 10th September 2019 | New York, Review, United Kingdom, United States of America
Plotting Yiddish Drama: A New Digital Resource 9th September 2019 | Argentina, News, Poland, Transcultural Collaborations, United States of America
Lucy Prebble’s “A Very Expensive Poison” at the Old Vic: Post-truth Games with Docu-drama 8th September 2019 | Adaptation, Documentary Theatre, Review, Theatre and Politics, United Kingdom
Harvey Fierstein’s “Torch Song” at the Turbine Theatre 8th September 2019 | London, Review, United Kingdom
Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight 7th September 2019 | Edinburgh 2019, Festivals, Review, Theatre and Dance, Ukraine, United Kingdom
Tennessee Williams’ “The Night of the Iguana” at Noël Coward Theatre 7th September 2019 | London, Review, United Kingdom
Edinburgh Fringe 2019: Solo Performances 6th September 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
“Felix Starro” is Born 6th September 2019 | Adaptation, Musical Theatre, New York, Review, Theatre and Religion, Theatre and Science, United States of America
In Memoriam: Robert Blacker Looks at the Past And Future of American Dramaturgy 6th September 2019 | Dramaturgy, Interview, United States of America
Robert Icke’s “The Doctor” at the Almeida Theatre 5th September 2019 | Adaptation, London, Review, United Kingdom
Edinburgh Fringe 2019: After the Fact 5th September 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Robert Icke’s “The Doctor” At The Almeida Theatre 4th September 2019 | Adaptation, London, Review, United Kingdom
Which Theatre Style Connects With You the Most, Asks Deepro Roy’s New Play 4th September 2019 | India, Interview, Playwriting
Philip Luswata Brings “30 Years of Bananas” Back to Life 4th September 2019 | Adaptation, Review, Theatre and Politics, Uganda
Edinburgh Fringe 2019: Aditi Mittal, Sumit Anand and Devang Tewari On Their Journey to Edinburgh 3rd September 2019 | Edinburgh 2019, Essay, India, United Kingdom
Stratford 2019: Perfect Production Lurching Forward Into Full-Blown Farce 3rd September 2019 | Adaptation, Canada, Review
“The Crucible” at the Stratford: How Puritanism Predicts this Political Moment 2nd September 2019 | Canada, Review, Theatre and Politics
“Gem of the Ocean” at Pittsburgh Playwrights Theatre Company in Pittsburgh, PA, USA 2nd September 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Edinburgh Fringe 2019: Female-Led Narratives 1st September 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
“Pericles” in Griffith Park – Independent Shakespeare Co.’s Offers Los Angeles a Summer Treat 31st August 2019 | Los Angeles, Review, United States of America
Aichi Triennale 2019: Political Art, Censorship, and Democracy 30th August 2019 | Japan, Review, Theatre and Politics
Edinburgh Fringe 2019: Anthropocene 30th August 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Jane Goodall’s Immersive Paper Forest Promotes Conservation 29th August 2019 | Design, Hong Kong, Immersive Theatre, Theatre and Politics, Theatre and Science
“The Bonds of Interest”: Jacinto Benavente’s Renewal of Spanish Theatre (1907), A Significant Choice for This New Odyssey Beginning 27th August 2019 | Canada, Review, Spain
“Alegría”: The Cirque du Soleil Resurrects the Show that Defined Its Aesthetic 26th August 2019 | Canada, Review, Theatre and Dance
“The Boy in the Moon” at the 1000 Islands Theatre: A Moving Story Which Leaves Difficult Questions for the Audience to Ponder. 26th August 2019 | Canada, Review, Theatre and Disability
Laughing with a Burnt Heart: Will There Be an End to Hatred? 25th August 2019 | Iran, Review, Theatre and Politics
Review of “Gauhar”: A Peep Into a Bygone Era’s History, Emotions and Reality 25th August 2019 | India, Review, Theatre and Gender
“Passengers”: Nostalgia, Circus, and Finding Human Connection. 24th August 2019 | Boston, Canada, Interview, Transcultural Collaborations, United States of America
Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play 24th August 2019 | Review, United Kingdom, United States of America
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling” 23rd August 2019 | Australia, Devised Theatre, Review, Theatre and Gender
“Go Bang Your Tambourine” at The Finborough Theatre 22nd August 2019 | London, Review, United Kingdom
My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival 22nd August 2019 | Festivals, New York, Review, United States of America
The Power of a Collective: Playwright Groups at Centre 42 21st August 2019 | India, Interview, Playwriting, Singapore
2019 Kenya International Theatre Festival Call For Applications 20th August 2019 | Festivals, Kenya, News
Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic 19th August 2019 | Philadelphia, Transcultural Collaborations, United Kingdom, United States of America
“Black Hole”: Experiments with Female Representation 19th August 2019 | India, Review, Theatre and Gender
Edinburgh Fringe 2019: Gig Theatre 18th August 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
Taz Skylar and Ross Berkeley Simpson’s “Warheads” at the Park Theatre: War-scarred Youth 18th August 2019 | London, Review, United Kingdom
On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski 17th August 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre 17th August 2019 | Adaptation, Canada, Review, Spain
Edinburgh International Festival 2019: “Roots” at Church Hill Theatre 16th August 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Inheriting This Earth: “Mojada” at the Public Theater 16th August 2019 | Review, Theatre and Politics, United States of America
Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside 16th August 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career 15th August 2019 | Acting, Essay, Hong Kong
“An Enemy of the People” at Will Geer’s Theatricum Botanicum 15th August 2019 | Los Angeles, Review, United States of America
Force Decisions: A Citizen’s Guide to How Police Determine Appropriate Use of Force by Rory Miller – A Book Review from a Fightaturgy Perspective 14th August 2019 | Books, Dramaturgy, Stage Combat
Four Brazilian Artists Choose New York as Headquarters of Their Resistance 13th August 2019 | Acting, Brazil, News, Theatre and Politics, United States of America
“Looking for Violeta” at Quantum Theatre, Pittsburgh, PA, USA 13th August 2019 | The Pittsburgh Tatler
Arts Festival Reflects Nation’s Soul: National Arts Festival in Makhanda in South Africa 12th August 2019 | Festivals, News, South Africa, Theatre and Politics
“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression 11th August 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review
Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan 11th August 2019 | Avignon 2019, Festivals, France, Review, Theatre and Dance, United Kingdom
Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism 10th August 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics
Stephen Joel Chifunyise and his Legacy to Zimbabwean Theatre and Performance 10th August 2019 | News, Playwriting, Zambia, Zimbabwe
“Formidable Creativity and Innovation”: South Africa’s National Arts Festival 9th August 2019 | Festivals, News, South Africa
Avignon 2019: “Outside” – Between Testimony and Political Provocation 8th August 2019 | Avignon 2019, Festivals, France, Review, Russia, Theatre and Politics
“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate 7th August 2019 | Adaptation, Review, South Africa
Seven Ways Fight Directing Made Me a Better Real Estate Agent: The Arts as Preparation for Business Success 6th August 2019 | Essay, New York, Stage Combat, United States of America
Avignon 2019: “The Rest Will Be Familiar to You from Cinema” as Told by the Chorus from the Banlieu 6th August 2019 | Avignon 2019, Festivals, France, Review, United Kingdom
“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era 5th August 2019 | India, LGBTQ Theatre, Review
Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb 4th August 2019 | Czech Republic, Documentary Theatre, Dramaturgy, Interview, News, Russia
Avignon 2019: Irène Bonnaud’s Amité and The Lessons in Juicy Comedy, Delicious Acting and Humanity of Being 4th August 2019 | Avignon 2019, Festivals, France, Review
“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker 2nd August 2019 | Adaptation, Belgium, Essay, Review, Theatre and Dance, Theatre and Politics
Building Bridges To Bangkok Through Stage 1st August 2019 | Adaptation, Directing, Japan, News, Thailand, Transcultural Collaborations
Avignon Festival 2019: “L’Amour Vainqueur” 31st July 2019 | Avignon 2019, Festivals, France, Review, Theatre for Young Audiences
Son of Semele Ensemble and “Men on Boats” 30th July 2019 | Los Angeles, Review, Theatre and Gender, United States of America
Deepan Sivaraman on Going Beyond Words to Embrace The Visual Language of Theatre 30th July 2019 | Directing, India, Interview
Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe” 29th July 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics
Syrian Wael Ali’s Play “Under Low Skies” to Premiere in Napoli, Italy 29th July 2019 | Directing, Italy, Napoli Teatro Festival 2019, News, Syria
Soyinka Meets Shakespeare 28th July 2019 | Adaptation, Festivals, Lagos Theatre Festival 2019, Nigeria, Review
“I Want My Own Sky”: Chinese Migrant Mothers Onstage 28th July 2019 | China, Review, Theatre and Gender
“Queen Moremi The Musical”: Immortalizing a Traditional Legend 27th July 2019 | Musical Theatre, Nigeria, Review
Lekan Balogun’s “Ogun Skugga”: Memoirs of A Civil War 27th July 2019 | Adaptation, Festivals, Lagos Theatre Festival 2019, Nigeria, Review
“Seven Methods Of Killing Kylie Jenner” At The Royal Court Theatre 25th July 2019 | London, Review, United Kingdom
Avignon 2019: “Architecture” – Between History and Philosophy 25th July 2019 | Avignon 2019, Festivals, France, Review
Independent Shakespeare Co. Presents “Twelfth Night” – Free Shakespeare in Griffith Park 24th July 2019 | Los Angeles, Review, United States of America
Tiffany Mann on Feeling Empowered By Her Work in Broadway’s “Be More Chill” 23rd July 2019 | Interview, Women on Broadway and Beyond
World Premiere of The Dramedy “Nancy F***ing Reagan” at Secret Rose Theatre 23rd July 2019 | Los Angeles, Review, Theatre and Politics, United States of America
10 Years On: Miguel del Arco’s “The Play to Be Done” In Its Swansong Run 23rd July 2019 | Adaptation, Review, Spain
Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II” 23rd July 2019 | Avignon 2019, Brazil, France, Review, Transcultural Collaborations
“Brooklyn Quartet”: A Story of Resonating Political Polarization 23rd July 2019 | India, Review, Theatre and Politics
A Look At Three International Performances That Will Feature At The Little Festival 22nd July 2019 | Festivals, India, News
Beginnings And Endings Pepper Premiere Stage’s “The Wake” 22nd July 2019 | Review, United States of America
“The Play That Goes Wrong” at the Ahmanson Theatre 22nd July 2019 | Los Angeles, Review, United States of America
Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza 21st July 2019 | Avignon 2019, Burkina Faso, Devised Theatre, Festivals, France, Review
Theatres Are Evolving To Reconnect Us To Each Other And The Environment 21st July 2019 | Design, Essay, Theatre and Science
Oriza Hirata’s “In the Heart of a Forest”: Mastering Multilingual Performance 21st July 2019 | Japan, Playwriting, Review
Company of Fools: No Foolin’. This “Romeo and Juliet” Is a Capering Classic 20th July 2019 | Adaptation, Canada, Review
“Europe” at The Donmar Warehouse 20th July 2019 | London, Review, Theatre and Politics, United Kingdom
Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine] 20th July 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics
Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company 19th July 2019 | Adaptation, Boston, Review, Spain, Translation, United States of America
Latinx Stories Front and Center: Cara Mía Theatre Co’s 2019-2020 Season 19th July 2019 | Dallas, News, United States of America
They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place” 19th July 2019 | Iran, Review
Avignon 2019: Reading the Open Ending of “Sous D’autres Cieux” (“Under Different Skies”) 18th July 2019 | Avignon 2019, Festivals, France, Review
A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright 18th July 2019 | Adaptation, Australia, Melbourne, Review
Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare 17th July 2019 | Adaptation, Hong Kong, News
“Twelfth Night” at Will Geer’s Theatricum Botanicum, Topanga Canyon, CA 17th July 2019 | Los Angeles, Review, United States of America
“Made in Italy”: Tale of Generational an Italian-Canadian Migrant’s Life and Family 16th July 2019 | Canada, Review, Theatre and Art
Hollywood Fringe Festival – “To Richard!” 16th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Hollywood Fringe Festival – “¡YA BASTA!: TIME’S BEEN UP” 15th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Samuel Beckett’s “Waiting for Godot” Is Brought into the Reiwa Era 14th July 2019 | Adaptation, Dramaturgy, Ireland, Japan, News
Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert 14th July 2019 | Afghanistan, Interview, Playwriting, Theatre and Gender, Theatre and Politics, United States of America
Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī 14th July 2019 | Interview, Iran, Transcultural Collaborations
Jack Thorne’s “The End of History” at the Royal Court: State of the Left 13th July 2019 | London, Review, United Kingdom
“Citysong” (The Abbey Theatre, Dublin) at Soho Theatre 12th July 2019 | Ireland, London, Review, United Kingdom
Hollywood Fringe Festival – “Saving Cain” 12th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
“American Saga: Gunshot Medley – Part I” at Electric Lodge, Venice CA 12th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Co-Translating Hanoch Levin, The “Beckett of Israel”: A Conversation With Jessica Cohen & Evan Fallenberg 11th July 2019 | Dramaturgy, Interview, Israel, Theatre and Politics, Translation
Ottawa Fringe: “Timmy The Dog Disappears” – A Martin Dockery AbsurdistSit-Com 11th July 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Ottawa Fringe: “Lights! Camera! Odd Jobs!” – An Alright Solo Show About Finding Good Action Jobs 11th July 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Hollywood Fringe Festival – “Rewind – A New 80s Musical” 10th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Confronting Consumerism: How “Under Pressure” Tackles Climate Change 10th July 2019 | India, Review, Theatre and Science
Ottawa Fringe: Night Feed A Beautiful Commentary On Modern Motherhood 10th July 2019 | Canada, Festivals, Ottawa Fringe 2019, Puppetry, Review
Hollywood Fringe Festival – “Anna St. Hesia Dreams” 10th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Cockroach Theatre’s “Satango” Is a Devilishly Fine U.S. Premiere 10th July 2019 | Review, United States of America
Hollywood Fringe Festival – “Crabbe and Goyle Are Dead” 10th July 2019 | Festivals, Hollywood Fringe 2019, Review, United States of America
Hollywood Fringe Festival – “Olivia Wilde Does Not Survive The Apocalypse” 9th July 2019 | Festivals, Los Angeles, Review, United States of America
Hollywood Fringe Festival – The Attic Collective’s “The Last Croissant” 9th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United Kingdom
The History Of Virtual Reality And Its Role In Theatre 8th July 2019 | News, Transmedia, United Kingdom
“Death of a Salesman” at The Ruskin Group Theatre in Santa Monica, CA 8th July 2019 | Los Angeles, Review, United States of America
Napoli Teatro Festival 2019: “Reneixer” (To Be Reborn), a Ritual of Transformation 7th July 2019 | Festivals, Italy, Napoli Teatro Festival 2019, Review, Spain
LPTW Rachel Crothers Leadership Award Luncheon 7th July 2019 | News, Theatre and Gender, United States of America
Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today 7th July 2019 | Australia, Producing, Review
On The Magic of Cirque du Soleil: Conversation With the Members of “Corteo” 7th July 2019 | Canada, Interview, Transcultural Collaborations
Michael Frayn’s “Noises Off” at the Lyric Hammersmith: Joyously Farcical 6th July 2019 | London, Review, United Kingdom
“Stimmen des Kiezes”: A Site-Specific Movement–Text Collage in Berlin-Friedrichshain 6th July 2019 | Czech Republic, Devised Theatre, Germany, Review, Theatre and Religion
Scenes of Returning: The First National Veterans Theatre Festival 5th July 2019 | Festivals, Review, United States of America
The Central Square Theatre’s Production of “Cloud Nine” 4th July 2019 | Boston, Review, Theatre and Gender, United Kingdom, United States of America
Hollywood Fringe Festival – “Stranger Things 2: The Musical Tribute” 4th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Musical Theatre, Review, United States of America
Hollywood Fringe Festival – “Son of a Bitch” 4th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Hollywood Fringe Festival – “The Book of Briarshire” 4th July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review
Ottawa Fringe: “Scaredy” Cat A Delightfully Unafraid Memoir 3rd July 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Five Stand Out Performances From Ottawa Fringe 2019 3rd July 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Hollywood Fringe Festival – “An American Video Store” 2nd July 2019 | Los Angeles, Review, United States of America
“Vwayaj:” A Driven Celebration 1st July 2019 | Boston, Haiti, Review, Theatre and Dance, United States of America
Hollywood Fringe Festival – “Fertile” 1st July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Hollywood Fringe Festival – “Blackboxing” 1st July 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Director Annie Tippe on Directing “Octet,” a Musical About Online Addiction 30th June 2019 | Interview, Musical Theatre, New York, United States of America, Women on Broadway and Beyond
International Playwrights Showcased at Columbia University School of the Arts 30th June 2019 | Chile, France, News, Spain, Translation, United States of America
“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between” 30th June 2019 | Interview, Israel, Palestine, Theatre and Dance, Theatre and Politics, Transcultural Collaborations
“Tale of the Lion King” at Disney California Adventure Park – An Interview with Creative Director, Susana Tubert 30th June 2019 | Adaptation, Interview, Los Angeles, Musical Theatre, Theatre and Film, United States of America
“Salt, Root, and Roe” by Tim Price at Upstream Theater and Stages Repertory Theatre: A Co-Production, an American Premiere, and a Mission 29th June 2019 | Review, Theatre and Age, United States of America
“The Damned”: La Comédie Française On the Barbican Stage. 29th June 2019 | Adaptation, France, Review, United Kingdom
Borders, Barriers and Limitations: “Lwów We Won’t Give Up” 29th June 2019 | Poland, Review, Theatre and Politics
Hollywood Fringe Festival – “Tattered Capes” 29th June 2019 | Hollywood Fringe 2019, Los Angeles, Review, United States of America
“1001 Nights” From Target Margin 28th June 2019 | Adaptation, New York, Review, United States of America
Hollywood Fringe Festival – “The Institute for the Opposite of Longing” 28th June 2019 | Los Angeles, Musical Theatre, Review, United States of America
Hollywood Fringe Festival – “Scarlett Fever” 27th June 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Hollywood Fringe Festival – “And Now It’s All This!” 27th June 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
How “The Penis Monologues” Challenges China’s Toxic Masculinity 26th June 2019 | China, LGBTQ Theatre, Review, Theatre and Gender
Stefano Massini’s “The Lehman Trilogy” at the Piccadilly Theatre 26th June 2019 | Adaptation, Documentary Theatre, London, Review, United Kingdom
“Cloud 9:” A 1979 British Take on Power and Gender 24th June 2019 | Boston, Review, Theatre and Gender, United States of America
TheTheatreTimes.com Launches Performap.com – Interactive Digital Map of Global Theatre Festivals 23rd June 2019 | Festivals, News
Kenneth Lonergan’s “The Starry Messenger” at Wyndham’s Theatre 22nd June 2019 | London, Review, Theatre and Science, United Kingdom
“Three Sisters.” Maly Drama Theatre of St Petersburg. Vaudeville Theatre 22nd June 2019 | Review, Russia, Russian Theatre Abroad, United Kingdom
What Theatres Expect From Digitality And What Digitality Expects From Theatres 21st June 2019 | Germany, News, Theatre and Science, Transmedia
Caryl Phillips’s “Strange Fruit” at the Bush Theatre: Windrush Generation Classic 21st June 2019 | London, Review, United Kingdom
Site-Specific, Immersive, and Interactive Theatre at the Napoli Teatro Festival 2019 21st June 2019 | Festivals, Immersive Theatre, Italy, Napoli Teatro Festival 2019, Participatory Theatre, Review
PQ 2019: Puppet Masters 21st June 2019 | Czech Republic, News, Prague Quadrennial 2019, Puppetry, Theatre for Young Audiences
“The Three Musketeers:” A Traditional Bout 20th June 2019 | Adaptation, Boston, Review, United States of America
Napoli’s World-Class Theatre Festival 20th June 2019 | Festivals, Italy, Napoli Teatro Festival 2019, Review
PQ 2019: An A+ B-Movie 20th June 2019 | Adaptation, Czech Republic, Festivals, Prague Quadrennial 2019, Theatre and Film, Transmedia
Samuel Adamson’s “Wife” at Kiln Theatre 20th June 2019 | London, Review, Theatre and Politics, United Kingdom
Ottawa Finge: “Stick Or Wizard?” Is An Endearing Show With Audience Participation 20th June 2019 | Canada, Ottawa Fringe 2019, Review
“Pride and Prejudice:” Delightfully Present 20th June 2019 | Adaptation, Boston, Review, United States of America
“Barefoot in the Park:” A Charming Romantic Comedy 19th June 2019 | Boston, Review, United States of America
PQ 2019: Paradise City 19th June 2019 | Czech Republic, Design, Devised Theatre, News, Prague Quadrennial 2019
Southern California Premiere of “Daniel’s Husband” at The Fountain Theatre 19th June 2019 | Los Angeles, Review, United States of America
Keeping Faith, Spreading Hope: Rohina Malik’s “Keeping Faith: Sisters of Story” 19th June 2019 | Chicago, Review, Theatre and Religion, Transcultural Collaborations, United States of America
PQ 2019: A Dove is a Pigeon 18th June 2019 | Czech Republic, Festivals, Musical Theatre, Prague Quadrennial 2019, Review
Hollywood Fringe Festival – “The Death of Sam Mobean” 18th June 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Backstage Costume Magic Of The Bolshoi’s Little Brother (Photos) 18th June 2019 | Design, News, Russia
Lynn Nottage’s “Sweat” at the Gielgud Theatre: Contemporary Americana 17th June 2019 | London, Review, United Kingdom, United States of America
PQ 2019: The Golden Triga 17th June 2019 | Czech Republic, Festivals, News, Prague Quadrennial 2019, Transcultural Collaborations
Counterpoint Players – Timely But a Bit Overstuffed.”Omnibus Bill” Tackles Reproductive Rights 17th June 2019 | Canada, Review, Theatre and Politics
Hollywood Fringe Festival – “Twirly’s Traveling Tricks” 17th June 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, Theatre and Dance, United States of America
Ottawa Fringe. “Beans Of Fury”: An Apocalyptic Coffeeshop Comedy! 16th June 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
PQ 2019: The Nation Unto Itself 16th June 2019 | Adaptation, Czech Republic, Festivals, Prague Quadrennial 2019, Review, Transcultural Collaborations
“Zinc (Zn)”: The Element That is Necessary for Life Becomes an Element of Death 16th June 2019 | Festivals, Lithuania, Napoli Teatro Festival 2019, Review
Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking Into the Festival Circuit 16th June 2019 | Festivals, Romania, Theatre and Politics
Ottawa Fringe: “The Last President Of Canada” – An Exploration Of Obscure Canadian History As A Well-Performed Solo Performance 15th June 2019 | Canada, Festivals, Ottawa Fringe 2019, Review, Theatre and Politics
Terence Rattigan’s “While the Sun Shines” at the Orange Tree Theatre: Rare Revival of Wartime Mega-Hit 15th June 2019 | London, Review, United Kingdom
PQ 2019: A Taboo Collection From Budapest 15th June 2019 | Czech Republic, Festivals, News, Prague Quadrennial 2019
Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards 14th June 2019 | New York, News, Theatre and Disability, Theatre and Gender, United States of America, Women on Broadway and Beyond
On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble 14th June 2019 | Applied Theatre, Interview, Transcultural Collaborations, United States of America
Githa Sowerby’s “Rutherford And Son” at The National Theatre 14th June 2019 | Directing, London, Review, Theatre and Gender, United Kingdom
About “Lemons Lemons Lemons Lemons Lemons” 14th June 2019 | London, Review, Theatre and Politics, United Kingdom
Revisiting Broadway’s Forgotten Genius, John Latouche 14th June 2019 | Essay, Musical Theatre, Theatre and Opera, United States of America
Ottawa Fringe: “Pinter Stew” – Without In-Depth Knowledge of Pinter’s Theatre This Will Leave You a Bit Lost 14th June 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
Ottawa Fringe: Pack Animals: Sexy, Queer and Hilarious Musical-Comedy Camping Trip 14th June 2019 | Canada, Ottawa Fringe 2019, Review
Shakespeare’s Globe Touring Ensemble Will Return To Hong Kong 13th June 2019 | Acting, Dramaturgy, Hong Kong, News
Simon Stephen’s Harper Regan “Harper Regan” at The Tabard Theatre 13th June 2019 | The Play's The Thing UK
PQ 2019: Chaos and Kindness 13th June 2019 | Czech Republic, Festivals, News, Prague Quadrennial 2019, Transcultural Collaborations
“GoFundYourself” at Ottawa Fringe: Improv’s Place in Fringe Theatre 13th June 2019 | Canada, Ottawa Fringe 2019, Review
“Mending Fences:” A Difficult Norman Foster Play Produces Unexpected Emotional Depths 12th June 2019 | Canada, Review
Sasha Waltz: The Opera Choreographer 11th June 2019 | Germany, News, Theatre and Dance, Theatre and Opera
This Odia Theatre Group Cycles From Village to Village for Stories 11th June 2019 | Essay, India, Theatre and Politics
“Priscilla, Queen of the Desert”: Vibrant Musical Numbers But It Avoids the Dicey Sexual and Racial Politics That Underly the Show 11th June 2019 | Canada, Musical Theatre, Review
“As You Like It”at The Oregon Shakespeare Festival 11th June 2019 | Review, Theatre and Gender, United States of America
Nyla Levy’s “Does My Bomb Look Big in This?”: Coming of Age Amid Islamophobia 11th June 2019 | The Play's The Thing UK
“The View Upstairs:” A Slice of Gay, Kitschy, Bar Life 10th June 2019 | Boston, LGBTQ Theatre, Musical Theatre, United Kingdom
“The Impossible She” and The Evolution of Queer Stories in Opera 10th June 2019 | New York, Review, Theatre and Opera, United States of America
“Hairspray” at The Oregon Shakespeare Festival 10th June 2019 | Musical Theatre, Review, United States of America
“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces 10th June 2019 | Interview, New York, United States of America
Hollywood Fringe Festival – “The Same Room” 9th June 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America
Criticizing Patriarchy and the Status Quo in Iraq: A One-Woman Show 9th June 2019 | Iraq, Review, Theatre and Gender
PQ 2019: A New Reality 9th June 2019 | Czech Republic, Design, Festivals, Immersive Theatre, News, Prague Quadrennial 2019, Transmedia
The Hollywood Fringe Festival – “The Bully Problem” 8th June 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Musical Theatre, Review, United States of America
In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law 8th June 2019 | Australia, Review, Theatre and Gender
Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN 7th June 2019 | Belgium, Review, Theatre and Politics
Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019 6th June 2019 | Festivals, Germany, News, Our Stage European Festival in Dresden 2019, Participatory Theatre
“Penelope Sleeps” – Mette Edvardsen & Matteo Fargion 6th June 2019 | Norway, Review, Transcultural Collaborations
STO Union’s Nadia Ross Charting Her Own Disruptive Course North Of Wakefield 5th June 2019 | Canada, Essay, Transmedia
Shakespeare, Sinatra, And The Philosophy Of Aging 4th June 2019 | Adaptation, Chicago, Theatre and Age, United States of America
“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage 4th June 2019 | Hong Kong, Review, Theatre and Dance
In Black Swan’s “Water,” Three Vignettes Explore The Politics of Immigration, Drought, and Family Dynamics 3rd June 2019 | Australia, Review, Theatre and Politics
Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora 2nd June 2019 | Belgium, Review, Theatre and Politics
“Our Stage: European Bürgerbühne Festival”: Day Five, Wednesday 2nd June 2019 | Festivals, Germany, News, Our Stage European Festival in Dresden 2019
“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday 2nd June 2019 | Festivals, Germany, Hungary, News, Our Stage European Festival in Dresden 2019, Participatory Theatre
“Our Stage: European Bürgerbühne Festival”: Day Three, Monday 1st June 2019 | Festivals, Germany, News, Our Stage European Festival in Dresden 2019, Theatre and Disability
Julia Pascal’s “Blueprint Medea” at The Finborough Theatre: Mythical Reboot 1st June 2019 | London, Review, Theatre and Politics, United Kingdom
“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad 1st June 2019 | Belgium, Review, Transmedia
salt. at The Royal Court 1st June 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
“Our Stage: European Bürgerbühne Festival”: Day Two, Sunday 31st May 2019 | Festivals, Germany, News, Our Stage European Festival in Dresden 2019
“Pacific Overtures:” Solid, Safe, Sondheim 30th May 2019 | Boston, Musical Theatre, Review, United States of America
“Our Stage: European Bürgerbühne Festival”: Day One, Saturday 30th May 2019 | Festivals, Germany, News, Our Stage European Festival in Dresden 2019, Participatory Theatre
“School Girls; Or The African Mean Girls Play”: A Show About Competition 30th May 2019 | Boston, Playwriting, Review, United States of America
Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman” 30th May 2019 | Acting, Interview, New York, United States of America, Women on Broadway and Beyond
In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past 29th May 2019 | Adaptation, Australia, Review
Toronto Laboratory Theatre: “In Sundry Languages” – Creating New Identities Through Collaborative Devising In Many Languages! 28th May 2019 | Canada, Devised Theatre, Review, Transcultural Collaborations
“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope And Loss, And That Reality Is Stranger Than Fiction 27th May 2019 | Canada, Review
“We Live in Cairo:” Fully Committed, Still in Beta-Testing 27th May 2019 | Boston, Musical Theatre, Review, Theatre and Politics, United States of America
Review: “Scenes from 71* Years” by Hannah Khalil 26th May 2019 | Israel, Palestine, Review, Theatre and Politics, Transcultural Collaborations, United Kingdom, United States of America
Ella Hickson’s “ANNA” at The National Theatre 26th May 2019 | London, Review, Theatre and Politics, United Kingdom
“Happy Days” at the Mark Taper Forum – Sorrow Keeps Breaking In 25th May 2019 | Los Angeles, Review, United States of America
Herta Müller’s “Niederungen” and The Dramaturgy of The Body 25th May 2019 | Dramaturgy, Review, Romania
“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin 24th May 2019 | Design, Germany, Interview
Interview with Saviana Stănescu: “One could say that I am a 17-year-old American playwright” 24th May 2019 | Interview, Playwriting, Romania, United States of America
Chekhov’s “Three Sisters” at the Almeida Theatre 24th May 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History 23rd May 2019 | Directing, Iran, Review, Theatre and Politics
Self-Censorship Is a Castration of Ideas: A Conversation with Ruhollah J’afari, Dramaturg and Director of the Play Richard III Will Not Take Place 23rd May 2019 | Interview, Iran, Theatre and Politics
Interview With Sasha Marianna Salzmann: The Playwright 22nd May 2019 | Germany, Interview, Playwriting
Riddled With Vivid Snapshots of The Human Condition: “Waiting for Godot” in New Zealand 22nd May 2019 | Ireland, New Zealand, Review
“Between Breath” Is A Tender Play About Grief, Tragedy And The Impact Of A Life Well-Lived 21st May 2019 | Canada, Review
The Immigrant Dragons, Part IV: Generations United in Bendigo 21st May 2019 | Australia, China, Chinese Theatre Abroad, Essay, Transcultural Collaborations
Jayachandran Palazhy on Contemporary Art Forms 21st May 2019 | India, Interview, Transcultural Collaborations
“Lo (Or Der Mr. Wells)”: Rose Napoli And David Mamet Clash In This Fine Production Dealing With Troubling Ethical Questions.. 21st May 2019 | Canada, Review
“King Lear” at Quantum Theatre, Pittsburgh PA 20th May 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“Hero Alom”: Shattering Frameworks of Beauty in Modern Indian Theatre 20th May 2019 | Acting, India, Review, Translation
“Indecent”: A Deeply Moving, Complex And Exquisitely Directed Production That Reveals The Enormous Talent Of The Segal Centre For Performing Arts In Montreal 20th May 2019 | Canada, Review
“Indecent”: A Play That Deals With Love And Hate In The Past And In Our Time 20th May 2019 | Boston, Review, United States of America
La Cubana Has A Hit On Its Hands: “Farewell Arturo” On Tour Across Spain 19th May 2019 | Review, Spain
The Naked Archivist: Tradition In The Work Of Performance Artist Pichet Klunchun 19th May 2019 | Belgium, Essay, Theatre and Dance
Staging The Present Moment: International Festival of Iberian Expression Theatre 19th May 2019 | Brazil, Festivals, News, Portugal, Theatre and Dance, Theatre and Politics
Transcending Michael Chekhov From the Classroom to the Stage 17th May 2019 | Acting, Essay, New York, United States of America
It’s Shakespeare’s “Hamlet,” But Not As You Know It 16th May 2019 | Adaptation, Japan, News, Transcultural Collaborations
Retro Productions’ “Mary, Mary” 16th May 2019 | New York, Review, Theatre and Gender, United States of America
Wounds Of Tradition In Huntington’s “Indecent” 15th May 2019 | Boston, Musical Theatre, Review, United States of America
Stage Space of Contemporary Belarusian Scenography 15th May 2019 | Belarus, Design, Essay, Theatre and Art
Why Hong Kong Is Surprisingly Fertile Ground For Western Opera 14th May 2019 | Hong Kong, News, Theatre and Opera
AVLAIA: Dropping and Opening the Curtain to the Future of Europe 14th May 2019 | Greece, News, Theatre and Art, Theatre and Politics
Hidden Women Of History: Eliza Winstanley, Colonial Stage Star And Our First Female Richard III 14th May 2019 | Australia, Essay, Theatre and Gender
Mass Opera’s Production Of “Die Fledermaus” Is The Life Of The Party 13th May 2019 | Boston, Review, Theatre and Opera, United States of America
Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla 13th May 2019 | Adaptation, Directing, India, News
“Jude” at The Hampstead Theatre: Adaptation of Thomas Hardy’s 1895 Tragic Novel, “Jude The Obscure” 13th May 2019 | Adaptation, London, Review, United Kingdom
“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Gender
The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre 12th May 2019 | Belarus, Design, Directing, Review
Prague Quadrennial 2019: Imagination, Transformation, Memory 12th May 2019 | Czech Republic, Festivals, News, Transcultural Collaborations, Transmedia
Lesbian Pirates! A Historical Look At Disability And Queerness 11th May 2019 | LGBTQ Theatre, News, Theatre and Disability, United Kingdom
En-route To Constructing Translation For The Stage: The UCL Theatre Translation Futures Forum 11th May 2019 | London, News, Taiwan, Translation, United Kingdom
What Schreck’s Endings Mean To Me 10th May 2019 | New York, Review, Theatre and Politics, United States of America
“Top Girls” at The National Theatre 10th May 2019 | London, Review, Theatre and Gender, United Kingdom
“All My Sons” at The Old Vic: Tragedy at The Heart of the American Dream 9th May 2019 | London, Review, United Kingdom, United States of America
Helen Edmundson’s “Small Island” At The National Theatre: Tribute To The Windrush Generation 9th May 2019 | London, Review, United Kingdom
A Triumph Of Performative Experimentation: BATS Theatre, Wellington Celebrates 30 Years 9th May 2019 | New Zealand, News
Henrik Ibsen’s “Rosmersholm” At The Duke Of York’s Theatre: Vibrant Classic 8th May 2019 | London, Review, Translation, United Kingdom
“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up 8th May 2019 | London, Review, Theatre and Gender, United Kingdom
Children Bring The Mahabharata On Stage 7th May 2019 | Acting, India, News, Theatre and Religion, Theatre for Young Audiences
First Egyptian Integrated Dance Show Spotlights Dancing With Disability 7th May 2019 | Egypt, Festivals, News, Theatre and Disability
Zoe Cooper’s “Out Of Water” At The Orange Tree Theatre: Feelgood Gender Issues 7th May 2019 | London, Review, Theatre and Gender, United Kingdom
Passion Play: The Often Fraught History Of The Theatre And Christianity 7th May 2019 | Essay, Theatre and Religion, United Kingdom
“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope, And Loss And That Reality Is Stranger Than Fiction 7th May 2019 | Canada, Musical Theatre, Review
Performatik 2019 – Towards Indisciplinarity 6th May 2019 | Belgium, Essay, Festivals, Participatory Theatre, Theatre and Art, Transmedia
“It Is All Very Satisfying”: Director Of India By The Nile, Ila Gupta On Her 25 Years In The Arts Field 6th May 2019 | Egypt, Festivals, India, News
The Structure Of The Arts And Culture Industry In Zimbabwe 5th May 2019 | Essay, Theatre and Politics, Zimbabwe
Intermediality In The Advanced Dramatic Readings In Belarusian Theatre 5th May 2019 | Belarus, Essay, Transmedia
Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for “King Lear” at Quantum Theatre 4th May 2019 | Design, Interview, Pittsburgh
Absurdist Comedy “Every Good Boy Deserves Favour” Gets Its Japan Debut 4th May 2019 | Adaptation, Japan, News, Transcultural Collaborations
Duchampian Theater: “Paul Swan is Dead and Gone” 3rd May 2019 | Immersive Theatre, LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
Bowled Over: Suzan-Lori Parks’ “White Noise” 3rd May 2019 | New York, Review, United States of America
Youth Find Hope For The Future Through Documentary Play 3rd May 2019 | Canada, Documentary Theatre, News, Theatre and Age
Should Our Funds For The Arts Pay For Cultural Democracy? 3rd May 2019 | Essay, Europe, Management, Participatory Theatre
Fresh Perspectives: A Selection of Madrid’s Brightest Young Theatrical Voices 1st May 2019 | News, Playwriting, Spain
Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death? 1st May 2019 | Essay, LGBTQ Theatre, Russia, Theatre and Dance
Tribute to Author Celebrates the Life of The Imagination: “I Am Not Margaret Mahy” 30th April 2019 | New Zealand, Review
The Non-Hierarchical Theatre Of Rebecca Wright 30th April 2019 | Interview, Philadelphia, United States of America
New Play Examines Shakespeare’s Gender Politics: Sarah Delahunty’s “This Long Winter” 29th April 2019 | New Zealand, Review, Theatre and Gender
Veteran Kenyan Actress Returns to Stage With Feminist Show 28th April 2019 | Kenya, News, Theatre and Gender
“Smile” Clown Festival In Naples Directed By Jango Edwards: Between Street Theatre And Clowntherapy 28th April 2019 | Italy, Theatre and Science, Theatre for Young Audiences
Cultural Snacks In A Chinese Karaoke Bar: “Lucky Ping-Pong Dragon Karaoke” 27th April 2019 | Festivals, London, Review, United Kingdom
Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network” 27th April 2019 | Belgium, New York, Review, United States of America
Sergi López Heads an Impressive Cast in Andrés Lima’s Staging of Juan Mayorga’s “The Boy at the Back” 27th April 2019 | Review, Spain
The Third Edition Of Loja’s International Festival Of Living Arts, Ecuador (FIAVL 2018) 26th April 2019 | Ecuador, Festivals, News
“Art Tells Truth That Truth Itself Can’t”: A Glimpse Into The Multimedia Mind Of Andrew Schneider 26th April 2019 | Interview, Transmedia, United States of America
“Diana of Dobson’s” at Antaeus Theatre Company 25th April 2019 | Los Angeles, Review, United States of America
“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD 25th April 2019 | Belgium, Review
“Giselle”–A World Premiere Reveals Ivan Cavallari’s Contemporary Vision Of A 19th Century Ballet Through The Prism Of ‘Total Art.’ 24th April 2019 | Canada, Review, Theatre and Dance
Why I Got Up On Stage At The Edinburgh Fringe To Explain My Research In Cabaret 24th April 2019 | Festivals, Review, United Kingdom
“Top Girls” at The National Theatre 23rd April 2019 | London, Review, Theatre and Gender, United Kingdom
“Dust” At D-CAF: An Operatic Dystopia With An Environmental Message 23rd April 2019 | Egypt, Festivals, News
“The Burdens” At City Theatre In Pittsburgh, PA, USA 23rd April 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
In Photos: Egypt’s Renowned Actor Yehia El-Fakharany To Return As King Lear 23rd April 2019 | Acting, Egypt, News
“Les Miz And Friends: A Puppet Parody” At The Hudson Theatre Is An Absolutely Hysterical Delight. 21st April 2019 | Los Angeles, Puppetry, Review, United States of America
Looking Again at Lorca: Pep Tosar’s “Federico García” Returns to Barcelona 21st April 2019 | Review, Spain
Rethinking The Purpose Of British Arts Institutions 21st April 2019 | Essay, London, Participatory Theatre, United Kingdom
Fiona Shaw Performs “The Waste Land” In Madison Square Park 20th April 2019 | New York, Review, United States of America
On Broadway, “Burn This” Singes the Frayed Nerves of 20th Century Romance 19th April 2019 | New York, Review, United States of America
World Premiere of Georgina Escobar’s “Then They Forgot About The Rest” Delivers Frontier Futura Funk 19th April 2019 | New York, United States of America
“Swedish Furniture” Is A Serious, Realistic Look At Millennial Relationships 18th April 2019 | Canada, Review
José María Pou Celebrates A New Appointment And 15 Months On The Road With “Moby Dick” 18th April 2019 | Review, Spain
Necromancers of the Public Domain: Art Both Free and Liberating 17th April 2019 | Design, Devised Theatre, Musical Theatre, New York, Review
ETC and Ukrainian Theatre: A Dialogue of Art, Change, and Support 16th April 2019 | Germany, News, Producing, Theatre and Politics, Transcultural Collaborations, Ukraine
“Crippled,” The USCIS, And The Importance Of Disability As Culture 16th April 2019 | Canada, Review, Theatre and Disability
Samara Hersch: Theatre For The People, By The People 15th April 2019 | Australia, Directing, Interview
Bhuhu: A New Immersive Arts Course At Wandering Artist 15th April 2019 | India, News, Theatre and Art
Working Off-Script: Transgender Awareness in Iranian Black Box Theatres: An Interview with Sāmān Arasṭoo 14th April 2019 | Interview, Iran, LGBTQ Theatre, Theatre and Gender
We Shall Never See So Much (On Broadway): Glenda Jackson Is King Lear 14th April 2019 | New York, Review, United States of America
The Aphra Behn Emerging Artists’ Festival 14th April 2019 | Festivals, News, United States of America
Sonic Realm Theatricals In Belarusian Theatre 13th April 2019 | Belarus, Design, Essay, Theatre and Disability
On Broadway, “Ain’t Too Proud” Runs Away with The Temptations 13th April 2019 | Musical Theatre, New York, Review, United States of America
Kitchen Dog Theater Brings “Wolf at the Door” to Dallas 13th April 2019 | Dallas, Review, United States of America
Ross Willis’s”Wolfie” at The Theatre 503: Nurture vs. Nature Debate 11th April 2019 | London, Review, United Kingdom
“The Things We Do” at Odyssey Theatre 11th April 2019 | Los Angeles, Review, Theatre and Age, United States of America
Reinforcing Patriarchal Systems Of Power In BOC’s “‘Modern’ Don Giovanni” 11th April 2019 | Boston, Review, Theatre and Opera, United States of America
“An Inspector Calls”: A Study Of Greed 10th April 2019 | Boston, Review, Theatre and Politics, United Kingdom, United States of America
William Wharton’s “Birdy:” A Test Of Loyalty 8th April 2019 | Acting, Boston, News, United States of America
“Love And Information”: An Excellent Young Director Extracts Order From Churchill’s Contemporary Chaos 8th April 2019 | Canada, Review
Misogyny On Trial: Miguel del Arco’s Verbatim Production Offers A New Trial For “La Manada” 7th April 2019 | Review, Spain, Theatre and Gender
Kieran Hurley’s “Mouthpiece” At The Soho Theatre: Feast Of Meta-Theatre 7th April 2019 | London, Review, United Kingdom
José Torres-Tama’s “Aliens, Immigrants & Other Evildoers” Tackles Immigration and the Latinx Community 7th April 2019 | Review, United States of America
The Importance Of Theatre For The Youth With Jonathan Dorf 6th April 2019 | Interview, Los Angeles, United States of America
“Grief Is The Thing With Feathers” at The Barbican Theatre 6th April 2019 | London, Review, United Kingdom
“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018) 5th April 2019 | Dramaturgy, Hungary, Interview
Block Party and “Rotterdam” at the Kirk Douglas 5th April 2019 | LGBTQ Theatre, Los Angeles, Review, Theatre and Gender, United States of America
and everybody goes “Awww!”: The Mad Ones’ “Mrs. Murray’s Menagerie” 5th April 2019 | New York, Review, Theatre for Young Audiences, United States of America
A Street Play That Conveyed Hard-Hitting Messages On Body Shaming 4th April 2019 | Devised Theatre, Festivals, India, News, Theatre and Gender
“Los Papeles” By Anthony Kmeid: A Journey From Beirut To Barcelona Between Theatre, Video, And Story-Telling 4th April 2019 | Review, Spain, Theatre and Film
Lyric Hyperion Brings The Spirit Of Gaulier To Silver Lake 4th April 2019 | Interview, Los Angeles, United States of America
Necessary Questions: On Representation And Role Of Women In Egypt’s Theatre 4th April 2019 | Egypt, News, Theatre and Gender
Popular Culture And Political Theatre In PETA’s “Charot!, The Musical” 3rd April 2019 | LGBTQ Theatre, Musical Theatre, Philippines, Review, Theatre and Politics
Devotion In Motion: India’s Odissi Dance Discusses Faith On Egypt Stages Through Gesture 2nd April 2019 | Festivals, India, News, Theatre and Dance
“Brave Space” By Chicago-Based Aloft Circus Arts (At Iron City Circus Arts On Pittsburgh’s South Side) 2nd April 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
On Broadway, “What The Constitution Means To Me” Exorcises A Troubled American Ethos 1st April 2019 | New York, Review, Theatre and Politics, United States of America
“Love And Human Remains”: An Excellent Staging Gives Life To A Dated Play 1st April 2019 | Canada, Review
Hong Kong Ballet Brings Back “Le Corsaire”–An Encounter With Its Rising Young Star, Garry Corpuz 1st April 2019 | China, Hong Kong, News, Theatre and Dance
“A Man of Good Hope” Is No Tale Of Triumph Over Adversity, But It Is The Story Of Many 1st April 2019 | Festivals, Review, South Africa
“A Doll’s House Part 2” At Pittsburgh Public Theater 1st April 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“The Roommate” At City Theatre In Pittsburgh, PA 1st April 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“Mumburger” At Off The WALL Productions (Carnegie, PA) And “The Double Threat Trio” At Pittsburgh CLO 31st March 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Staging Difficult Pasts: “My Girl, My Little Girl” at Madrid’s Español Theatre 31st March 2019 | Review, Spain
David Herskovits’ “Marjana And The Forty Thieves” 31st March 2019 | Adaptation, New York, Review, United States of America
World Theatre Day 2019: On (Dis)Connection 31st March 2019 | News, South Africa, Theatre and Politics
Any One Thing’s “Recollection”: Breaking The Threshold Of Immersive Theatre 31st March 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
Brian Friel’s “Faith Healer” At The Odyssey Theatre 30th March 2019 | Los Angeles, Review, United States of America
“El Coronel No Tiene Quien Le Escriba” At Harlem Stage 30th March 2019 | Adaptation, New York, Review, United States of America
ASSITEJ SA Announces 2019 Playwriting Contest Winner 30th March 2019 | News, Playwriting, South Africa
Homegrown: Occupy Festival 30th March 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Sasha Velour’s “Smoke & Mirrors”: Long Live The Queen 29th March 2019 | LGBTQ Theatre, New York, Review, Theatre and Gender, United States of America
At the Barrow Group, “Perp” Is An Intimate, Challenging Look at Disability That Must Be Seen 29th March 2019 | New York, Review, Theatre and Disability, United States of America
“Love And Human Remains”: Excellent Production Explores Loneliness In The Modern World 29th March 2019 | Canada, Review
“La Reprise”: Startling Theatre And A Call To The Dead To Speak 29th March 2019 | Australia, Festivals, LGBTQ Theatre, Review, Switzerland
Hamilton Education Program on Broadway 28th March 2019 | News, Theatre and Politics, Theatre for Young Audiences, United States of America
Theatre Unleashed: Lauren Gunderson’s “Ada and the Engine” – A Must-See in Koreatown 28th March 2019 | Los Angeles, Theatre and Gender, Theatre and Science, United States of America
East Meets West In An English Retelling Of “The Legend Of The White Snake” 27th March 2019 | Adaptation, Hong Kong, News, Theatre and Opera
The Immigrant Dragons – Part III: Creating A Dragon That Will Last 100 Years 27th March 2019 | China, Design, Hong Kong, News, Transcultural Collaborations
“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak! 26th March 2019 | Canada, Review
A Conversation with Composer Ilya Demutsky: “I’m Excited” 26th March 2019 | Interview, Russia, Russian Theatre - Featured, Theatre and Dance
A Feminist Documentary Play From Toronto: “Grace” 25th March 2019 | Canada, Review, Theatre and Gender
“Secondhand” at the Örkény István Theater: Soviet Nostalgia 25th March 2019 | Hungary, Review, Theatre and Politics
Choy Ka Fai: Dr. Dance Trips The Light Fantastic 24th March 2019 | News, Singapore, Theatre and Science, Transmedia
“The Bourgeois Gentlemen” at the City Garage Theatre, Santa Monica CA 24th March 2019 | Los Angeles, Review, United States of America
Using Art To Tackle Air Pollution: A Story From A Nairobi Slum 23rd March 2019 | Kenya, News, Participatory Theatre, Theatre and Science
Transforming The Traditional World Of Kabuki With Kinoshita-Kabuki 23rd March 2019 | Essay, Japan, News
Without Language: Marius Ivaškevičius’s “Exile” at Moscow’s Vl. Mayakovsky Theatre 22nd March 2019 | Review, Russia, Russian Theatre - Featured
In The Labyrinth Of Surfaces: Performativity, And Visitor Experience In The teamLab Exhibitions 22nd March 2019 | Essay, Japan, Transmedia
Goof Troupe: Little Lord’s “Skinnamarink” 21st March 2019 | Devised Theatre, New York, Review, Theatre for Young Audiences, United States of America
Mechanical Reproduction: J.B. Priestley’s “An Inspector Calls” directed by Stephen Daldry at ArtsEmerson 21st March 2019 | London, Review, United Kingdom
The Immigrant Dragons–Part II: On The Hunt For The Right Master 20th March 2019 | China, Design, Hong Kong, News, Transcultural Collaborations
Interview With Director Johanny Bert 20th March 2019 | France, Interview, Theatre for Young Audiences
On Broadway, “Kiss Me, Kate” Is True To Fashion, For Better Or Worse 19th March 2019 | Musical Theatre, New York, Review, United States of America
“For The Love Of , Or, The Roller Derby Play”: Block Party 2019 Off To A Strong Start At The Kirk Douglas 19th March 2019 | Los Angeles, Review, United States of America
Interview With Debbie Devine: The Missionary Of Arts Education 19th March 2019 | Interview, Theatre for Young Audiences, United States of America
Revolution Is A Necessary Cause, But Impossible Today: Interview with Director Kokan Mladenović 19th March 2019 | Interview, Macedonia, Theatre and Politics
Stéphanie Turple’s “Un-Countried”: How Regimes And Mindsets Change 18th March 2019 | Acting, Canada, Review, Theatre and Politics
A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre 18th March 2019 | China, Design, Hong Kong, Theatre and Dance
“Skinnamarink” at Next Door at NYTW 18th March 2019 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Christina Ham Talks The Blues And Black Women With Dominic-Madori Davis 17th March 2019 | Interview, Playwriting, United States of America
Ravi Jain’s “Prince Hamlet” Breathes New Life Into The Bard 17th March 2019 | Acting, Canada, Review, Theatre and Gender
The Presence Of Others In A World Without Boundaries: An Interview With teamLab 17th March 2019 | Interview, Japan, Participatory Theatre, Transmedia
Yngvild Aspeli’s “Ashes”: Puppets That Haunt And Kindle 17th March 2019 | France, Norway, Puppetry, Review, Transcultural Collaborations, United States of America
Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross 17th March 2019 | Lithuania, Review, Theatre and Politics
We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom 17th March 2019 | Belgium, Hungary, Interview
Theatre Of The Real And Embracing The Politics Of The Current Moment: Heidi Schreck’s “What The Constitution Means To Me” 16th March 2019 | Essay, New York, United States of America
Harold Pinter’s “Betrayal” At The Harold Pinter Theatre: Brilliant Minimalism 16th March 2019 | London, Review, United Kingdom
Juan Mayorga’s “Intensely Blue”: Spain’s Premier Dramatist Seeing The World Anew 16th March 2019 | Review, Spain
Great Ape: “Chimpanzee” at HERE Arts Center 15th March 2019 | New York, Puppetry, Review, Theatre and Science, United States of America
David Henry Hwang On Theatre, Trump, And Asian-American Identity 15th March 2019 | Interview, Playwriting, United States of America
Tatty Hennessy’s “A Hundred Words For Snow” At The Trafalgar Studios 14th March 2019 | London, Review, United Kingdom
“Be More Chill” Brings Broadway Viral, Rewiring The High School Musical 14th March 2019 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
The 10 Craziest Russian Art Performances 14th March 2019 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Bigger And Better: Ninth Hakawy Children’s Arts Festival Offers More Performances Spread Over Three Cities 12th March 2019 | Egypt, Festivals, News, Theatre for Young Audiences
Martin Askew’s “There Is A Field” at The Theatre 503: Modern Conversion Play 12th March 2019 | London, Review, Theatre and Religion, United Kingdom
“Saviour Samuel” At Pittsburgh Playwrights Company In Pittsburgh, PA 12th March 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“Eden” at The Hampstead Theatre: Building a Luxury Golf Course 10th March 2019 | London, Review, Theatre and Politics, United Kingdom
“An Octoroon” At Kinetic Theatre Company In Pittsburgh, PA 10th March 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“The Cursed Child” Is The Latest In A Line Of Big Shows That Date Back To The Romans 10th March 2019 | Australia, Essay, Melbourne
At SoHo Playhouse, “Fiercely Independent” Demystifies Divorce 10th March 2019 | New York, Review, Theatre and Gender, United States of America
“The Animals And Children Took To The Streets” at The Lyric Hammersmith 10th March 2019 | London, Review, United Kingdom
Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi 9th March 2019 | Directing, Hungary, Interview
French Playwright Florian Zeller’s “The Son” at The Kiln Theatre 9th March 2019 | France, London, Review, United Kingdom
Who’s His Daddy?: Jeremy Harris’ “Daddy” at Signature Theatre Center 9th March 2019 | LGBTQ Theatre, New York, Review, United States of America
“Mary, Queen Of Scots” Is Newly Relevant In The Age Of #MeToo 9th March 2019 | Australia, Essay, Sydney, Theatre and Gender
Invigorated By A New Cast, “My Fair Lady” Continues to Enchant Broadway 8th March 2019 | Musical Theatre, New York, Review, Theatre and Gender, United States of America
Creating Opportunities For “Inclusive Dance” With Stopgap Dance Company 8th March 2019 | Japan, Review, Theatre and Disability, United Kingdom
Peter Shaffer’s “Equus” at Theatre Royal Stratford East 8th March 2019 | London, Review, United Kingdom
Warring Siblings: Bárbara Lennie And Irene Escolar In Pascal Rambert’s Sell Out Madrid Run Of “Sisters” 7th March 2019 | Review, Spain
Get Out Of The Box: New Business Models And International Co-Operation 7th March 2019 | Europe, News, Participatory Theatre, Transcultural Collaborations
“Superhoe” at The Royal Court: Nicôle Lecky’s One-Woman Debut 7th March 2019 | London, Review, Theatre and Gender, United Kingdom
Using Theatre To Promote Positive Mental Health 7th March 2019 | Ireland, News, Theatre and Disability
In “Kwongkan,” Indian And Australian Performers Convey An Urgent Climate Change Message 6th March 2019 | Australia, Festivals, Review, Transcultural Collaborations
“Ajijaak On Turtle Island”: New York Stories Old And New 6th March 2019 | New York, Puppetry, Review, Theatre for Young Audiences, Transcultural Collaborations, United States of America
“How To Rule The World” Is A Biting And Urgent Satire Of Australian Politics–That Feels All Too Real 5th March 2019 | Australia, Review, Sydney, Theatre and Politics
Finding Something To Hold Onto: A Conversation About Art+Community 5th March 2019 | Applied Theatre, Interview, United States of America
At Roundabout, Can “Merrily” Still Roll Along, Reimagined? 5th March 2019 | Musical Theatre, New York, Review, United States of America
Robert Lepage’s “887” at the Hong Kong Arts Festival 4th March 2019 | Canada, Festivals, Hong Kong, Review
“The Gun Show (Can We Talk About This?)” At Quantum Theatre In Pittsburgh, PA 4th March 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
“The Legend Of Georgia McBride” At Barebones Productions In Pittsburgh, PA 4th March 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Barcelona Meeting On Independent And Non-Institutionalised Theatres: A Short Report 4th March 2019 | News, Review, Transcultural Collaborations
When Poetry Is The Protagonist: “Lugones,” The Lord Of All The Words 3rd March 2019 | Argentina, Playwriting, Review
World Premiere Of Completed Lorca Play: “The Dream Of Life” Opens In Madrid 3rd March 2019 | Review, Spain
Ravi Jain’s “Prince Hamlet”: A Meta-theatrical Reversal Of Disability And Gender 2nd March 2019 | Canada, Review, Theatre and Disability
“Cougar” at The Orange Tree Theatre 2nd March 2019 | London, Review, Theatre and Gender, United Kingdom
Tears of a Clown: “American Juggalo” 1st March 2019 | Adaptation, Documentary Theatre, New York, Review, Theatre and Politics, United States of America
Brecht In Exile: “Galileo” In Brooklyn 1st March 2019 | Adaptation, Germany, Review, Theatre and Politics, United States of America
“America Adjacent” At The Skylight Theatre Is Worth Consideration… 28th February 2019 | Los Angeles, Review, Theatre and Gender, United States of America
Russian Theatre: The Century of Violence 28th February 2019 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Machinations Of Circus And Light: “When Angels Fall” Created By Rapaëlle Boitel At ArtsEmerson 27th February 2019 | Boston, Devised Theatre, France, Review, United States of America
“The Justice Syndicate”: How Do You Make Decisions? Immersive Theatre and Jury Duty 27th February 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
“Authentic Or Fake?” Calithumpian Theatre Collective Stages Stephen Sachs’s “Bakersfield Mist” 26th February 2019 | Canada, Review, Theatre and Art
Lauren Gunderson’s “The Revolutionists”: Liberté, Égalité, And Sororité 26th February 2019 | Canada, Review
“KING” – An Interview With Shaun Parker 26th February 2019 | Australia, Interview, LGBTQ Theatre, Transcultural Collaborations
Guilty Pleasures, Escapism, And The Greatest Hits Of ABBA Abound In TUTS’s “Mamma Mia!” 26th February 2019 | Musical Theatre, Review, United States of America
On The Power Of Poetic Voice: A Conversation With The Multidisciplinary Artist Rafael Casal 26th February 2019 | Boston, Interview, United States of America
Story Of Kader Can; A Rapper Boy’s Journey From Poor Outskirts Of Istanbul To Military Barracks! 25th February 2019 | Review, Turkey
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