Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs
INTRODUCTION This article is comparative in approach and introduces the work of two classic...
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Polish Theatre Playwriting
Laughing in Darkness: Reading Różewicz Anew
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
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5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
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“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
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The “Very Last Wedding” At The Divine Comedy Festival
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
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“(A)pollonia: Twenty-First-Century Polish Drama And Texts For The Stage”
In her Preface to (A)pollonia: Twenty-First-Century Polish Drama And Texts For The Stage Joanna...
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Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto
I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...
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Who’s Who And Why: Małgorzata Sikorska-Miszczuk
In this section, we introduce Polish artists, places, and new phenomena. We always ask the person...
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Theatre Matter: Magda Fertacz
Theatre is this section’s subject matter. For we love the stage and its (r)evolution. In this...
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Boguslaw Schaeffer: Celebrating Poland’s Multimedia Playwright
I highly respect and admire Schaeffer’s escalation of innovations but it creates the effect...
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