Peter J. Chelkowski: A Life of Scholarship And Cultural Exchange
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
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Polish Theatre Interviews
FIRE THEATRE Mime Company: On a Quest for Fire Drama
The Isle of Youth 2021 was a two-day (PhD) student conference held on 11-12 May 2021 as part of...
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Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.
This is PART 3 of the interview. To read PART 1 and PART 2, click the links. Tomasz Wiśniewski:...
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Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.
This is Part 2 of the interview. To read Part 1 and Part 3, click the links. Tomasz Wiśniewski:...
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Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.
A zoom conversation conducted on 13th May 2021 as part of the Twelfth Between.Pomiędzy Festival....
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Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
In the post-Soviet area, the play’s path to the stage has always been a thorny one, so the drama...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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The Story Behind “LILIAN”: Interview with Kasia Głowicka
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
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“I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
Monika Kwaśniewska: What is your educational background in the arts? Did you graduate from drama...
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An Interview with Grzegorz Bral Director of “Anty-Gone Triptych Part II”
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
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Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
Grzegorz Jarzyna – the head and artistic director of TR Warszawa (Poland)– responds to Boris...
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Between.Pomiędzy Festival: Literary Criticism Now
In this discussion Derek Attridge explores the role of contemporary literary criticism as part of...
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Between.Pomiędzy: A Festival That Believes in Europe
The Opening dialogue of the Between.Pomiędzy Festival. 5 May 2020. Octavian Saiu: I’d like to say...
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VR, Theatre and the Importance of Immersion
Wojtek Markowski is the producer of the Polish experimental lab Dream Adoption Society. Together...
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“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...
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“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
One of the major figures in Polish experimental theatre, Włodzimierz Staniewski, is the founder of...
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Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
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Interview With The Art Director Of MICET Interactive Theatre Museum In Kraków
Walking into the old basement of the legendary Old Theatre (Stary Teatr) in Krakow, you soon realize nothing is old here. MICET, the new interactive theatre museum, which opened just about a year ago, completely transforms the theatre’s dark, moldy basement into one of the most cutting-edge museum/installation/performance spaces in Europe.
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