Make Your Classroom Multilingual: On Training Students For Rapidly Changing Cultural Landscapes
How do we train students to work within rapidly changing landscapes and for a theatre of the...
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Polish Theatre and Politics
Polish People Deserve Better From Irish Theatre…
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
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The Dismantling of Mourning
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
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Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
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World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
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Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
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Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre
In the virtual space of the 12th Between.Pomiędzy Festival of Literature and Theatre, a question...
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Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.
On Saturday 9th of January, Polish National Theatre will stream its 2015 production of Kordian by...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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The Story Behind “LILIAN”: Interview with Kasia Głowicka
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
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The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
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Dressing Room with a Bathrobe and a Gas Mask. “Trump and the Field of Maize” at the Polski Theatre, Bydgoszcz
Like two other plays that premiered this year, Agata Siniarska’s You Are Safe, and The Last One...
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Sniff Like a Dog Sniffs the Wondrous: “Warsaw’s Daughters #100LAT” by Teraz Poliż
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
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Borders, Barriers and Limitations: “Lwów We Won’t Give Up”
Standing on the edge of a meadow and a forest, the spreading lime tree in the opening scene of the...
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Where Have You Gone, Davey?
The Polish narrative of 1968 tends to end with the conclusion that Jews lived in Poland after...
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