World Premiere Musical: “The Lucky Ones”
With downtown theatre audiences, the never-ending challenge is how to push boundaries and create...
Read MorePosted by The Theatre Times | 4th Apr 2018 | Millennial Perspectives, Musical Theatre, New York, Review, United States of America
With downtown theatre audiences, the never-ending challenge is how to push boundaries and create...
Read MorePosted by Nobuko Tanaka | 4th Apr 2018 | Belgium, Interview, Japan, Theatre and Dance, Transcultural Collaborations
There are mutual squeals of delight when Belgian dance artist, Sidi Larbi Cherkaoui and Spanish...
Read MorePosted by Ryan Raul Bañagale | 4th Apr 2018 | Essay, Musical Theatre, United States of America
Musicals have long depicted utopian worlds, offering an escape for audiences, if only for a few...
Read MorePosted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom
Dysfunctional families do not know about time or place. We may all know too well that reading...
Read MorePosted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom
Until very recently British theatre has been pretty poor at representing the stories of Chinese...
Read MorePosted by Vikram Phukan | 2nd Apr 2018 | Festivals, India, News
This weekend, the city gets a brand new festival that seeks to inject an infectious arts vibe into...
Read MorePosted by Jamie Portman | 2nd Apr 2018 | Canada, Review
carried away on the crest of a wave By David Yee, Directed by Kim Collier. A NAC English Theatre...
Read MorePosted by Liz Crossman | 2nd Apr 2018 | Design, United Kingdom
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
Read MorePosted by Aleks Sierz | 1st Apr 2018 | London, Review, United Kingdom
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
Read MorePosted by Massimo Malavasi | 1st Apr 2018 | Italy, Review, Theatre and Opera
On February 18th, 2018, Giuseppe Verdi’s La Traviata was staged at the Teatro Sociale in...
Read MorePosted by Diwan Singh Bajeli | 31st Mar 2018 | Festivals, India, Review
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by Marcina Zaccaria | 31st Mar 2018 | New York, Review, Theatre and Dance, Theatre and Opera, United States of America
BAM’s Harvey Theater always feels like a mammoth work in progress. Walls to the larger opera house...
Read MorePosted by Vikram Phukan | 31st Mar 2018 | Festivals, India, Review
The Mumbai tour will be its final leg, with the closing ceremony slated for April 8 at Worli’s...
Read MorePosted by Stage Russia | 30th Mar 2018 | Kama Ginkas Black Monk
CLICK HERE TO WATCH ON VIMEO To access, enter password: Spe0132224 (It is case sensitive) If the...
Read MorePosted by Anne Liisberg | 30th Mar 2018 | Denmark, News
Yet more adaptations, strong Danish voices, golden oldies, the music accompanying most...
Read MorePosted by Ati Metwaly | 30th Mar 2018 | Egypt, Essay
The art practitioners, art aficionados, cultural journalists and–above all–the regular audience...
Read MorePosted by Hayley Malouin | 30th Mar 2018 | Canada, Interview, Playwriting
Alt.theatre web editor Hayley Malouin interviews playwright Hannah Moscovitch about female...
Read MorePosted by Jonathan Karstadt | 29th Mar 2018 | Adaptation, Kama Ginkas Black Monk, Review, Russia
Of all the great Russian writers of the second half of the nineteenth century, none perfected the...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 | M | T | W | T | F | S | S |
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