Pía Gutiérrez

Recent Posts

• ”Seven Women in Search of Mia” or ”Breast Cancer Trilogy” (A Postproduction Reflection) 1st August 2022
• A Director Needs “to Practice What They Preach”: An Interview with Milosh Andonovski, Theatre Director and Educator 31st July 2022
• “Murat IV” Opera to tell Ottoman Sultan’s Story in Istanbul 30th July 2022
• With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment 29th July 2022
• Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death 28th July 2022
• The Musical “Notre Dame de Paris” Returns to the United States 27th July 2022
• An Interview with Prof. Ana Stojanoska—Theater Scholar, Writer, and Poet 26th July 2022
• In Finucane & Smith’s “Future. Joy. Club.” the Joy is Much More Than the Sum of Its Parts 25th July 2022
• “The Fellowship,” Hampstead Theatre 24th July 2022
• The Death of Madam Dupin: Is the Balkan the Sub-Saharan Africa of Europe? 23rd July 2022